The archetypes of Jia, Wang, Shi and Xue in A Dream of Red Mansions

There are four families in A Dream of Red Mansions. These four families "are all related, they are all detrimental, they are all glorious, and they are all supported and covered." In the case of Gourd Monk's Arbitrary Judgment of Gourd, he specifically mentioned the "official protection symbol", saying that it was a big squire who was "the most powerful, extremely rich and extremely expensive", and he also noted that his ancestral rank was married: "Jia Weizhen is the golden horse of the hall (Ningguo). Guo Rong is the second male). * * * Twenty rooms. In addition to the eight rooms sent by Rong Ning in the capital, there are now 12 rooms for the original residents); Epang Palace, 300 Li, can't live in this mausoleum for a period of history. * * */room kloc-0/8. There are ten guest rooms in the capital. Eight rooms of origin); In good years and heavy snow, pearls are as gold as iron. Now we are bankers of funds within the government. * * * Eight rooms); The East China Sea is short of white jade beds, and the Dragon King came to invite King Jinling (after Du Taiwei ruled the county magistrate). * * * Twelve rooms, all second rooms, and the rest are in the country. ) Analysis of the "official protection symbol" shows that it is "the strongest, extremely rich and extremely expensive", which is also called the title of attacking ancestors in Beijing, and the main rooms are in Beijing. In that case, the whole world is not the land of the royal family, and no matter how rich it is, it cannot surpass the royal family. Therefore, the prototype of life implied by the so-called "four big families" must be the royal family and the royal family.

1. Jia Jia implicitly refers to the Qing royal family Ai Xinjue Roche.

During the "speech in the government", the first generation of Jia family, corresponding to the Qing Taizu Nurhachi and his brother Shurhachi, "made a speech" for Ning Guogong and Rong Guogong; Jia Daihua, the eldest son of the second generation, attacked the officials corresponding to Huang Taiji of Qing Taizong; Jia Fu, the eldest son of the third generation, died young, and Jia Jing, the second son, became a monk after attacking the official, corresponding to the legend of becoming a monk in Shunzhi. Subsequently, corresponding to the Qing Dynasty entering Beijing as its capital, after the death of Rong Gong, the eldest son Jia Daishan attacked the official as the second generation, corresponding to the Qing sage Kangxi; The third generation, the eldest son Jia She and the second son Jia Zheng, were annotated as "the third generation" in Jia Zheng's office. Although the eldest son Jia She was said to be an official, he was also called to Jia Zheng to study in the Ministry and was promoted to Yuan Wailang. This is in response to the question of Yongzheng's succession. Because the screenwriter hid his notes, he called himself a "speech". Therefore, it is enough to have a corresponding pen, and don't "lose" the true feelings when reading.

According to the truth, both Jia She and Jia Zheng in the book reflect Yong Zhengdi. Jia Baoyu mapped many characters: Yong Zhengdi, Hongxi, Hongshi and Li Hong. Jia Zhen, Jia Lian and Jia Huan drew portraits of Emperor Qianlong, Prince Bao and Xiao respectively. The body is double, and the other members of the Jia clan are also members of the Qing clan. However, because the writer's hidden pen focuses on the characters, the relationship between the characters in the book and the prototype of life is unpredictable, so we must not fix a character on a prototype. According to "Strike Two Tones" and "The Story of the Stone", the real story did not happen in a "Grand View Garden". According to the statement that "Rong Ning personally sent eight houses in the capital (echoing the political system of eight kings in the previous dynasty) and now twelve houses in his original place of residence (actually Huangliangzhuang, surrounded by banners)", it can be seen that the so-called Jia family in the book not only maps the royal family in Beijing, but also maps a set of swords and guns living in the "original place". For example, Jia She, Jia Zheng, Jia Zhen and Jia Lian built their "homes" earlier, and they should be banners living in Huangliangzhuang, and one side should be fiefs; Another example is Jia Fu, which was later raided by the Jinyi Army. It should also be the flag fief of the country of origin. The Jia She, Jia Zheng and other Jia Clans written here should be the imperial clan who returned to the flag land after the fall. Naturally, the specific origins of these characters have been impossible to verify.

