Wei Zi and Joey Wong kiss in the video.

What do you think of Liu Yifei's kissing scene?

Is the fairy really beautiful, but like a flower in the mountain, it is not easy to climb?

This is a common problem in Liu Yifei's works. As a fairy who is worshipped by the audience, his appearance and temperament are too prominent, and his acting relies too much on the role that conforms to his true colors and appearance. In this way, once he is out of the Xianxia atmosphere, he will have a weak sense of CP because of his temperament and gas field.

Similarly, kissing scenes without love (CP sense) are like hooligans.

A few days ago, when I was wandering around, I found that Liu Yifei and Louis Koo were interviewed while promoting Ghost Story.

Louis Koo, with messy beard and handsome figure, is in harmony with Liu Yifei, with fair skin, straight back and cold face. This is simply unreasonable. Is it the reason why our ancient children are so versatile?

So I dug out Liu Yifei's version of Ghost Story, revisited some plots, and especially studied the kissing scene between Nie Xiaogan and Yan Chixia. Well, it's beautiful.

Liu Yifei has filmed many kissing scenes, and the types are also very rich. Let's talk about the little fairy's kiss from several aspects, talk about several situations that affect the effect of the kiss, and then indirectly show the little fairy's acting skills.

Dedication here does not mean how the actors put themselves into the art, and to what extent the actors can cooperate for the performance. But from a professional point of view, whether an actor can do it when shooting a kissing scene-based on performance beliefs and aesthetic needs.

In the history of drama, there has always been a debate between expressionism school and empiricism school about actor creation. From the analysis of these two types, Liu Yifei's film and television drama performance creation is biased towards the expressionist school.

Looking at her more successful works, Zhao Linger in The Legend of the Sword and the Chivalrous Man, Little Dragon Girl in The Condor Heroes and Wang Yuyan in Eight Dragons are all representatives of the high harmony of actors and characters in appearance and temperament.

Among them, the interpretation of the little dragon girl is particularly obvious. Liu Yifei, a ballerina, perfectly presents the image of the little dragon girl, a descendant of the ancient tomb school, through elegant and cold fighting movements and light flying up and down.

Stanislavski, a famous drama theorist, described the performance of the expressionist school in this way: the actor finds the emotional logic through the logic of body movements, and then finds effective methods from the outside to the inside, from the body to the soul, completing the highest task of performance and moving towards the highest realm of characterization.

Liu Yifei's kissing performance is in the same strain as her fighting, and it also begins with physical expression. In other words, what she makes the audience feel is the performance of the action first, and then the emotion. Even sometimes, due to the lack of expressiveness, there are external manifestations, but it is difficult to feel that fairies are emotional.

For example, third way of love Way cooperated with Song Seung Heon, and Liu Yifei took the initiative to attack the kissing scene. Her movements, demeanor and emotional reactions were very mature, including physical teasing and sexy stretching, from which we can vaguely see the shadow of sexy performances in many classic film and television dramas. As an audience, I regret to say that my mood at the play was as dull as Liu Yifei's eyes at that time.

In technical terms: from the outside to the inside, the channel from the body to the actor's soul has not been opened.

Nevertheless, we can't say that Liu Yifei is not dedicated. She is just a question of performance and expressiveness.

If you really want to say that you are not dedicated, it should be the performance of Shuangjie in love O2O. I can't say what kind of expression it is. There is no emotion or action to follow and cooperate in the whole kissing scene. Yang Yang tried his best to open it as if he were alone on the stage. If you are shy, at least you have a kind of trembling, shrinking and closing your eyes. If you are excited, you should at least cooperate with a pious expression. Those illogical body movements and expressions are really embarrassing.

When it comes to cool girls, there is often a kind of regret. She has a natural heroine's face, but unfortunately, she doesn't pay much attention to her acting career, and many good resources have become inferior in her hands. I hope that one day I can have a good work while worshipping the beauty of Cool Sister.

There are also good ratings and word of mouth, but Ren Jialun and Seven were questioned by the audience as unprofessional because they kissed on the roof.

As an audience, seeing the so-called kiss on the roof really has the experience of buying fakes. When filming, the director grasped the rhythm of awkwardness and beating his chest, but the better the atmosphere in the early stage, the greater the disappointment of the audience when they saw the kiss. The audience is not completely unacceptable to borrow seats. In the final analysis, it is still a question of effect. If the director's handling method is more artistic, even if he enlarges, spins in the air and flies all over the sky to block the kissing figure, the audience will be more likely to accept the aesthetic enjoyment, instead of directly expressing this clumsy borrowing.

There are countless kissing scenes at home and abroad, including costume dramas and times dramas.

Personally, I prefer the scene of Leslie Cheung and Joey Wong kissing underwater in Ghost Story (I). But a undressing and bending action pulled Ning back into the water. It seems that Nie's fragrance and crimson color remain in the water air. And underwater, the agitated water makes a vague expression, which makes people feel like a knife.

