Fortune Telling Collection - Ziwei fortune-telling - Excuse me, what is the internal strength of seeking defeat alone?

Excuse me, what is the internal strength of seeking defeat alone?

On the realm of five swords seeking defeat alone 1 sword without heart

I think it's not impossible to create nine swords by myself. There are two things that everyone knows: First, the Nine Swords of Dugu are the swordsmanship used in the period of seeking defeat. Second, at that time, seeking defeat had acquired the essence (breaking without moving). It is really difficult to create such a systematic swordsmanship without seeing all the essentials of martial arts in the world, but before the 20th, you should also have such conditions for defeat.

Please pay attention to his sword. "Brave and strong", "soft sword in purple" and "No front in epee", where did these magic soldiers come from? Guo Xiang took the sword of leaning on heaven from his parents, and the "sword" of defeat should also be given by his family. Coupled with soft sword epee, this family is probably a family famous for casting magic weapons.

Then, in order to get this forged weapon, the masters who come to ask for knives and guns naturally have to let the weapon builders know what they have learned first, and this is also to "tailor-made" the weapon that suits them. Therefore, if Dugu was born in such a noble family, he could see the martial arts in the world at a young age. Of course, this does not include unarmed martial arts such as palm and qi, but the swordsmanship against these martial arts ranks lower among the nine swords, which may be the reason. (Otherwise, in the eyes of ordinary people, it is much easier to deal with unarmed people than armed people, and swordsmanship will rank so low? )

He doesn't really want to break all the martial arts in the world. His initial motivation may be the same as that of a young IT genius hacking into the FBI computer system-fun and fun. Wu Chi's defeat may be because he gained a little experience after reading the essence of many weapons, and then he searched for ways to crack the martial arts such as palm and qi for his own interest, and summarized these into Nine Swords of Dugu.

His Nine Swords of Dugu seems perfect in system, but perfection is also its imperfection. It looks more like a teenager's work, saying that it is a family martial art, and it also underestimates the family that is desperately successful. There are many reasons in martial arts, so Huang can evolve from Falling Sword into Falling Sword Palm. "Sunflower Collection" is a "sword method to ward off evil spirits" in Lin Yuantu's hand, but it is a flying needle in Dong Fangbubai's hand; Seventeen-year-old Guo Xiang saw that Yang Guo's "extending in all directions" could also become a sword. Nine Swords of Dugu is really not as good as Big Clever.

2. soft sword is impermanent

There is no secret to winning, because there is always a secret.

As for impermanence, simply speaking, there is no way to fight it. If one party is too fast for the other to stop, it is impermanence, then "fast" is impermanence, such as Gu Long's punk, Jingwuming; If the two sides are equal in speed or will not beat each other soon, as long as one side's hand is strange enough to surprise the other side, it can take advantage in an instant. Therefore, "defamiliarization" is a kind of impermanence, represented by the meditation and struggle of Du and Bei Gai when they meet in Peach Blossom Island in The Legend of the Condor Heroes. At present, according to my understanding, whether it is "fast" or "odd", their common ground is changeable, so they are named "impermanence".

There is a brother above who thinks that the reason for the defeat from the sword to soft sword is "no comparison, the fastest one wins", while soft sword is light and quick, and can get faster speed than his opponent. I think it's more than that. The biggest feature of soft sword is its changeability. When he swings in the same posture, soft sword will have a completely different effect because of the different initial state. A sword that is "faster" and "strange" than others is probably impermanent.

Seeking defeat must be a thorough understanding of all the changes in soft sword, reaching a more impermanent state than others, thus standing in the world. The change of combining rigidity with softness should also be impermanent. )

But there is only one way to control soft sword: soft sword exists objectively, and it won't let you do whatever you want. You can only use it according to its rules, and you can't put it away at will. For example, if you swing a sword and find that it is not the enemy, you must take it back. An ordinary sword can only swing its arm or wrist, but soft sword can't. As long as you swing out, whether you turn your arm back or your wrist back, soft sword's blade will continue to swing forward, just like a whip. Strictly speaking, a sword that can't send and receive freely is not a good sword, and no matter how you kill people.