2. Historians implicitly mentioned Cao Shi in the south of the Yangtze River.

Some people may ask: Isn't there a Jiangnan Zhen Shi in the book Map of Cao Shi in the South of the Yangtze River? How can this historian be Cao Jia? As can be seen from the book, Zhen Shi in Jiangnan refers to Cao Shi in Jiangnan, which is deliberately explained in the book. The author Cao Xueqin is also very clear in the book. However, in "Yue Feng Treasure Mirror", the author clearly stated that "both sides can take pictures of people" and annotated "the viewer remembers! Don't look at the front of this book, you will. " He also borrowed a fire to burn (implicitly referring to "Stone"), which led to: "Who told you to look ahead!" You believe in the fake (Jia) and the real (Zhen), so why burn me? "This warning that Jia can't be true didn't arouse readers' re-understanding, and still wrongly positioned the true story in the Cao family in the south of the Yangtze River.

In fact, in the "remarks" of Jia Fu's office, the identity of this historian was revealed: "Jia Daishan (referring to Kangxi) attacked the official [fat batch: the second generation], married the young lady of Hou Shijia, a master of Jinling [fat batch: because of Xiangyun, so this is the case], and gave birth to two sons, the eldest son Jia She (assuming) and the second son Jia Zheng [fat batch: the third son. Now that Daishan has passed away, Taitai is still there. " Grandma Xiangyun and grandpa Shi are also gentlemen. "The author specially indicates that Taijun is Shi Xiangyun's grandmother, which proves that he is telling readers that Taijun and Shi Xiangyun are Cao Shi in the south of the Yangtze River. This "Miss Hou Shijia of Jinling Shixun", because she married Jia Jia, became the "Jia Mu" in the book (formerly known as Jia Jiashi's family) and became Mrs. Shi Tai today. So the prototype is that Cao's Jiangnan daughter entered the palace and became the imperial concubine of Emperor Kangxi, that is, her twin sister. For example, when Jia Zheng (Yongzheng) beat Baoyu (Hongshi), the old woman said, "Your wife (Li Fei) and Baoyu will go back to Nanjing at once. "It means that this grandma's house is in Nanjing.

It is precisely because the Cao family in the south of the Yangtze River has this old lady sitting in the palace that her daughter married Prince Yin and became the "Prince Shi's Princess" (the pen to erase the history of Cao family); Only Cao Yin's granddaughter (Baoyu, born with a jade title) was married by Kangxi at birth and married Hongxi as a princess when she grew up; Only Cao Yin's nephew Cao Fu (Shi Ding) was adopted to replace Jiangning Weaving; Only Cao Fu's second son Cao Xueqin (Shi Xiangyun) stayed in the palace for a few days.

3. refers to the Li family in Suzhou.

Studying the genealogy of Suzhou weavers, I know that a younger sister is married, but I don't know that the Li family is also an orthodox royalty. The so-called "the East China Sea (implicitly referring to the Prince's Mansion) is short of white jade beds, and the Dragon King invited the King of Jinling" refers to the fact that in history, Ling Pu, the husband of Prince Yinwa's wet nurse, went to Jiangning Weaving Mansion and Suzhou Weaving Mansion to "register". Why did the prince regard these two weaving houses as his "treasure house"? First of all, these two weaving houses are under the jurisdiction of the Palace Office, so it is logical for Prince Yin Yong to send someone to fetch things. Then there is a little-known reason: Cao Jia Cao Yin has a daughter who married the prince and became a crown princess; The Li family has a daughter who married the prince and became a side Fujin (played by Li). In addition, Suzhou Weaving also had a daughter who married Prince Yong and became a side Fujin (Li), so Yongzheng became the emperor and the Li family in Suzhou became a real royal family.

There is a saying in the history of Qing Dynasty that Yongzheng became the "property-stealing emperor" after he ascended the throne. To test the emperor's "if you catch a thief, you must catch the king first", the first one starts with the Li family in Suzhou. But who does not know such a thing? That's why no one dared to buy the Li family's property when it was auctioned by the government. Finally, it has to be reported to the emperor for approval, and the government has to pay to escort the Li family to Beijing.

To tell the truth, the prototype of Mrs. Wang in the book is Li of Yongzheng; Aunt Xue's prototype is Fujin and Shili around Yin Yong. They are both Xu Li's daughters. As an uncle, Wang Ziteng is Xu Li's son. As a daughter, "Wang Xifeng" is the prototype of "Li Wan" of Fujin, the eldest son of Mrs. Wang (Hong). This is a relative of "aunt, uncle and sister". When Hongshi was there, she appeared as Xifeng. After Hongshi died, he became Li Wan who obeyed the etiquette. According to the book, although Mrs. Wang was a second wife, she became the master's wife, corresponding to the early death of Nora, the wife of Emperor Yongzheng in September of the ninth year of Yongzheng (Mrs. Xing), which won the favor of Yongzheng (most children can prove this). Naturally, she is the master of the harem.

