What are the roles of Beijing Opera?

How many roles are there in Beijing Opera?

Beijing opera, also known as role, is divided into five major trades: life, Dan, purity, end and ugliness. 1. The abbreviation of Shenghang is "Sheng". Life is divided into Xu Sheng (an old student), Hong Sheng, Xiao Sheng, Wu Sheng and Wa Sheng. It is one of the important industries of Peking Opera. Xu Sheng (old man): All playwrights above middle age have beards. Because of their different personalities and identities, they can be divided into old people who are engaged in security or singing (such as playing emperors, bureaucrats, literati, etc. ), relying on old men (such as fighting military commanders) and declining old men (such as fighting the poor, etc.). ) Hong Sheng: He has a red beard, such as playing Guan Yu and Zhao Kuangyin. Xiao Sheng: Ling Zisheng (including general pheasant and prince). ), Sha (official student), Fan Shengsheng (scholar), poor student (poor scholar) and so on. Wu Sheng: For the role of Wu Sheng in the play, those who wear thick-soled boots are called long-sleeved (chopping board) Wu Sheng, and those who wear thin-soled boots are called short-sleeved (skimming) Wu Sheng. 2. Danxing is called "Dan" for short. Tsing Yi, Hua Dan, wudan, Beijing Opera Blues, Lao Dan, Tie Dan, Gui Dan and other roles. All the stars are women. Tsing Yi: Mainly singing and playing the role of a good wife and mother. Hua Dan: Also known as Flower Shirt, it is characterized by gorgeous costumes and mainly plays the roles of queen, princess, lady, female general, vendor, village girl and so on. Wu Dan and Beijing Opera Blues: A Woman Good at Martial Arts. Lao Dan: Singing with this voice is mostly for middle-aged and elderly women. 3. Network cable is called "net" for short, also called picture. Corner cleaning refers to the face-painting role with colorful paintings on the face, which looks unclean, so it means that the clean line is divided into the following roles: bronze hammer face painting and blackhead face painting; The faces painted on the bookshelves, such as the faces of generals, monks, outlaws, Wu Hualian, and slamming paintings, etc. The bronze hammer painted face is called Zheng Jing, the shelf painted face is called Vice Jing, the martial arts painted face is called Wu Jing, and the martial arts painted face is red and clean, which has different characteristics in performance style. The last line is called the "end". This business is mainly for men over middle age. In fact, the end of the line is dedicated to the function of attracting drama, such as the first appearance, which is called "the end" because of the opposite meaning. 5. Ugliness, referred to as "ugliness". In the play, the ugly line hooks the face, but it outlines the "three-faced face", and the face spectrum is very different from the painted face. Ugliness can be divided into Wen Chou and Wu Ugliness. Wen Chou is divided into square towel ugliness (literati, Confucian scholars); Wu Chou is good at wrestling, hitting, turning and jumping. According to the zodiac, ugliness belongs to cattle, which is stupid, and ugliness is synonymous with stupidity. The ugliness of martial arts on the stage is also called jumping, but it can say and jump, playing a lively and clever role, which is completely different from the ugliness of cattle people.

Roles in Beijing Opera

The role of Peking Opera

The roles of Beijing opera are divided into four major businesses: life, Dan, purity and ugliness, with historical stories as the main business. Facebook, a decorative and exaggerated figure, is a symbol of expressing characters' personalities, distinguishing good from evil, and being loyal and treacherous. Its gorgeous headdress and costumes have become the unique style of Peking Opera. There are more than 1300 traditional plays, and more than 400 are often performed.

"Life" is divided into: "old students"-mature middle-aged men who appear as decent figures or emperors. "Xiao Sheng"-a young man.

"Dan" is divided into: "Tsing Yi"-refers to middle-aged women, generally refers to ladies and gentlemen of aristocratic families. "wudan"-refers to a woman who can fight. "Hua Dan"-refers to young girls, women at the bottom of society, such as "maids".

"Jing" refers to all kinds of face painting, which generally acts as a male role with special characteristics in personality, quality or appearance.

"Duan" also belongs to the old class, but it should be older, confused and living at the bottom. Because a small piece of white powder is put on the bridge of the nose when making up, it is commonly known as "small flower face", also known as "three flower faces" parallel to the big flower face, and the two flower faces are angular.

