Brother Wu bid farewell to Wei Zi.

In the 1990s, Qiong Yao's plays were once the screen overlord, and both adults and children liked to watch them. In those shops, there are always many stickers of characters such as swallows and Ziwei, and countless girls are crazy about those disgusting plots. Many people even watched the love drama written by Aunt Qiong Yao, and their ability to talk about love has been greatly improved. There is also a curtain of dreams, ghost husband, crescent moon and other works, so that even the old people can talk about the plot inside. When you watch Qiong Yao's play, the possible feeling is "so touched"! When I grow up, I think, "Why are you so melodramatic"? I have to say that most of Qiong Yao's novels are looking for love between marriages. There are always a group of handsome guys and beautiful women who like the company of the world of mortals and are willful and impulsive to deal with adults who don't want them to be free.

Speaking of it, Qiong Yao's drama, which was popular in those days, was actually quite melodramatic, with three incorrect views. Many people who have seen Qiong Yao's dramas suddenly look back and find that the plots that once fascinated them, the characters that they once sought after, are actually so naive and completely wrong in logic. For example, Swallows, Mays, Wei Zi and Erkang, what they call "wandering around the world and being at home everywhere", don't they just run away from home? There is nothing wrong with running away from home, but is it really May and Erkang who can't even give their relatives a place to live, and still fooling around with them? Moreover, the emperor came out to find them again and again, and they left again and again. However, this Amal emperor is also very serious. He broke his heart for several children. On the throne, he has to deal not only with state affairs, but also with children. When I saw Wei Zi as a child, I only felt that she was weak and pitiful. I didn't know until I grew up that she couldn't be too disgusting when she spoke, which could instantly arouse layers of goose bumps.

There is also the "new moon" in "New Moon Gege", which is the most problematic heroine in Qiong Yao's drama. She clearly became a third party in someone else's family, but said, "I came to join this family, not to break it up!" " "This is really a mean good temper, run amok, beautify yourself, and it is natural to be in a position, so when this sentence comes out, she gives people a feeling of hypocritical green tea. In ancient times, polygamy was good. Nudahai's wife could accommodate other women, but she couldn't tolerate one woman bringing trouble to the whole family. She doesn't welcome such a new moon.

Of course, most of our dramas are melodramatic and their views are incorrect, but there are also many characters whose views are correct, such as Lu Ping in A Curtain of Dreams, Flowers and Pomegranates in Qingjiang Grass. Bai Lianhua and Green Tea, two rare heroines in Qiong Yao's drama, are brave and can kill people! Let's take a look at the two heroines in Qiong Yao's drama. Are the three views in your eyes the most upright? The first one is the heroine "Yi Ping" in Affectionate Feelings. She came from an unfortunate background. Her father is a great warlord and a famous local panther, with advantages and impatience. Even his wife and children are his own. The great warlord's father abandoned Fu Wenpei and Yiping's mother and daughter after marrying Wang Xueqin.

In a difficult environment, Yiping is self-reliant, strong, brave and filial, and dares to love and hate. When she was a child, she only asked her father for some support. When she grew up, she stood on her own feet and earned money by herself. Although her family is poor, when she borrows money from her friends, she will pay it back in full, not greedy for petty gain. With her own efforts, she gave full play to her singing talent and became a pillar of Shanghai. When she no longer asks her father for money, look at Aunt Xue's face, brave and enthusiastic Yi Ping, and a worrying mouth. For example, she said, "I don't need your sympathy and pity, there is no word" concession "in my dictionary ..." In the face of love, you either don't love or love vigorously, just like Ping, which seems naive, but it is actually green tea. For the role of "Yi Ping", perhaps the most imperfect thing is that she fell in love with He Shuhuan.

In the drama, another woman with a correct outlook on life is Yuan in Ghost Husband. She is gentle and virtuous, exudes a book fragrance, is gentle but has her own opinions at the same time, and is a lovable heroine. Some of Qiong Yao's works put love in the supreme position, and all the plots are just for love-hate entanglements, so that the characters in the play can fall in love, which can be taken for granted as willful, irresponsible and reckless. Of course, this is not to say that love is not good, but that everything should be balanced. However, apart from love, there are still many meaningful tasks to be done in life, and there are still many responsibilities for us to undertake. If they all turn into love brains, it is undoubtedly terrible.