Wei Zi's poem Who

The word Qin Guan (1049- 1 100) is so empty that it is called Huaihai lay man. Yangzhou Gaoyou (now gaoyou county, Jiangsu) was born. Poets in the Northern Song Dynasty, together with Huang Tingjian, Zhang Lei and Chao Bu, are called "Four Bachelor's Degree in Su Men".

Yuanfeng eight years (1085), Jinshi. At the beginning, it was the main book of dinghai, Professor Cai Zhou. When he arrived in Yuan You, Su Shi recommended him as the secretary and editor of the National History Institute. When Zhezong was in power, the "new party" was demoted to state wine tax, took charge of Hengzhou, moved to Leizhou and died in Tengzhou.

His prose is good at argument, and The History of Song Dynasty was rated as "literary and thoughtful". His poems are good at lyricism. Taosun Ao's Poetry Review said: "Qin Shaoyou is like a woman swimming in spring, but she is weak in the end."

He was a famous graceful poet in the late Northern Song Dynasty. His poems mostly describe the feelings of men and women and express the sadness of career frustration. His words are skillful and meticulous, and his melody is harmonious and beautiful. Representative works include Que Qiao Xian (Bo Yun is clever), Wang Hai Chao (Mei Ying Shu) and Man Ting Fang (Mountain Brush). In "The Fairy of the Que Bridge", "If love lasts for a long time, it will be there sooner or later!" A famous sentence known as "turning stinky rot into magic" (see Selected Poems of Starting a prairie fire). In Man Ting Fang, "There is a setting sun outside, there are Western jackdaw numbers in the west, and the water flows around the lonely village" is called "naturally eloquent" (Chao Bu's words are quoted from "Notes on Gaizhai"). Zhang Yan's etymology said: "Qin Shaoyou's ci is elegant, energetic, beautiful, full of meaning, chewing without me, and knowing the taste for a long time." For details about his life, see History of the Song Dynasty, Volume 444. And Huaihai Collection.

Yi said that Qin Guan's ci is like a beautiful woman born in poverty. "Although it is extremely elegant, it is still not rich enough." The so-called lack of noble temperament If this evaluation also includes Qin Guan's elegant words with delicate feelings and beautiful words, it seems unfair; If we only refer to the slang of Qin Guan, it is very accurate.

Qin Guan is known as the graceful ci school in Song Dynasty. Looking at all Qin Guan's poems, it is not difficult to see that Qin Guan's poetic style is not single, and the evaluation of "girls' poems" does not represent the whole picture. To evaluate the style of Qin Guan's poems, we should comprehensively consider the poems of all poets and their creative backgrounds. There are more than 400 poems in Qin Guan, of which only a quarter are really "girls' poems". Lv Benzhong's "Wei Zi Shi Hua" said: "After swimming across the ridge less, the poem is old and unique, which is different from the old one." Poems such as Wu Bo Guanyin Temple, Xing Xi (Volume 2), Answering Zhu Guangwei (Volume 2), Penglai Pavilion (Volume 8) and Farewell to My Little Brother (Volume 9) in Hai Huai Ji all show a serious and lofty side. For example, "life is like 189, how many degrees can the moon get?" "Writing a book is easy to be exhausted, and taking medicine to seek immortality is self-defeating" ("Send Zhu Guangwei"). For example, "I have no worries when I meet a letter, and this life is like sending an ear." A man with lofty ideals is ashamed of blasphemy, but a husband reads mulberries. Lan Yi Xuan Ying and Xiao Ge are poor "("Wu Boxing Xi Guan "). These poems, either with allusions or self-expression, are full of deep feelings for life, and they are quite generous. How can it be covered by the word "girl's poem"? Cold anvil: "Canal" can also refer to the poem "Spring Day", not necessarily Qin Guan! It is right to say that Spring Day is a girl's poem.

Feng Xu said in the Preface to Selected Poems of Sixty-one Song Dynasty: "Huaihai has been a sad place since ancient times. Its shallow language is strong and its shallow language is good. " In this "sad man" poem, there is a profound and inexplicable sadness and depression. This style is inseparable from the unfortunate experiences in his life. Qin Guan grew up in a poor family in Gaoyou, Jiangsu. Teenagers lose their fathers and study hard by borrowing books. He is "ambitious, ambitious, so big that he is surprised." In the tenth year of Zongshen Xining (1077), he met Su Shi for the first time and wrote "Poem on Peach Blossom House". Su Shi was praised as "a talented person who can bend and stretch". In the seventh year of Yuanfeng (1084), Su Shi specially recommended his poems to Wang Anshi, who thought it was "as fresh as Bao Xie". In his youth, Qin Guan was already a world-famous genius, and Huang Tingjian praised him as "an unparalleled national scholar". In the eighth year of Yuanfeng (1085), he became Dr. imperial academy, compiled by National History. However, it didn't take long (born six years less 1094), that is, because of his relationship with Su Shi, he was implicated in the Party membership and was listed as the first official of the Yuan You Party History Monument. He was demoted and exiled to the south, suffering both physically and mentally. 1 100, after Hui Zong acceded to the throne, he was reinstated in the northern expedition; Unfortunately, he died in Tengzhou. The ups and downs of official career and the repeated setbacks of ideals and ambitions have made Qin Guan's poems infected with strong sentimental colors and sad emotions, revealing despair and questioning about the whole life.

Qin Guan learned, "Being good at writing Yuefu, ci works into law, and those who know each other call it a lyricist's song, which prevailed in Huai and Chu at the time of Yuanfeng" (Ye Mengde's Xia Shi). His words are full of profound feelings and are famous for their delicate writing and beautiful rhyme. He is a first-class writer of graceful and restrained school in Song Dynasty. Qin Guan's poems also have their own characteristics. It is said that Su Shi once asked his disciple Chao He how their ci compared with Qin Guan's: poetry is like a small word, and Mr. Xiao Ci is like a poem "(quoted from the Precollection of Tiaoxi Fishing Stories, Volume 42). Poems on the Back Hill also records people's words: "Perilla's poems are like poems, and Qin Shaoyou's poems are like poems. "The above evaluation shows contemporary people's artistic feelings about Su Qin's works, and also reflects that Qin Guan's poetry is different from the general Song poetry in some ways.

Qin Guan's "Poetry as Ci" is mainly manifested in poetry as Ci. Whether it's those works that cherish spring in their early years but don't care about talent, or those articles that wander and suffer after relegation, the main theme is always a word "emotion", which is commensurate with emotion and highly unified in content and form.

Qin Guan's early poems are highly artistic every time he is in love. However, the spring scenery in his works is not the vast and surging spring tide, the spring scenery with blooming flowers, or the colorful spring scenery, but mostly the small and exquisite scenery lacking strength, such as residual flowers, weak willows, light and shadow, sunset and so on. Its beautiful sentence is like this: "Rain makes Ye Xiang, and wind makes Yunfei." ("Ten Miscellanies of Spring" IV) "The catkins are confused with spring, and the flowers are trapped for a long time." ("Love in Spring") "Wei Qing travels far away and the woman is trapped, and Wuling Spring goes late." ("Swallow Pavilion") Even the most famous poem "Spring Day" said: "The light thunder fell overnight, and the light tiles were uneven. Affectionate peony contains spring tears, and the rose lies weak at night. " poetic sentiment