"Ugliness" refers to a small face, and most of them also show that people living at the bottom of society, such as the righteous folk, are alert and funny.

Characteristics of Peking Opera

(1) stage and spatio-temporal model

In the past, there was no curtain on the stage of Peking Opera, and the audience could see the whole stage at a glance. Generally, there is only one table around the table and two chairs with chair covers on the stage, which is called "one table and two chairs". There is decorative embroidery on the table and chair cover. Sometimes there is nothing on the stage. Later, a curtain was added in front of the stage to cover the stage before the performance. Sometimes, during the performance, another curtain will be put on, which is called the "second curtain". It is used to keep the preparation work such as setting tables and chairs behind the scenes and changing clothes for actors. Actors can perform in front of the curtain at the same time, making the performance of Beijing Opera more compact.

The time and space of the Peking Opera stage is very free, not limited by the time and space of real life. After the curtain is opened, the stage does not represent any time or place before the actors take the stage. The time and space of Beijing Opera dance is determined by the actors' activities. For example, after a character in Beijing Opera enters the stage, he can show that the stage is his study by chanting and singing. However, after he left the stage, the study did not exist, and then another character appeared. Through his physical performance, we can see that the stage is a rugged mountain road. A person sits around his home and wants to go to a friend's house, so he walks around the stage (called "circus"), and his home is transformed into a friend's home. Another example is the shock of the people in the play when they hear an unexpected news. This should be an instant psychological reaction, but they can sing for a long time in order to portray the characters. On the contrary, the process of writing, reading and drinking would have taken some time, but for simplicity, just perform a gesture and play a suona qupai at the same time, and it will be completed.

Therefore, when enjoying Beijing opera, the audience needs to use their imagination with the chanting, singing and performance of the actors, so as to understand the time, place and environment in the play.

(2) Role type

The role types of Peking Opera are commonly known as "Shang", which are mainly divided according to the gender, age, identity, status, personality and temperament of the characters in the play. The business of Peking Opera evolved from Kunqu Opera, Han Hui Opera and other ancient operas. At first, it was divided into ten roles: life, Dan, end, foreign, clean, ugly, miscellaneous, introductory, starting and popular. Later, due to the development of performing arts and the richness of repertoire, it broke the strict business boundaries and integrated the four major businesses of life, Dan, Jie and Ugliness. Each line contains several different types of roles.

For example, there are: old students (mainly playing emperors and elegant and weak middle-aged and elderly people. Some military commanders, such as Hua Yun, Yue Fei and Huang Zhong. , belonging to "selling the old by relying on the old" and returning to the old school), Wu Sheng (warrior or chivalrous man), Xiao Sheng (mainly playing heroic figures, such as Zhou Yu, Lu Bu and handsome young people), Hong Sheng (such as Guan Yu)

There are: Zheng Dan (or Tsing Yi) (dignified and demure woman), Hua Dan (innocent and lively girl or. ......

What are the roles of Beijing Opera?