4. Xue Jiayin refers to abandoning the prince's pulse.

As the saying goes, "In good years and heavy snow, pearls are as hard as gold and as hard as iron". The implication is not that the Xue family is full of pearls and gold. But because of the heavy wind and snow, pearls are like earth, and gold has become scrap metal. From this perspective, it just corresponds to the fact that Prince Yin Ren was deposed. Then through the analysis of the specific "Xue" surname, it is directly connected with the word "Xiao". The writer has a saying called "under the guise of Han and Tang Dynasties". In the era of Wu Zetian in the Tang Dynasty, there was a history of Princess Taiping marrying Ma Xueshao. Xue Shao's father is attached to the horse, and Xue Shao is attached to the horse, so he and Hong's father assumed the title of Prince, and Hong was selected as the successor by Kangxi, and the two reflected each other. At the same time, Xue Shao was later convicted of rebellion, which is consistent with Hong's "conviction". Xue, a famous soldier in the Tang Dynasty, played an important role and was impersonated. He also faked his death and remained anonymous. Therefore, the author Hong also borrowed the pen of Han and Tang Dynasties to draw up his own surname "Xue". In addition, three of the four families have rooms in their original place of residence, but the Xue family does not, which shows that there is no one in their original place of residence.

Interpreting the truth, Xue Baochai, as body double of Hongxi's body, entered the garden and was selected. Hongxi was established as the heir to the throne by Yong Zhengdi's "special liking". Aunt Xue's prototype is Fang Fujin, and she is a sister with Princess Yongzheng (Mrs. Wang), but she is actually Hong's stepmother. The prototype of Xue Pan's life corresponds to the eldest son, who should be born to Li. There is also a book called "Four Yan Jia Jia", corresponding to Yongzheng, Yin Yong, Huang Hongfa and Yinlu each having a daughter in the palace for foster care.

Then there is Xue Baoqin, who is very beautiful in the book. She is Baochai's cousin, and her status is the same as Hongxi's cousin, the Fifth Prince. But since Hongzhou is the fifth son of Yongzheng, how can he be included in the "Xue" family? This depends on the fact that the historical materials implied by the word "Xue" have been eliminated. The fifth son of Emperor Hongzhou is the same age as the fourth son of Li Hong, and Yong Zhengdi likes Hongzhou very much. Because Li Hong later became an emperor, I'm afraid that only the "absurd prince" is left in the records of Qing history.

In a word, it is precisely because of the "severance of family history" that the author Hong Cai corresponds to family history and writes the brilliant family history that has been erased into Jia's and four big families. Unfortunately, due to the deliberate revision of the pre-Qing history (especially the alternate history of Kang Yong and Qianlong) by Emperor Qianlong after he ascended the throne, it is difficult to find traces of the true history of the four major families in the Qing history. However, according to the author's suggestion, only by understanding the life prototypes of the above four families can we call them "relatives' exchanges" or "the most powerful and powerful", and we can also ask why these four families are "extremely rich" according to the official protection symbols.

5. Jia family also "carried" home.

Ma's family is the maiden of the first queen of Qianlong. Just as "two horses eat grass all over the world", there is a "Feng" family named Shen Shuang in the book, which is called "the fifth family". However, as the fifth family of "the skeleton of a good educated youth is a person who hides his face from the red chamber", the author wrote "Ningfu" for fear of "leaking secrets". As a result, Jia Zhen, Jia Lian, Jia Rong and others in Ningfu became the body body double of the Ma family: Jia Zhen has a horse-like side; Jia Lian has a Ma Wu side; Jia Rong has the side of March's son. So, why does the author describe this horse family implicitly? Because the Ma family participated in the shocking assassination of Yongzheng, if it is not covered up, it is easy to lose its reputation.

What is the relationship between the Ma family in Fu Cha and the four big families? First, Fu Cha, the Queen of Qianlong, was a girl of Ma family, so Ma family became a "uncle" family, and naturally the two families were "in-laws". Second, Ma Shi, the daughter-in-law of Cao Yin (Cao Qing's widow) of the Cao family in the south of the Yangtze River, is a family girl, so the two families have "aunts and uncles". Third, yongzheng emperor Hong Fujin is the granddaughter of Suzhou Xu Li, and Prince Li Hong Fujin is Fu Cha Ma Shi. These two daughters are sisters-in-law of the royal family.