Modeling characteristics of Wei Zihua Shen

Standing on the Highland of Female Painting Art in China —— On Sun Guang's Artistic Innovation and Aesthetic Contribution

What is the aesthetic value of Sun Guangxin's Painting of a Lady? Zheng Changchun?

Sun Guang, who is good at painting new freehand ladies' paintings, has made continuous artistic innovation and exploration in view of the composition mode of "meaning first", which has fused classical romance with the spirit of the times, formed a new artistic system, and produced comic effect and aesthetic value closely related to national rejuvenation and social harmony.

From Sun Guang's early paintings of Le Tong, Autumn Rhyme and Lotus, to his later paintings of Twelve Hairpins in Jinling and Twelve Flowers in China, the ideological connotation behind the pictures is excavated in the simplest language of modern art, which enters people's eyes and hearts like a gurgling stream.

Sun Guang, who has always been peaceful and loves beauty, belongs to a bold painter with changeable styles. He is based on the traditional foundation, facing the modern trend and pursuing pen and ink interests, regardless of landscapes, painting flowers and birds, figures, birds and animals.

Have dabbled. Many pictures are based on flowers and birds, decorated with bright red and green. Bright colors and prominent outlines. Instead of deliberately carving a person and a thing, it is full of passion and unrestrained.

In writing, I look for that kind of beauty from my inner world and deep thinking about human history.

There is a profound summary of aesthetic theory in the Catalogue of Ancient Paintings: "If you are confined to physical objects, you will be refined in rhythm" and "learn incisively and vividly" to realize "vivid charm". In his ladies' paintings, Sun Guang did not rigidly adhere to the shapes of the characters.

Stylistically, we should describe the shape of the characters blindly, but achieve "similarity" and "rhyme" in poetry.

Pursuing consistency, Sun Guang's painting language conveys the painter's mood and state of mind through a lady's demeanor. For example, in his "Return", there is a lady on the screen, plus four faint footprints, which have already been revealed.

Show the painter's sense of loss and emptiness. In particular, when he created a beautiful woman, he often avoided her facial features, limbs and other conventional body creations, but spent lavishly on the accessories of her clothes and the "accessories" needed by her personality.

Dye, the result is "the brighter the sky peaks are missing" and "tell more silence than they tell the sound". "The scenery outside the scene" and "the image outside the image" may be the realm. That is, it emphasizes expressing and grasping through limited language and pen and ink.

The noumenon and spirit of the universe embody the essence of life. "I don't want to draw, so I want to draw!" His flower-and-bird works are full of vitality and return to nature because of nature. Take advantage of the scenery to express feelings, hold things to express feelings, this

It is a kind of atmosphere, and it is a prelude to preparing for the "appearance" of characters.

As an aesthetic category, comedy does not only contain literal interest, cheerfulness and relaxation, but also praises human qualities such as truth, goodness and beauty. Its emotional appeal should be serious, earnest, enthusiastic and even ups and downs.

Romantic and sentimental, its artistic function can directly arouse the eternal pleasure and desire of readers or audiences, and "purify" or "cultivate" these feelings. Comedy in the traditional sense can be divided into character comedy and fate comedy according to its nature.

Comedy, social comedy, etc. But they are not absolutely separated, but complement each other, which is unique but embodies the comedy connotation and perfect sexual interest.

Today, there are many schools of painting and innovative painting methods. What kind of spirit and attitude should artists use to create in the face of the changing painting context of Chinese painting? Sun Guang thinks that painters should roam in biographies.

Unify accumulation with modern spirit and take the road of combining Chinese and western. Therefore, most of his ladies' paintings do not hesitate to color, and use red and green skillfully. Contrary to the elegance of traditional literati paintings, his works are determined according to his own knowledge, cultivation and temperament.

The position is fixed on the unique artistic understanding and creation, emphasizing visual impact and lyricism, thus making the picture from rigid to vivid, from monotonous to rich, like the rhythm of music, breaking the shackles of traditional painting and breaking through tradition.