Beijing Opera Beijing Opera has its own unique modeling language in shaping characters. It divides people of different genders, personalities, ages and identities into different occupations. Generally speaking, there are four occupations: fate, Dan, cleanliness and ugliness. Because of its vivid characters, diverse styles and strong dramatic effects, Beijing opera is often more likely to arouse the audience's appreciation interest. "Sheng" in Peking Opera generally refers to the actors who play men in the play, and can be subdivided into "old students", "primary school students" and "martial arts students". "Old students", as the name implies, are middle-aged and elderly men. They often play upright and upright characters, such as Wu Zixu in the Beijing Opera Wu Zixu. They wear fake beards to hang on their ears when performing, which is also called "Dunkou" in Beijing Opera jargon, so they also have a set of performance skills in Dunkou. The color of the beard indicates the age of the character. Yang Silang in the Beijing Opera "Shiro Visiting Mother" is about thirty years old and has a black beard. In the Beijing Opera Qin Xianglian, Wang Yanling is about 60 years old and has a white beard. Old students generally pay attention to singing skills and delicate performances in the play, and their voices are also the richest. The lines are expressed in rhyme and white in Beijing opera, and the singing is performed in real voice. The style is strong, straight, simple and mellow, and the action modeling is mainly graceful, elegant and solemn. Corresponding to the old students is "Xiao Sheng", which refers to the role of young men in Beijing Opera. Their movements in the play are elegant, charming and graceful. Singing adopts the combination of true and false voices, and the singing style is gorgeous and lively. For example, Xu Xian in the Peking Opera Legend of the White Snake. "Wu Sheng" refers to playing young male military commanders in the play, who show the martial arts of the characters in the play with superb martial arts. Do not pay attention to singing, but pay attention to the skills and difficulty of Wushu movements. For example, Zhao Yun in Changbanpo, a Beijing opera, calls women "Dan" in Beijing opera, which can be subdivided into many occupations according to the age and personality of the characters. The woman who plays a well-off family and has status is called "Zheng Dan", and Zheng Dan is commonly known as "Tsing Yi" in Beijing Opera, which is named after the role played by Zheng Dan who often wears a blue gown. Dou E, the heroine in the Peking Opera Dou E Yuan, is a typical Tsing Yi character. Tsing Yi's performance is solemn and demure, beautiful, elegant and gentle, and mainly focuses on singing. Generally speaking, Tsing Yi's singing is beautiful and delicate. "Hua Dan" in "Danxing" mostly plays the innocent and lively or dissolute and provocative Tsing Yi woman, and pays attention to labor and reciting white words in the performance. For example, the matchmaker "Lao Dan" in The Matchmaker refers to the business of playing the role of an elderly woman in the play. In order to highlight the characteristics of the elderly, we walk with a steady pace of eight characters, the colors of our clothes are dark Qiu Xiangse and dark green, and we sing with real voices. In Beijing opera, the "Jing" corner is a unique figure type on the stage, and the facial makeup is the most colorful. "Jing" is also commonly known as "big face", because facial makeup needs to use various colors and patterns to outline the face. Generally speaking, men who play the role of appearance or personality in Beijing Opera are mostly generals, deified figures or people with certain social status. Although it is divided into good and evil, it is almost rough, weird and heroic in character and temperament. Therefore, in singing, they are required to sing with real voices. The timbre is broad and loud, vigorous and vigorous, and the action modeling is bold, highlighting the character and momentum of the characters. The "ugly" actors in Beijing opera are also called "little faces". Although the makeup of the "ugly" line is a bit like that of the big face, his performance style is completely different, a bit like an exaggerated cartoon. The appearance of clowns often causes laughter all over the house. Ugliness can be divided into "Wen Chou" and "Wu Ugliness". Wu Chou often plays people who are alert, funny and skilled in martial arts, such as outlaws, Grand Theft Auto and so on. "Wen Chou" often plays * * *, jailer, bartender, night watchman, veteran, etc. Both Wen Chou and Wu Chou are humorous comedy characters in the play, but they are not all villains, although they are divided into good and evil in civil and military affairs and have high and low status. The business of Peking Opera is a long process. ......

What kind of people do the five roles in Beijing Opera represent?

Life, Dan, net, end, ugliness.

Sheng Xing is a business that plays the role of a man, including an old pedant: he mainly plays a gentle and weak emperor and middle-aged and elderly people. Xiao Sheng: Mainly plays a handsome young man. Wusheng: He mainly plays brave soldiers or chivalrous men. Hongsheng: refers to an old student with a red face. Baby students: the role and other categories of children in the play. Except for the martial arts students with red faces (that is, faces painted on their faces), most of them are plain, that is, clean and beautiful.

Dan Xing plays roles of different ages, personalities and identities. Danxing is divided into Tsing Yi (Zheng Dan): a dignified and refined woman. Hua Dan: Innocent and lively girls are still hot. Wu Dan: Playing a brave female role, especially playing. Beijing Opera Blues: Young and middle-aged women who are good at martial arts don't need to play. Lao Dan: An old woman. Cai Dan: A comic character with funny humor. Flower Shirt: An all-around actor who combines Tsing Yi, Hua Dan, Wudan and Beijing Opera blues, called Flower Shirt.

Network cable is commonly known as drawing face, also called drawing face. They usually play male roles. Net behavior can be divided into positive net (big face): loyal ministers and good generals with high status and steady behavior. Sub-net (Erhualian): commonly known as shelf painting face, more rough and reckless roles. Jason Wu (Wu Hualian): This role is mainly about martial arts.

Ugly behavior is also called little face and three faces. Including Wen Chou: a witty or cunning character. A clever and humorous hero.

It's the last old man

Generally speaking, there are only life, beauty, purity and ugliness, because "life" includes "end"

What are the roles of Beijing Opera?

