Home and Wanxing calligraphy works?

It is unreasonable to say that everything is going well at home. Confucius said that it is necessary to cultivate self-cultivation and govern the country. A g

It is unreasonable to say that everything is going well at home. Confucius said that it is necessary to cultivate self-cultivation and govern the country. A good home can have a good start. The following are Jia's calligraphy works and everything I have arranged for you. I hope it works for you!

Appreciation of He Jia Wan Shixing's Calligraphy Works

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Closed-word method of calligraphy

In the development of calligraphy, with the formation of calligraphy art, the word-forming method of calligraphy has also evolved into two structural forms: one is the basic structure of fonts, that is, the practical structure; The second is the elastic structure formed by the evolution of the basic structure, that is, the calligrapher's calligraphy structure that expresses the artistry and personal style of calligraphy, that is, the new ingenious artistic structure of "tying words with time". Therefore, in order to inherit and develop calligraphy and learn writing methods, we must clearly understand the evolution of writing, and carefully master the forms and methods of expressing the alternating structure of calligraphy art beauty.

Flexible structure not only changes with the change of the times and the update of fonts, but also varies from person to person. Even the words written by a calligrapher are often different from those written successively. The structure of official script is very different from that of the Western Han Dynasty. At the same time, there are obvious differences between inscriptions, silk books and other books. It is also obvious that the structure of regular script varies from time to time and from person to person. Wang Xizhi changed his style by learning the clock. Tang people learn from Wang Xizhi's book, but Europe, Chu, Yan and Liu are different; The Song Dynasty learned many books from the Tang Dynasty, but the calligraphy styles of Su Dongpo and Huang Tingjian were as different as dead frogs and dead snakes. Zhao Meng has studied Wang Shu for a long time, but the structure is obviously different from Wang Shu; Calligraphers who were consistent in "Shang Tai" in the Ming Dynasty seemed to be adults. The cursive script of "taxiing" has changed even more, as big as Cao Zhang, Jincao and Kuangcao. As far as a person's calligraphy structure is concerned, Yan Zhenqing's Confessions and Many Pagodas, Huai Su's Essays on the Book and Autobiography, especially Zhao's two essays on Mount Tiangong, have written the same text, which is quite different! In a word, the flexible structure of the knot is changeable, general and constantly changing, forming a variety of fonts, which are dazzling and difficult to count.

This proves that the replacement structure is not only a change to the basic structure, but also a new ingenious structure different from the basic structure. The basic structure requires accurate structure, easy identification, beautiful and applicable, which meets the actual needs; The flexible structure requires the structure to be standard, novel, ingenious, wonderful and applicable, which meets the artistic standards. Otherwise, even if the structure is correct, there is no change. There are thousands of people on one side, and thousands of words are put together, which is also "craftsman's words", "slave book" and "cabinet style" Therefore, calligraphers of all ages have attached great importance to the changes of knot characters, set an example and created various new books with flexible structures. For example, Wang Xizhi's "Thesis" pointed out: "For each word, we must make several meanings. If you make a piece of paper, you must make each word have a different meaning, not the same. " He wrote Preface to the Lanting Pavilion, and wrote 20 words of "Zhi" in one breath. With the help of God, he became a flexible and ingenious writing model. Yu Shinan said in the book: "Although words are qualitative, traceless, changeable and often inactive." "Book Score" points out: "The evolution of Chi Zhi, the physical Chang Ran", "Although learning from one family has become a multi-body, we must follow its * * *, and we must think it is posture." When Zhang Xu taught Yan Zhenqing's calligraphy, he said: "The second is arrangement, which is not slow or excessive, convenient and appropriate; Secondly, it is flexible and adaptable, and there are rules in the salt. " Zhao, who is good at writing lyrics, said: "Writing lyrics also requires labor, and writing lyrics is handed down from time to time." He clarified that writing should not only be learned through labor, but also adapt to the times to reflect the spirit of the times. These precise expositions fully show that flexible structure is the inevitable expression and result of the development and change of knotting method, and it is also a unique form and method that constitutes the beauty of calligraphy.