The old paradigm of lady painting has created a new aesthetic system, a new language and a new vision for Sun Guang-style lady painting. This is the new language of contemporary Chinese painting that we expect. From Sun Guang's most representative work "Twelve Women in Jinling"

From Chai and Twelve Flowers, we can see that our art is also guided by bipolar thinking: one is tradition, the other is modernity; One is to join the WTO and the other is to be born; One is bold and broad, and the other is elegant and interesting. But the two are often synchronized.

Even conflict. However, he did not go to extremes, and still grasped the size with the oriental golden mean philosophy of "the unity of heaven and earth" and "the coexistence of reality and falsehood". For example, the peony in the painting is delicate and charming, rich and elegant; The cold of autumn chrysanthemum

Proud and chic; Leng Yan of Han Mei is tough; The magnificence of canna; The mysterious seclusion of loquat; Elegant and elegant orchids; Bamboo stands upright; Vague and lively fish; The freedom of birds is unrestrained; Swan leisurely ... without exception.

Reveals the temperament of life.

Although the world ideology is unpredictable, the high realm of China culture is still the pursuit of simplicity, and the flexible culture of water whetstone is its mainstream. Sun Guang gave her love to a lady, away from the noise of the world and pursuing a gentle and elegant style.

Case, pay attention to the expression of pen and ink ontology language, pay attention to the rhythm and rhythm produced by the unity of life emotion and formal language, but the painter seems to be more inclined to the natural expression of free will, which makes people grow up involuntarily in their hearts.

Ancient meaning, compassion.

The prosperous Tang Dynasty in the history of China was the peak of the prosperity and development of feudal society. Under this background of relatively open mind, rich material and high singing and dancing, the court and aristocratic women's dress standards advocate plump posture.

Elegant posture, sparse bangs on the forehead, full face, crescent-shaped eyebrows, small cherry mouth, high comb bun, and drooping to both sides and back, the whole shape is elegant, smooth lines and rich colors. Sun Guang is keeping his painting straight.

While appreciating, concretizing and appreciating the natural image, it also casts a layer of frustration and exile on the characters in the painting. A valley in the sunset, a rosy peak, a blue air rhyme, and a sleepy You Chuntu in the prosperous Tang Dynasty.

A group of beautiful birds are singing flowers, but they can't feel the dream of spring grass in the pond: a few ladies of the prosperous Tang Dynasty who came back from an outing, or sitting on horseback whispering, or thoughtfully painting their skirts, Yu Pei and saddles in a dark color, and even their expressions are indifferent.

The film is a bit confusing. Are these ladies-in-waiting who used to hide in the golden house nostalgic for the sunset or unwilling to return to their long-lived "cage"? So, what is the fate of these ladies? The painter didn't draw it clearly, not even a picture.

In theory, I don't care about "similarity" completely, as if it were smeared by hand, leaving readers with infinite thinking and suspense. But their desire for light, freedom and happiness is beyond words, giving people another kind.

The faint call and warmth of Spring in Winter is the painter's most vivid expression. From his "tender green branches are a little red, and there are not many touching spring scenery" to "Le Jinfang grassland, people are drunk with apricot flowers"

There are also "Flowers Return to Horseshoe Fragrance", "The first flute wind in the sunset downstairs" and "Listening to many murmurs in the afternoon" ... How many young and refined women are dressed in silk gauze, elegant as a fairy and pure as water.

In the long history of lack of human care and protection, Furong, as a vulnerable group, can't realize their ideals and values, but their pursuit is full of strong humanitarian spirit, and they use their own blood.

Tears resist the traditional ethics, eager to "emerge from the mud without being stained", unwilling to sink and lose, and then produce a comedy effect full of lofty feelings.

A bosom friend picture with simple lines and dim colors shows a confusing scene. The yellow and black in the picture are in sharp contrast, suggesting inner depression and depression, and the two heads are opposite.