Zhuge Liang, Cao Cao, Mu, Jin Fan, Xiao He. . . They are all characters in Beijing Opera. Are you asking about business?

Beijing opera is divided into four professions: birth and ugliness.

Students refer to men, such as old students (Zhuge Liang, Lu Su), Wu Sheng (Song Wu, Gao Chong) and Xiao Sheng (Zhou Yu, Luo Cheng).

Dan: It refers to women, such as Lao Dan (She Taijun), Tsing Yi (Wang Baochuan, Qin Xianglian) and Hua Dan (matchmaker, Cao Chun).

Jing: Men who have painted their faces with more personality, such as Bao Gong, Huang Gai and Lian Po.

Ugly: It's funny male or female, such as: moving, Jiang Gan.

What are the famous characters in Beijing Opera who are students?

1. Shenghang

Birth is a business that plays a male role and plays an important role in Beijing opera. There are old students, young students, martial arts students, red students, baby students and so on in life. Except for Hong Sheng and Wu Sheng, who have a crooked face, all the other students are plain-faced, and the expert term is "handsome", which means their appearance is clean and beautiful.

Old students are also called "Xu Sheng", "Zheng Sheng" and "Hu Zisheng". Generally, they are middle-aged and elderly men with a sense of justice. The protagonists are all black beards. In the past, there were three lines in Peking Opera, namely, primary, exogenous and terminal, which were later collectively referred to as old students. According to the different characteristics of performing arts, old pedants can be divided into hard pedants, declining pedants and pedants who rely on handles. Old An Gong students, also known as "singing and cutting old students" and "Wang", play more emperors and generals, and are calm and steady on the stage, so they are called "An Gong", such as Emperor Guangwu of Han Dynasty in Going to the Tiantai and Chen Gong in Catch and Release Cao. Declining old students, also known as "old students who do work" and "old workers" mostly play people who are old or whose mental state is declining, so they are called "declining factions", such as Song Tujie in Four Sons, Qin Qiong in Selling Horses, and Song Jiang in Sitting on a Building to Kill Cherish. Relying on the elderly, most of them play the role of military commanders. It is named after relying on (wearing a helmet and armour) and using a sword and a gun (the weapon used by the people in the play), plus Huang Zhong, a veteran of Dingjunshan, Hua Yun in "The War of Peace" and Yue Fei in Zhentanzhou. No matter what kind of old students are, they mainly sing and use their own voices. The old students of An Gong should sing melodiously, while the old students of the declining school should sing with indignation and depression, relying on their passionate and generous singing. In addition, in the history of Peking Opera, there are also some senior actors who are good at writing, martial arts, singing, acting and playing tricks. Later, they were called "civil and military officials", such as Cheng Changgeng and Tan Xinpei.

Xiao Sheng mainly plays young men. He wears makeup without a beard and looks handsome. Xiao Sheng sings with shrill voice and falsetto voice, and speaks with true and false voice. Xiao Sheng's falsetto is different from Dandan's. Xiao Sheng's singing style should be firm, powerful, broad and bright. It sounds clear but not gentle and lovely, rich but not rude. According to the different characteristics of characters' personality and status, they can be divided into robe belt, fan, Ling Zisheng, poverty and martial arts. A young man in a robe, also called a shamao young man, plays an official young man. Wearing a gauze cap is its main symbol. Most of these characters are literati, such as Wang Jinlong in Yu Tang Chun, Zhao Chong in Strange Double Meeting and Chen Kui in Chen Sanliang's Climbing the Hall. Fan students often play young scholars and romantic and elegant sons, holding fans, wearing literary towels and pleating, so they are also called "pleated students". Fans are special props to help characters express charm and elegance. For example, Fu Peng is picking up jade bracelets and Zhang Junrui is in the west wing. Ling Zisheng, also known as "Pheasant's Tail", is its main symbol, and he is a figure who plays both military commanders and civil and military skills. Playing Zi Ling requires martial arts. With the help of scaffolding and dancing, many dance moves were performed with Zi Ling. For example, Zhou Yu in Hero, Lu Bu in Lu Bu and Diophantine, Yang Zongbao in Wood Carving Zhai and so on. Poor students, who mostly play down-and-out literati and scholars, "pay special attention to their performance", mainly show the sour smell of the characters and are used to stepping on the heels of shoes to show their poverty, so they are also called "shoe students", and wearing rich clothes is their main symbol. Rich clothes are green folds with many colorful patches, which means that although these people are poor and poorly dressed now, they will still be rich in the future, so they are called "rich clothes". For example, Moggi in "Beat a fickle lover" and Wang Mingfang in "Liansheng Store". Martial arts, more young heroes, mainly martial arts, chanting, and labor. From the martial arts point of view, Wu is similar to Wu Sheng, but both singing and reciting methods are used. Such as Lu Wenlong in Eight Hammer, Zhao Yun in Borrowing Zhao Yun and Shi Xiu in Shi Xiu.

