Those secondary creations we are looking forward to have ruined the classics &; Reshape the classics? 》

With the vigorous development of film and television dramas, more and more good stories have been put on the screen, perhaps excellent novels, such as White Deer Plain, Ordinary World and Four Generations under One roof. Or popular online articles, such as Sansheng, Hua, and The Legend of the Sword and the Chivalrous Man. Of course, many of them have created some classic images, which they left in the hearts of the audience.

But also because their screen images are too classic, some excellent works are also excellent blueprints for secondary creation. Such as "Four Great Classical Novels", "Qiong Yao's Classic" and "Jin Yong's Martial Arts". For their second creation, there are always different opinions and mixed opinions. So, should we encourage the emergence of secondary creation? Are these secondary creations "destroying classics" or "reshaping classics"?

0 10000 is still the same, so why bother?

There are always people who are particularly harsh on the works created twice, and label these works as "destroying the original". But in my opinion, I'm afraid most people who put forward this view are just echoing others' views and spreading them around. We look at the world from a very narrow perspective, and the world must be barren.

Let's give some examples of the most grounded gas. For example, the remake of "Four Classical Novels" was sprayed on the eyes. Although some plots are full of nonsense and have a strong commercial flavor, I think there is nothing wrong with remaking the sequel to Journey to the West so many times. It's just that the image of monsters is getting whiter and whiter, giving each monster human thoughts and feelings and making the whole play look like everyone has a story. The Monkey King is still the monkey Sun who dares to love and hate, and is generous and upright. Bajie is still lazy but upright. Friar Sand is still silent and passive, and Nuo Nuo is still eighty-one, which is still the final result. The Journey to the West used to be a classic, but it doesn't mean that all journeys to the west have to be like this. We admit that old dramas are classics, but why can't we create a new experience?

My favorite is the recent remake of A Dream of Red Mansions. The characters created by a group of seven or eight-year-old actors are pleasing to the eye and vivid, and they have also made a beautiful talk. There are a thousand Hamlets in the eyes of a thousand people, and all they see are individuals recognized by the subconscious mind. Some people say that there is no Daiyu after Chen, but we must admit that the characters shaped by these small bones are also deeply rooted in the hearts of the people. The youthful face and immature eyes playing 12-year-old "Baodi" may not only be inappropriate, but also capture the image that Cao Xueqin wants to really restore. It is precisely because we deeply love the older generation of performing artists and create such humanistic wealth for us that we will pay tribute to the classics in the form of secondary creation!

Realize the image of the branch line and interpret the works from multiple angles.

A good work is not only radiant with the protagonist, but also important is a wonderful plot system and a complete network of characters. The richer the plot, the more exciting the story, so it is very important to fill in the background of the characters. It is very important to show the characters through the stories around us and to compare or contrast the social and historical background of the incident through the descriptions of other characters. From this perspective, other characters around the protagonist also have high requirements for shaping.

Many people spit out the new version of Princess Zhu Huan, saying that Li Sheng plays the "old swallow" and Luhai is the "ugliest crape myrtle", and the criticism is endless. In fact, I think it is also a good experience for us to watch the drama with a tolerant attitude. Perhaps we are not satisfied with the shaping of the protagonist in the whole play, but we have to admit that Zhao's children's shoes accurately grasped the role of "Qingqing" and opened an unusual life direction for "Qingqing". The second creation of Sunshine made her long for freedom, passionate, alert and courageous, and became the finishing touch of a drama.

There is also a new character, Benjamin, who is in sharp contrast with Yongqi, but highlights Yongqi's helplessness and sincerity of "Yan Yong" emotion. For the coloring of Benjamin, we can see that male No.2 doesn't have to kill the first hero, and it is also a good choice to guard silently.

Relax the examination standards and achieve youth belonging to the times.

Forget who said, "There is no love for no reason, and there is no hate for no reason." This is especially true for the characters in the story, so remolding the classics is another interpretation of human nature.

The Legend of the Condor Heroes has been remake countless times. Up to now, I am most impressed by the one of Athena Chu Goddess and the one of Hugh. Needless to say, The Goddess of Athena Chu is a classic among the classics, but this one by Hugh has mixed reviews. Most people say that the descriptions of Yang Kang and Ouyang Ke are not in place and not bad enough. But I feel that the images of Yang Kang and Ouyang Ke may not be so bad themselves. We see that kindness is not tampering with the classics, but combining our own background to propose another way of thinking for everyone. At the same time, it also created a warm and loving ending for Mu Nianci.

And so on, as well as "the legendary swordsman" and "The Dragon Slayer", repeated remakes bring us different feelings. The female version of Dong Fangbubai's love for Ling Huchong has also become a classic plot of our generation. Whether it is Gigi Lai or Alyssa Chia, their interpretation of Zhao Min has become the most beautiful memory after 80/90.

There is also the mainland version of the meteor garden-meteor shower, which is really shocking and jaw-dropping, but dare you say that you don't like the outrageous and unreasonable sea of clouds? Don't you like mature and romantic Ye Shuo? Don't you like the rotten wood of melancholy gentlemen? Don't you like the humorous and lovely Shangguan? Don't you envy Chu for his independence?

Perhaps those old dramas are irreplaceable classics in the eyes of most people, but we should not be so harsh on the second creation. Classics are just the roles and preconceptions in our hearts. It doesn't mean that the image story under the second creation is worthless.

Tail:

Actually, I believe. As long as you create with your heart and incorporate your own thinking into your second creation, it is commendable. At least the courage to break the original aura and start over is good courage. Learning to create a dream that conforms to the present era, making those screen classics reappear, or changing into brand-new roles, is a kind of cultural heritage and spiritual wealth.

Debate on the joint essay on coffee and TV series