Why is Huang's painting difficult to recognize?

Huang went to Sichuan at the age of 69 and stayed there for more than a year. During this period, he painted thousands of works. When he was in Qingcheng Mountain, there was a heavy rain, and later he was shocked by the heavy rain in Qingcheng Mountain, which had a great influence on his creation. We say that the artist needs a creative opportunity, and the scenery in the rain inspires him to feel the real scenery.

Huang Yisheng also likes to watch the mountains and the rain day and night. Once a friend saw him open the window in the middle of the night and stare at the night mountain, which was an indispensable opportunity for him to form his own painting style. From 65438 to 0949, Huang became the examiner of the first national art exhibition. 1950 was added as a member of the CPPCC and appointed as a representative of Zhejiang Provincial People's Congress. 1952 After suffering from cataract, his vision was almost zero and his vision was blurred, which had a great influence on his painting style in his later years.

At the age of 90, Zhejiang Branch of China Artists Association and East China Branch of Central Academy of Fine Arts held an exhibition in Shanghai to celebrate his 90th birthday. This exhibition is mainly about flowers and birds. He was awarded the title of "Excellent Painter of China People" by the Cultural Bureau of East China Administrative Committee. /kloc-0 died of stomach cancer in Hangzhou in 1955. In fact, he is 90 years old, and 92 years old has lived in vain.

Huang's life is such an experience. He has never reached the top. Like Xu Beihong, he has never been as popular as Qi Baishi. He used all his wealth to collect ancient cultural relics, seals, calligraphy and painting, but his daily life was often stretched.

Because of its rich cultural connotation and indifferent aesthetic sense of history, its paintings are not as well dressed as beautiful women walking in the street, nor as beautiful as those painted by Zhang Daqian and Wu Hufan. Appreciating his paintings requires life experience, cultural accumulation and aesthetic accomplishment. I think I really can't appreciate him without one of these three aspects. Or you will have a sense of mystery about his paintings, but it is difficult to enter his world.