It should have happened many times since soft sword was abandoned. The victory or defeat in this period may lead to living under the strong guilt of accidentally injuring the righteous, and the pain is abnormal. The name "Demonbane" may be used to describe this Wei Zi soft sword. One day you will not be able to bear this guilt, and it is inevitable to give up your sword.

There may be a transitional stage between soft sword's defeat and picking up the epee, when he may regain the right to use the sword, and the nine swords of Dugu may be strengthened at this stage.

3. The epee has no face

This is a qualitative leap. From winning with impermanence to winning with your own hardware. This may be related to the improvement and maintenance of internal strength. Of course, when he was in his teens, his internal forces could not compete with the world, so he emphasized impermanence. At the age of 30, the cultivation of internal strength naturally triggered his thinking about breaking this pattern, and finally reached the realm of "a clever woman can't cook without rice". What the above brothers said is very reasonable, so I won't say more.

Yang Guo didn't achieve the goal of "great ingenuity", but he was still on cloud nine. Yang Guo, the condor hero, is fascinated, and his palm is unconventional. The little dragon girl's double swords are fast but not broken. Both are impermanent.

4. wood blade is not stagnant.

The first three swords are magic weapons, but this is wood blade. It is not difficult to see that Dugu has been looking for a breakthrough all his life. From the sword to Wei Zi and soft sword, and then to the darksteel epee, if the fencing before the defeat had to rely on special swords to exert its power, what would he do without these swords? What if he only has a grass and a tree in his hand? Or, if he was really born in a noble family who forged weapons, what if he was born in an ordinary family? Will he still be who he is now?

"Standing at thirty, not confused at forty, knowing destiny at fifty." At this time, the lonely pursuit of failure is the age to find fate. What he wants to pursue is not only the realm of fencing, but also the realm of Zen and philosophy. And the way he seeks his destiny and pursues his sense of existence is to practice his sword. At this time, he has lived in seclusion. He doesn't try to win over anyone, but seeks to surpass himself. He seeks failure, and only a new self can defeat him.

Only when wood blade can surpass him with sword, soft sword and epee can he find his real existence and prove that his achievements do not depend on his family's situation or his "destiny", and he can find his own destiny and "have no lag" from then on.

In the sword tomb, there is a wood blade. However, in those days, it was not true to chop wood for swords. Yang Guo has been clever all his life, and he cheated me this time. "After forty years old, if you don't leave your name on things, you can be a sword." In other words, it is the realm of "no sword in hand, but a sword in heart". There is a sword in my heart, and every grass and tree can be a sword if you pick it conveniently. He cut a wood blade and buried it in the sword grave, just worried that if he buried it with a broken branch, if someone came to see it a hundred years later, he would be careless and take this grass or wood "Excalibur" seriously.

Let's talk about the specific principles of martial arts. Previously, the black iron epee was the strongest sword, and wood blade may contain the softest sword (these swordsmanship should be both rigid and flexible). As Zhou said in The Legend of the Condor Heroes, "Although you are warm and tough, your eighteen-handed dragon fighter is Hong Qigong, and I can't beat you. This is the depth of skill. " Then the skills go up, and the lunch is soft and hard. This is how wood blade broke the epee. Think about it, if it's a black iron sword stabbing each other, the other wood blade sticks it, but like nothing, the epee can't concentrate. Wood blade actually rushed with people, so why don't you do it? Suddenly, I saw you.

Yang Guo is not thinking about his own existence, but "aunt", so he can't reach the realm of "no stagnation". Condor has been instructing him in swordsmanship, but this guy has been practicing in the tide for a while, and the old condor can't resist his sword. Really helpless, he can only make mistakes. If the condor is not old, it is as brave as it was when it was accompanied by loneliness and defeat more than 100 years ago. Yang Guo's hand can't lead to a fork in the road, and wood blade can't pose a threat to it. Carved like a man, it is conceivable to seek defeat alone.

The Taiji Biography and Taiji Sword written by Zhang Sanfeng after he was 100 years old are of course similar to wood blade's Defeat, but they should not be in style, but in realm. This realm of martial arts is originally "non-stagnant".