Wushu students play young and middle-aged men who are good at Wushu, and they are divided into two types: long-term dependence on Wushu and short-term fighting Wushu, commonly known as "chopping" and "skimming". "Split" refers to wearing thick-soled boots, and "skimming" refers to wearing thin-soled boots. Dragons rely on martial arts, and both martial arts and scaffolding are equally important, such as Zhao Yun in Changbanpo, Ma Chao and Pullman in Jizhou. Bunting martial arts students wear tight shorts. Attach importance to martial arts stunts, such as Ren in Sanchakou, Lin Chong in fun run. Wu Laosheng plays middle-aged and elderly British figures, such as Zhen Wu of Bailiang Building and Qiu Cheng of Jianfeng Mountain. The role of male military commanders (China traditional drama) ......

What are the main roles in Beijing Opera?

Beijing opera, also known as role, is divided into five major trades: life, Dan, purity, end and ugliness.

1. The abbreviation of Shenghang is "Sheng". Life is divided into Xu Sheng (an old student), Hong Sheng, Xiao Sheng, Wu Sheng and Wa Sheng. It is one of the important industries of Peking Opera.

Xu Sheng (old man): All playwrights above middle age have beards. Because of their different personalities and identities, they can be divided into old people who are engaged in security or singing (such as playing emperors, bureaucrats, literati, etc. ), relying on old men (such as fighting military commanders) and declining old men (such as fighting the poor, etc.). ).

Hongsheng: He has a red beard, such as Guan Yu and Zhao Kuangyin.

Xiao Sheng: Ling Zisheng (including general pheasant and prince). ), Sha (official student), Fan Shengsheng (scholar), poor student (poor scholar) and so on.

Wu Sheng: For the role of Wu Sheng in the play, those who wear thick-soled boots are called long-sleeved (chopping board) Wu Sheng, and those who wear thin-soled boots are called short-sleeved (skimming) Wu Sheng.

2. Danxing is called "Dan" for short. Tsing Yi, Hua Dan, wudan, Beijing Opera Blues, Lao Dan, Tie Dan, Gui Dan and other roles. All the stars are women.

Tsing Yi: Mainly singing and playing the role of a good wife and mother.

Hua Dan: Also known as Flower Shirt, it is characterized by gorgeous costumes and mainly plays the roles of queen, princess, lady, female general, vendor, village girl and so on.

Wu Dan and Beijing Opera Blues: A Woman Good at Martial Arts.

Lao Dan: Singing with this voice is mostly for middle-aged and elderly women.

3. Network cable is called "net" for short, also called picture. Corner cleaning refers to the face-painting role with colorful paintings on the face, which looks unclean, so it means that the clean line is divided into the following roles: bronze hammer face painting and blackhead face painting; The faces painted on the bookshelves, such as the faces of generals, monks, outlaws, Wu Hualian, and slamming paintings, etc. The bronze hammer painted face is called Zheng Jing, the shelf painted face is called Vice Jing, the martial arts painted face is called Wu Jing, and the martial arts painted face is red and clean, which has different characteristics in performance style.

The last line is called the "end". This business is mainly for men over middle age. In fact, the end of the line is devoted to the function of attracting drama, such as the first appearance, which is called "the end" because it has the opposite meaning.

5. The ugly line is called "ugly" for short. In the play, the ugly line hooks the face, but it outlines the "three-faced face", and the face spectrum is very different from the painted face.

Ugliness can be divided into Wen Chou and Wu Ugliness. Wen Chou is divided into square towel ugliness (literati, Confucian scholars); Wu Chou is good at wrestling, hitting, turning and jumping. According to the zodiac, ugliness belongs to cattle, which is stupid, and ugliness is synonymous with stupidity. The ugliness of martial arts on the stage is also called jumping, but it can say and jump, playing a lively and clever role, which is completely different from the ugliness of cattle people.

