Fortune Telling Collection - Ziwei fortune-telling - Wei Zi talks to Mayli.

Wei Zi talks to Mayli.

In the domestic film and television drama market, there is indeed such a situation: with the age in a passive position, the market, themes and other reasons have long isolated them. In the growing entertainment circle, the middle-aged crisis of actresses is a cliche. Chen Yao once said in a speech, "There are too few women of this age who can show their roles. The current market will indeed cause such a dilemma, and it is difficult to completely change. "

She also wants to be an actress. However, there are not many opportunities left by the market. On the one hand, middle-aged actresses overestimate their energy and status; On the other hand, they underestimate their potential or explosive power. At the same time, the value of acting school is also reflected through works. And their popularity is closely related to the spread rate of a work.

Many actresses who were beautiful when they were young received fewer and fewer scripts when they gradually entered middle age. In order to continue acting, they have to take the initiative to adapt to the market, either playing a young girl or putting down their bodies and playing some roles like mother-in-law. After the play is broadcast, the comments are often unsatisfactory. The girl will deliberately play act young, and the mother-in-law will lament that "the beauty is dying". There is a situation of "thankless and inconsistent".

But that doesn't mean they have nothing to shoot, or they have to cater to something. Some middle-aged actresses seem to be favored by the entertainment circle. Although it doesn't often appear on the screen, every appearance will definitely surprise the audience, such as Yolanda. "You and I have loved each other deeply, worked hard, achieved each other and achieved each other. This situation is regrettable, but there is no right or wrong. In the future, everyone is happy. "

Ma Yili 1976 was born in Shanghai and grew up in an alley. Her parents were educated youth when they were young. Although their educational level is not high, they have different views on Mayili's education. Ma Yili was told from an early age that although she is a girl, she can't be worse than a boy.

It is this kind of education that has enabled Ma Yili to stand on its own feet since childhood. When Ma Yili was young, he participated in the performance of the Art Troupe. The money he earned not only paid for his tuition, but also subsidized his family. Ma Yili, who had artistic cells since childhood, was admitted to Shanghai Theatre Academy at the age of 18. At that time, her classmates included Jianfeng Bao, Chen Long, Yang Mingna and others. Chen Long once appeared in the TV series Nirvana in Fire starring Hugh, in which he played Meng Zhi, commander-in-chief of Mengda.

After graduation, Ma Yili appeared in many TV dramas with big fires, and once played the childhood sweetheart Jiang of the second young master Qiao Zhiyong in "Qiao Family Courtyard". The third part of Princess Zhu Huan was broadcast, in which she played Princess Wei Zi. Despite Ruby Lin's "Wei Zi Gege" Zhu Yu, Ma Yili also showed good acting skills in the play. Although there was no fire, it began to be known to the audience.

In 2007, she played the heroine Charlene Marilynn Dangelo in the TV series Struggle directed by Zhao Baogang, which was very popular in China that year. Ma Yili, who often wears suspenders in the play, is young and beautiful. With the role of Charlene Marilynn Dangelo, Ma Yili is on fire. After the fire, Ma Yili maintained the high quality of his works. The TV series "Defending Marriage", "Little Dad" and "Going to the North and Don't Believe in Tears" starring him are all fine works, which are deeply loved not only by young people but also by middle-aged and elderly people.

Ma Yili publicly "tore" Christina, who expressed her views as an independent woman in an interview. In her opinion, the reason for weakness is that she is not competent enough. After all, there are still many female artists of the same age who have wonderful performances on the screen. She shouted at Christina, It's disgusting that you sell badly. "Pain" is not your strong suit. Please put away your poor appearance.

Although it seems to be a vicious sentence, it is a heartfelt warning. What she really means is to let older actresses stand on their own feet and not complain. In her view, many times the dilemma she faces is not insurmountable, and she doesn't need others to give her a chance. More importantly, they can create value, attract directors' favor, and shape their own character images.