5. No sword, no style.

When Dugu realized that the wooden sword was the magic weapon, he had found his own destiny and would no longer doubt his existence. Without the magic weapon, he is still him, and he is not far from the sword. However, "wood blade" is far from it. As I said just now, "wood blade" means "no sword in hand, but a sword in heart". The sword here has been clarified in his mind, and there is no sword to be found.

Sword is actually just a form of martial arts. When the defeated can become "wood blade", everything is under its control, and it still regards the sword as life. The path between attack and destruction is still a sword. After "No Sword", it was really a big break. Give a simple example: a broken branch is a sword, and the branch has barbs, but if you make it like a sword, it will have barbs or not; After "no sword", use it as a branch, and the barb is really useful. "wood blade" in a fight with people, you may also use your quick wits to stab people, but other times it is only after the fight that you suddenly think of: "Ah! Why don't I use barbs? " When there is no sword, you clearly know that if there is a barb, use it, and if there is a leaf, use it.

"From then on, intensive training has gradually progressed to the realm that no sword is better than a sword." Some people may take the word "step by step" as the basis, and think that they have failed to "have no sword" in their lonely life; However, don't forget that this is a "sword tomb". If there is no sword, there is no need to add "No sword after 50" next to wood blade. If it is, it will be a "show". In order to lose, if you can't get here, who can?

When editing its edition, Deep Clouds in He Qing added a sentence at the end of this paragraph: "I don't think there is a sword to defeat alone, and the deeper meaning is that there is no war." Thank you for making several changes to me, at least to prove that your discussion on me is quite famous. But I don't think "no sword" means "no war". If you can take the time to further discuss what is the realm of your "no war" lone swordsman, it will be a blessing for this entry. In my opinion, it's nothing more than some chivalrous men who love swords and use them well. Kendo is their way of survival, fencing is their strongest martial arts, and there are indeed many such swordsmen in Jin Yong's works. However, since the birth of Demonbane, all other swordsmen have been eclipsed. Even his two most outstanding distant disciples, Yang Guo and Ling Huchong, became small in his light. Yang Guo is like an ignorant child who is extreme and willful to him; Ling Huchong is like a lonely and sad street to him. Lonely kendo, which seeks failure, is lonely, arrogant and far away from worldly feelings. This is a bit like another great swordsman in Gu Long's works-Ximen Chuixue's "Sword God". Their kendo is a realm of life. "Seeking defeat" and "blowing snow" are both sad artistic realms. In this realm, loneliness is the main theme, and no desire is its essence. If we can understand their loneliness and their nothingness, we can understand their greatness. When we talk about the realm of martial arts and his swordsmanship, we must first understand his mentality and outlook on life. Only by understanding these two points can we really understand what is meant by "winning without a sword" and "winning without a move".

1. the sword tomb and the legend of the five swords

"Demonbane world-beater, but died by the sword. Oh! Unfortunately, the hero is helpless, and the sword is empty! "Through Demonbane's last words left in the sword burial, we can know that when he reached the peak of martial arts and life, he chose to abandon the sword and be buried. The long sword is empty, and there are few opponents, but it can't be defeated, so we have to abandon it. At this time, I believe that I have no pursuit, and his heart is even colder. Although I am proud of the world, there is no fun and no goal in life. Only from then on, I had a sculpture as my companion and lost my life. Alas, it is no wonder that Yang Guo was "surprised and admired" when he saw this sentence. Such a realm has never been seen before, and no one has come since. It must be pointed out here that it is hard to say how high the fighting skill of seeking defeat is. In his time, perhaps there were not many masters; His martial arts may not be better than those of Shi skyshatter, Taoist priest and Gao Ming. However, his realm of life and his kendo are unparalleled. Since the opponent is gone, what's the use of keeping the sword? The sword that seeks failure in loneliness is born for a strong enemy. Without enemies, there is no point in using a sword. This is the highest state of "no sword is better than a sword". It doesn't make much difference whether a person uses a sword or not after reaching the peak of martial arts. This is not to say that not using a sword is better than using a sword, but that no one in the world is worth using a sword. That's why after 40, when all flowers and plants can be swords, he chose to bury them formally. Because, even if he only used wood blade, no one in the Jianghu can beat him, so what's the need for him to use a sword again? This is a martial art and an attitude towards life.