Red-crowned cranes, three or four thin cold plums, make the whole picture full of expectation and loneliness. Purified lines contain specific social content, representing vivid, flowing, life-suggestive and expressive beauty, which is a kind of

A thorough understanding of the national cultural spirit has highly speculative humanistic spirit and philosophical elements. At the same time, this creative method, which is mainly based on ink and supplemented by color, seems to be more in line with the "magnificence" pursued by Confucianism and Taoism in China.

Emotion, forming the realm of its joys and sorrows. While deeply sympathizing with this unfortunate woman, the painter also praised the truth, goodness and beauty of the world with pen and ink. He has repeatedly chanted ladies, described nature and revealed history for more than ten years, which can be said to be related to

Deep in his heart, he yearns for the "blueprint for prosperity" of national rejuvenation and social harmony, which are closely related. It is a rare spirit for a painter to take this true and simple national feeling and oppose all flattering and vulgar arts.

Yes

In the contemporary visual culture of globalization of technology, media and consumption, the complexity of images and the homogenization of visual types lead to the alienation between man and nature, and the indifference to the meaning behind objects leads to one-sidedness of man. but

The art of calligraphy and painting transcends the analog relationship between things and images, and strives to make us gain a brand-new image experience from nature and history, appreciate the artistic conception of "animism" in nature with our own emotions, and reveal the life and significance behind objects.

Reaching the realm of "harmony between man and nature" Faced with the explosive reproduction of various images and the trend of mass consumption of works of art, the painter Sun Guang has not been carried away, but maintained a more rigorous creation.

Attitude exudes superhuman strength, which opens up a new atmosphere for China's calligraphy and painting art characterized by "reflecting things with Tao" and "sincere to taste". As the aesthetic subject of modern society-painter Sun Guang, his aesthetic expectation is inevitable.

It inevitably involves the reconstruction of aesthetic ideals, that is, the efforts to change one's artistic outlook. as soon as...

As far as Sun Guang's series of ladies is concerned, its aesthetic trend can be summarized as: 1. He longs for the freedom of aesthetic subject and preaches the irrational consciousness of individual life. If artists want to express their freedom, they must make a breakthrough because of their themes.

With the universality of differences, the works created by artists have changed from appreciating elegance and vulgarity in front of all audiences to letting a hundred flowers blossom in front of some audiences. The second is to pursue individual expression and render the comedy color of social life; Third, concern

Innovate techniques and explore the metaphysical significance of everything in the world.

A successful artist always consciously associates his destiny with that of a nation, and integrates his personality and sentiment, thoughts, knowledge and talents, and aesthetic taste into his understanding of the world, history, society,

The unique perception of reality is embodied in artistic creation. The theme of "ladies" in Sun Guang's works is a close reflection of the charm of Han and Tang Dynasties, and it is also a modern people's questioning of ancient civilization. Through just visiting, he projected his eyes on the ladies of Han and Tang Dynasties.

In fact, the tradition has been transformed, and the classics have come alive, full of spiritual tension and humanistic care. Over the years, I have spared no effort to carry forward and explore the art of ladies with cultural characteristics of Han and Tang Dynasties. From a sociological point of view, it

The purpose cannot but be attributed to an artist with a high sense of social responsibility and mission, his subconscious tortuous expression of national rejuvenation and his expectation and yearning for a harmonious society. The deeper meaning is that the painter Sun Guang.

Standing at the height of the times, we can shout and praise for our troubled nation and the disadvantaged groups who have struggled for equality, freedom and happiness for thousands of years. Some people say that this is woven by artists with pure emotional language.

Heart painting. The dreamlike "heart painting" written by the painter has been sublimated in comedy, bringing our modern soul into a new realm with lofty artistic conception, profound philosophy and full of aesthetic experience.

In this way, Sun Guang's ladies' paintings have a high aesthetic value and artistic charm. Through the culture of ladies, we can clearly see that the Chinese nation has a long history and profound humanities and arts, although some works have not been promoted.

Many people accept it, but those "abstract symbols" full of comedy and romance will still show the world the glory of an ancient nation in the tide of the times. ?