Is it good to kiss a beautiful woman?

Of course not, it may even be counterproductive.

Just like the sex scenes of Lin Chi-ling and Fan Wei, just watching the stills will make you feel uncomfortable. This experience is also related to the appearance of the actor himself. After all, handsome men and beautiful women are more acceptable. But more important is the action and emotional expression in the performance.

If the whole play is good, it is not good.

Because this sex scene is not about the beauty of Lin Chi-ling, or the beauty of love, it is purely about showing the joy of the body and the bed. Lin Chi-ling's eyes are as bright as silk, and her skin turns red after shyness. This is Lin Chi-ling, not an elegant goddess who can't be taken lightly, so I don't violate it.

There aren't many good kissing scenes in Liu Yifei. I like more than two.

One scene is "The Condor Heroes", and the little dragon girl loses her virginity in Yin Zhiping. This plot is the most difficult part of Jin Yong's fans, and there is no one. However, Zhang Jizhong is really a master of creating an atmosphere. He made this mundane fairy play so beautiful. He did two things. One is Yin Zhiping's expression, which is the expression of looking up at the fairy. Except for a little timid expression, Yin Zhiping kept a calm mood, and did not fall into the confusion of infatuation with eroticism, which made the scene cold and beautiful. Second, the fallen leaves in Jiuzhaigou, coupled with the lighting, have always kept the little dragon girl in a fairyland-like atmosphere.

I found that Liu Yifei's early kissing scenes were free from vulgarity. Obviously, for others, an ordinary kissing scene will be polished with dust when it comes to Liu Yifei. From a special point of view, even the most secular kiss smells fresh and sweet.

There is also a kissing scene between Nie Xiaogan and Yan Chixia in Ghost Story.

The kissing scene appeared in the memories of Yan Chixia and Nie, and the time was very short, about 2 or 3 seconds.

Yan Chixia's bronzed skin and Liu Yifei's snow-white skin are in sharp contrast with the rough rocks and swaying weeds around.

Time is too short, and they don't have much chance to show it.

However, this chaotic memory is interspersed with Yan Chixia's painful seal to Nie, her deep tears that she could not bear but had to give up when holding high her weapons, and their fresh and refined meeting and love.

So those two seconds were suddenly endowed with strong emotional factors. Two people intertwined lips moving.

In this play, Liu Yifei and Ning also kiss. Look from the appearance, Yu Shaoqun barely handsome, both of them are white. Kissing is not only immortal, but also presents a little embarrassment. First of all, Yu Shaoqun, whose desire is greater than affection, reminds me of Louis Koo's version of Yin Zhiping's obscene expression when she got her hands on Xiaolong girl. Then Liu Yifei. Her expression is not too flawed. The problem lies in her too clean and pure breath. According to Yu Shaoqun, this is a blasphemy.

Sexy here refers to the way the hero and heroine are attracted to each other in the kissing scene.

Let's start with offensive sex appeal.

Correct demonstration: Korean drama "Crazy for You"

Under the apricot tree, the female main station goes up the steps and the male main station goes down the steps, which provides convenience for the female main station to attack conveniently. The woman was attracted by the man's cheek and couldn't help kissing him. The sincerity that the female host inadvertently reveals is fatal to the male host.

There are also scenes that have to be mentioned, showing off and playing hooligans.

The road swagger is the most overbearing and aggressive case among many female drunkards who play hooligans by drinking.

Bailuyuan's performance is good, the key is that her eyes grasp the certainty of "you are in my palm, you can't escape" and the temptation of "I like you very much, so you can't refuse me". This appearance has the interest of the world and the stars symbolizing love. I don't know how to express it, but I always feel much sexier than simple innocence.

As mentioned earlier, Liu Yifei's kissing scene in The Third Road of Love fully shows her sexy side, which backfires and looks like kissing her pet.

Let's talk about seductive sex appeal.

Liu Yifei is very suitable for this type of sexy.

For example, in The Second Generation Fairy, before the fox demon and William Feng kissed, there was a wonderful seduction scene, which was ignorant, playful and full of temptation.

Another example is Nie. After she tackled Yan Chixia, she looked up and tasted the candy in Yan Chixia's bag. That kind of expression, that kind of behavior, belongs to the demon temptation of ignorance.

There is also a kissing scene, which is both aggressive and tempting:

Liu Renna is an expert.

In The Man of Empress Renxian, Liu Renna played a necktie kiss, an earphone kiss and a foot kiss.

I like the tie kiss in the last episode.

Liu Renna cried pear flower with rain, looked up at the man intently, as if he was the only one left in his eyes, which was very attractive. The man said: I miss the use of ties too much. She tugged at his tie and walked down gently, which was unpleasant.

If one day the little fairy can shoot this sexy kissing scene and truly achieve "reflection and experience, external and internal, physical life and spiritual life, physical and psychological integration, it means that she really understands."