"Brave and invincible, used to compete with Heshuo before the weak crown." At this time, I was defeated in despair, young and frivolous, and my artistic career was not successful. So he competed with wolves with a sharp sword. In fact, what is immaturity at this time, and it is more than a lone sword? His mentality and kendo are still very naive. Young people before the age of twenty are like this. Young and impulsive, they think that they can dominate the world with sharp weapons in their hands, but they don't know that they can only compete with "Heshuo Qunxiong" at this time.

"Wei Zi soft sword, used before the age of 30, accidentally injured the righteous man ominously, without remorse, abandoned it." Before I was 30, just as I was wandering the rivers and lakes and making achievements. Youth and blood inevitably make mistakes. At this time, it is like this. Martial arts has naturally improved a lot compared with that of youth, but the outlook on life has become blurred. This is a common mistake made by people of this age. We don't know the cause and effect of the accidental injury of the righteous. But what we can know is the philosophy of life that Jin Yong wants to convey-people make mistakes when they are young, and they will be unforgettable mistakes. When we are old and weak, in retrospect, we are still ashamed. Only "abandoning the deep valley" can be taken as a warning.

"Epee without front, Da Qiao work. Before I was forty years old, I used it to run the world. " After the age of 30, people are at a loss and gradually see through it. The so-called wise fool, the brave fear. Combining martial arts, that's what it means. At this time, the lonely pursuit of defeat, looking at the world, no one can compare When the spring breeze is proud, I must have begun to review and summarize my life. At this time, I finally understood that the so-called master is just the way it is, but the world is invincible? So he put away his former wilderness and slowly began to pay attention to personal cultivation. Epee is the best interpretation of the feeling of loneliness and defeat in this period, and it is also the best interpretation of Jin Yong's era-lifting weights lightly and maturing calmly.

"After forty years old, don't indulge in things. Plants, bamboo and stones can all be swords. Since then, intensive training has gradually progressed to the realm that no sword is better than a sword. " After forty years old, the age of knowing destiny is coming, and this is also the moment close to "no sword". At this point, the defeated pursuit of loneliness is still invincible in the world, and it can be said that we have already felt the loneliness of living alone at the peak. When a person has fulfilled his long-cherished wish and achieved his lifelong goal, in fact, life has basically come to an end. At this time, this age, what do people really want? What other desires are there? It's gone, and it shouldn't be gone If you still have desires at this time, you will be insatiable. This is Jin Yong's philosophy of life, and it is also the kendo of seeking defeat alone. At this point, he has gradually reached the point where he wants nothing, and it is only a matter of time before he abandons his sword. The year of knowing one's destiny is when one reaches this age and already knows when one should return. Dugu seeks defeat and buries his sword, that is, he knows that the life of his sword has come to an end. This is the case with "no sword". "No sword is better than a sword" can be said to be the supreme accomplishment in martial arts, and it is also praised by Jin Yong as the ultimate in his attitude towards life. I want to add here that the so-called no sword is not necessarily an invisible firm but gentle. Knowing destiny is a free and easy-to-accept philosophy of life. In the same way, no sword is also a realm of doing whatever you want and forgetting things. Just because this realm doesn't need a sword doesn't mean there must be no sword. There is no reason to use a sword. Whether it's invisible shock wave or replacing sword with palm, it's all the same meaning, and there is no difference in length, only different means and methods. Six pulse Excalibur is Wan Li, invincible and unfavorable; The ecstasy palm is also shocking and colorful. These two magical powers are not necessarily better than others. Jin Yong himself has no comparison, and we don't know which one is stronger. The only thing I know is that both of them have reached the situation of "no sword". Only when you are free and do whatever you want can you "have no sword"; I forget things, and if others don't insist, it's "no sword." Duan Yu and Yang Guo just didn't do this, and their "no sword" will have obvious defects. I believe this is what Jin Yong really wanted to convey when he designed "No sword is better than a sword".

