What are the names of these two oil paintings? Waiting online. It is urgent. Thank you.

They are both from the Louvre in Paris.

First picture

In another work by Ali Sheffield, The Shadow of Piero Della Francesca and Paul Appears in front of Dante and Virgil, Guido, an aristocrat in Lavaine, betrothed his daughter Francesca to Giovanni Malatesta, the son of the ugly lame Lord Rimini, for political motives. Ma knew he was ugly, so he sent his brother Paul to see Francesca. Francesca thinks her fiance is Paul and falls in love with him deeply. After the marriage, she had no feelings for Giovanni, and secretly still had a tryst with Paul. When Giovanni heard this, he jealously killed his wife and Paul.

In the field of literature, the most outstanding and far-reaching description of Paul and Piero Della Francesca is Dante's Divine Comedy.

This painting is based on Dante's Divine Comedy. Ali Sheffield used dark brown to express poetry in The Divine Comedy and Hell. The ghost symbolizing Piero Della Francesca is holding the Paul couple in the center of the photo. She hugged Paul tightly, and with the strong wind drifting to the left, the long cloak fell down, which enhanced the floating feeling of the image. Two ghosts will be blown to hell to be punished The soaring trend of nudity reveals a strong compassion, and the space seems to be illuminated by lights, surrounded by a thick darkness; The images of Dante and Virgil are dim, and they are in unfathomable darkness. This bold use of classical painting has rendered the romantic passion of the images in the painting.

Second picture

Pierre Paul Prudhon's work "The Portrait of Queen Josephine", in this portrait made one year after Napoleon's coronation (1805), the author arranged Josephine to recline on a stone chair among the trees in the corner of Malmeison Castle Garden, lost in thought. The queen wore a topless white gauze dress and a red cloak folded on her knees. The painter emphasized her tall figure, slender limbs and plump breasts. She has the characteristics of classical beauty, but not the luxury of an old maid-in-waiting. The face and expression of the characters and the surrounding environment all imply a sense of loneliness, and Josephine's thoughtful face seems to express her unspeakable state of mind to the world. This portrait implies that French classicism, which pays attention to realism, has been alienated into romanticism.