Play crape myrtle

What scares me most about Princess Zhu Huan is the seemingly careless swallow. It seems to be full of luck and everyone can see it.

I love Swallow, but I don't seem to love Yongqi very much. The swallow, who always lets Yongqi indulge, is actually a neglected role. No one pays attention to her heart, her pain, her sacrifice, her pessimism and her melancholy, and no one sees it-even her favorite Yongqi, even those of us who look at it from the perspective of God.

Outsiders don't care about the swallow's heart, even the swallow doesn't cherish his own heart and won't understand it. I couldn't stand the pressure and left the palace. After I came back, I apologized, but I never really told my friends about my grievances and sadness. Many times, after an accident, I always pass it with a smile-for example, I left.

But is the swallow really carefree? On the contrary, she has a crying child in her heart.

In my opinion, even the first and second films called "classics" actually have a sad lining, but in the comedy atmosphere, the use of sadness is quite restrained, and this sadness stems from three tragedies in the first and second films: the ending of summer, the life experience of the swallow and the love with Xiang.

Although there are many stories about "spoony women are fickle lovers" from ancient times to the present, and there are not many scenes in Xia, this woman with a new lotus after the rain has still become the "Bai Yueguang" that the emperor yearns for after many years, so that in the third part, she and a famous prostitute in the south of the Yangtze River "cut off the chaos", and the lines of "eighteen years" are still quite moving, which has become an excellent portrayal of Xia's life. Summer is another "Wang Baochuan" or "Su Xiaoxiao". There has never been a shortage of such infatuated women in history, and their love tragedy has also become a story that the world talks about after dinner in history.

Hope to adopt.