2. About the Nine Swords of Dugu

When I just said that there is no sword, readers will definitely think that I should say "don't move" instead of "no sword". You're wrong. I said no sword. But you are not completely wrong, because no sword and no move are actually the same. We know that Jin Yong first wrote "The Condor Heroes", and at that time he had the idea that "it is better to have a sword than to have a sword". Writers directly affected include Gu Long. On this basis, Gu Long thought of "no tricks". His "no move" is really no move. Ordinary, casual shots, you can kill your opponent. Jin Yong was inspired. On the basis of Gu Long's "no move", he thought of "no move wins with a move". Therefore, if we talk about sequence, of course, "no move" comes after "no sword", but it is meaningless and necessary to compare which one is stronger. Because "not moving" and "not sword" are essentially the same. All roads lead to the same goal, but the roads are different, but there is no distinction between high and low. "No sword" emphasizes the realm of life, that is, the mind is no longer attached to a grass and a tree, but learns from nature and is single-minded. You can use any weapon you want, and you don't have to use it if you want. Being old is a lonely attitude towards life. Since there is no desire, what difference does it make whether there is a sword or not? Similarly, "no tricks" is also a realm of life, a kind of melancholy that has experienced countless storms and finally faded. Finally, return to nature and travel happily and freely. At this time, what is there to pursue? Freedom is just a form, and what it really pursues is the elusive realm of emptiness. So, what difference does it make if you have a move or not? A trick is not a trick, and a trick is not a trick. The combination of no move and no sword is the realm of life pursued by Jin Yong-forgetting myself and doing whatever you want. No move, no sword, can also be said to be the highest realm of life and martial arts. Therefore, we can understand why when Ling Huchong thanked Feng Qingyang for imparting superb fencing, Feng Qingyang would laugh at him in a desolate and lonely tone. At this time, Ling Huchong pursued himself and acted recklessly, but he could not reach the realm of vanity. Swordsmanship is naturally much worse. Of course, the wind is refreshing, and it doesn't necessarily reach this state-I believe that the wind has long abandoned the sword. However, it is very different for him to abandon his sword and seek defeat alone. The wind was clear, and the world broke my heart, so I fled the world. When he abandoned his sword, he also gave up his own life. He gave up his sword passively. It is different for a person to seek failure. He buried the sword, because he couldn't find a reason to use it, and no one in the world was worth it, so he chose "no sword". It can be said that he took the initiative to bury the sword of love. Let's get to the point, and continue to say "no tricks". "No trace to find" is both "motionless". This is a summary of his lonely life, his attitude towards life, and of course the attitude that Jin Yong hoped for. Come empty and go empty. This nothingness has not been fully realized, and neither has Ling Huchong. Therefore, Ling Huchong's nine swords alone can't reach the point of world-beater.

Nine swords alone is not "no tricks". After all, there are still traces to be found and there are plans to be made. I'm afraid no one in the world can really achieve the state of being motionless and not revealing. Dong Fangbubai is close to this state. However, no matter how fast he moves, there are still moves and methods. After all, compared with the illusion of "no tricks to win", the sunflower collection is still inferior in the realm. Dugu's nine swords are also three points short.