There are four main trades in Beijing opera: life, Dan, purity and ugliness.

Ye, Jiang, Liu, Xu.

Single surname schools: Mei, Shang, Cheng, Xun, Wang, Song, Mao, Li, Zhang, Yang, Chen, Xiao Yu, Xiao Li, Dali and Gong.

Hao, Hou, Yuan, Qiu and Jin.

Xiao, Ye, Liu and Ma. . .

There have always been different opinions about the origin of the names of traditional Chinese opera roles. A common saying is that "life is beautiful, pure and ugly" is named after "anti-metaphor", which is actually a very old legend, dating back to the era when zaju and legends were popular. However, when it was in full swing, the fallacy had been pointed out. For example, Zhu Zhishan, a writer in the Ming Dynasty, said in Tan Wei: "It is absurd to call birth, purity, purity, and ultimate name, or to call it Tang Zhuangzong. When you were born, you were a man. Call yourself clean when pretending to be a woman, and call yourself an official when you are muddy, which is your local accent. What's the point? " This obviously denies that the role of drama is "anti-metaphor".

Say "raw" first. Zhu Zhishan said: "Life is a person." Simple, but reasonable. Mr, epigenetic, Confucian scholars, Zhang Sheng, Li Sheng, etc. Isn't the original meaning of "sheng" all a title for men? Some people may think that this is too simple and ordinary, and insist on studying the mystery, which leads to some far-fetched statements.

Say "Dan" again. People often wonder why women on the stage are called "Dan". Zhou, a historian of traditional Chinese opera, believes that the word "Dan" evolved from the word "sister". The order is "Sister" first, and "Sister" is mistaken for "Big" (There are Old Lonely Big, Double Selling Big, Mix Store in the Song Dynasty, and "Big" is the fault of "Sister". "Sister" has always been a name for women. Since "Dan" is the fault of "Sister", it is easy to understand that "Dan Jiao" plays women exclusively.

Say "net" Yuan Man Ke Danqiu thinks that "purity" is the mistake of "beauty". He explained: "Fu Fenmo smiled. ......

How many roles are there in Beijing Opera?

Let me explain it to the subject in another way, which may be easier to understand ~

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Life is roughly divided into old pedants, young pedants and martial arts students ~

Old students refer to men who are over 30 years old, so they usually grow beards. For example, the characters in the TV series we watch, such as Huang, can be employed if they perform on the stage of Beijing Opera. The difference is that he is a veteran of literature, while Huang is a veteran of civil and military affairs. Another example is Yingzai, where the house is full of waves and is a typical minority. Martial artists don't have to say anything about the car platform in the Korean drama Green Grass. There are other special businesses in the business, so I won't elaborate here.

Danjiao can be roughly divided into Tsing Yi, Hua Dan and Lao Dan ~

At present, the number one heroine in TV series is probably Tsing Yi, such as Xia Ziwei, the swallow is Hua Dan and the queen mother is Lao Dan. A woman like the Queen is an extreme business called "Assassination of Dan", a typical villain. Needless to say, women, Wu Dan and Beijing Opera blues. Haha ~

Net, first, refers to the five big and three thick men, and second, refers to the setting of specific roles. The former is easy to understand, and many officers in soldiers' assault can be said to draw faces. The latter may be difficult to understand, which is the setting of specific roles. Cao Cao is not a man of five big and three thick, but he has achieved something, and he can't blindly affirm and deny it, so he is a flower face. Another example is Feng Jingyao on the beach. Although he is a villain, he has made some achievements and is despised. Let's take a look at the Japanese warlords in the model operas. Bosses are clean, not clowns. This is also a respect and affirmation for the role on the stage. But this does not mean that the Internet is a bad person. It's just that the characters in this role are more colorful. The typical Li Yunlong in Liang Jian is the front face, which is very different from the political commissar played by the old students.

The clown needs no explanation, and it is an easy role to understand in the play. However, the role of clowns is not necessarily that simple. If you want to know about clowns, I suggest you watch Goldilocks. You can feel that the decent role (old student) is not good, and the role of clowns is not bad. It's probably easier to understand in this popular way, hehe ~

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