The Condor Heroes and the legendary swordsman were written in different times and have different systems and ideas. Those who say that the Nine Swords of Dugu are actually just kung fu used before the age of 30 are biased. From the logic of the novel, yes, the epee has no front, and you can't use the nine swords alone as fast. But what about wood blade? When the failure of Dugu is not limited to things, and the sword in your hand is light and heavy, can you create the nine swords of Dugu, which are all-encompassing and can be learned all day long? I think it's possible. Therefore, it is a wild guess to say that the Nine Swords of Dugu were created before the age of 30, or that the Nine Swords of Dugu were simply handed down from his family. Of course, I'm just guessing. I think there are three reasons why Jin Yong named it "Nine Swords of Solitude" and made it a stunt of seeking defeat by solitude. First, in Jin Yong's novels, seeking defeat alone is the only swordsman who is qualified to have the best swordsmanship in the world, and the only swordsman who is really the best swordsman in the world. The nine swords of Dugu are the first swords in the world, and they are naturally owned by the first swordsman in the world. Second, only when the Nine Swords of Dugu are combined with "winning by no means" can they exert their greatest power. This kind of artistic conception, this kind of hermit's way, conforms to the unique sword way of seeking defeat. Thirdly, the name "Nine Swords of Dugu" is enough to reflect the sense of aloofness, which is just suitable for the theme of hermits. After thinking about these points, I put forward a hypothesis. According to the logic of the novel, the nine swords of Dugu are used to learn and improve the technique of Dugu Sword, which may be unknown. If the Nine Swords of Dugu correspond to the Five Swords left by Dugu's defeat, we can get a rather interesting phenomenon: Demonbane was in high spirits when he was young, and his skill was not up to standard, so naturally he could not create the Nine Swords of Dugu. Before I was 30, I gradually developed a skill. Naturally, Wei Zi and soft sword, a light weapon, are used, and broken arrow, a broken knife, is used to strike first. At the age of 40, I can lift my weight easily. No matter what weapons I have, I have long ignored them. With the black iron sword, all weapons are broken, and hidden weapons can even punch. After forty years old, I gradually gave up the sword, and my martial arts experience reached its peak. At this time, it is also reasonable for me to create a subtle and exquisite swordsmanship. Then, when I entered the realm of "no sword is better than a sword", my heart and hands were no longer persistent. Naturally, you don't need to be persistent in moves, you can do whatever you want, and you have entered the realm of "winning without tricks". No move and no sword, just like Huashan's sword and harmony, are inseparable. If we combine, it will benefit both sides, and if we divide, it will hurt both sides. Of course, whether there is no move or sword, Jin Yong made it up himself. He didn't justify himself, I just thought about it and talked about entertaining myself.

3. About the title of "Demonbane"

"River's lake for more than 30 years, killed all my enemies traitors, defeated all my heroes. The world is even more helpless, helpless, but I live in seclusion and take carving as my friend. Alas, it is lonely and embarrassing to seek an opponent in life and not get it. -The sword and the devil seek failure alone. " The fighting skill of seeking defeat alone is as unfathomable as myth; The lonely life of self-seeking failure is as dazzling as myth; The realm of life that seeks defeat in loneliness is to gradually enter the realm of God, the path of God. Inferred from the name, Dugu, who once became a demon, must be an arrogant and incomprehensible Wulin freak. In his later years, when he left his intellectual life, he had forgotten everything about me and him. Only that pride has never been lost. Therefore, the last words still call themselves "Demonbane". I have no regrets in my life and am worthy of my kendo. Future generations yearn for their memories. Desperate for defeat, eventually buried the sword, abandoned the move, returned to the original, and everything returned to zero. It conforms to the principle of life cycle. Born empty, eventually empty, dust to dust, soil to soil. This is Jin Yong's message of seeking defeat through solitude, this is also the thought left by Zhuangzi, and this is also the true meaning of "if you don't move, you will be yourself" and "if you don't move, you will be a sword". In Jin Yong's novels, this realm can only be achieved by seeking defeat in loneliness, because he created it. And his distant disciples Yang Guo and Ling Huchong are still far behind. Yang Guo, in the end, it is still one step away from "no sword is better than a sword". Yang Guo' s ecstasy must be in line with the mood, otherwise it will not work; Last time I fought with King Jinlun, I secretly regretted not bringing my black iron sword. All these show that he is far from forgetting things and putting them away at will. His martial arts training has reached the level of "wood blade" at best, and he has not really abandoned his sword from the bottom of his heart. And Ling Huchong always lost to Dong Fangbubai, and finally he didn't practice the two styles of breaking his hand and giving up the ghost, which shows that he is far from reaching the realm of following one's inclinations and being untraceable. From time to time, he still needs to return to the sword to defend, and he is at a loss in the face of exorcism, which proves that he is still a long way from the real "no move to win." Looking back on Demonbane, I have to respect nature and admire his accomplishments in life and martial arts. It is a miracle not to move without a sword. People who reach this level look around the room and only ask for one defeat.