Does the ending in the movie To Youth mean that it finally coincides with Chen Xiao?

At the end of To Youth, Kevin·Z got together without Chen Xiao, and Kevin·Z and Lin Jing got married.

Introduction:

Zheng Wei (Yang Zishan), 18 years old, finally entered the school next to his childhood sweetheart's big brother Lin Jing (Han Geng). When she stepped into the university campus with great expectations, she was hit-Lin Jing went abroad to study, and there was no news.

Kevin·Z felt very lost. In a difficult situation, he has established a deep friendship with his roommates Zhu Xiaobei (Liu Yase), Ruan Wan (Jiang Shuying), Li Weijuan (Zhang Yao) and his brother Lao Zhang (Bao Beier). At the same time, Xu Kaiyang (Ryan), a rich boy, has launched a crazy pursuit of Kevin·Z, while Ruan Wan, who is popular with boys, guards her loyalty to love with her unique indifference.

An accidental misunderstanding made Kevin·Z and Lao Zhang's roommate Chen () become sworn enemies. In repeated counter-attacks, Kevin·Z found himself in love with this seemingly cold and kind Gao Feixia, so the crazy counter-attack became a persistent pursuit, and Chen finally surrendered under the storm and told the judge about it, and finally became a sweet lover.

When he graduated from his senior year, Kevin·Z's life was tested again: Chen was forced by family pressure to study abroad, but he didn't have time to tell Kevin·Z. Kevin·Z, who felt cheated again, left Chen painfully, but met Xu Kaiyang who was embracing her new lover.

Many years later, Zheng Wei has transformed into a working girl, and once again tasted the impermanence of fate: Chen and she returned to her life with regret and love.

Extended data:

The film is adapted from Wu Xinyi's best-selling novel of the same name, which continues the novel's style of "warming youth" and "small freshness". This film is not only Zhao Wei's directorial debut, but also her graduation work as a graduate student of the director department of Beijing Film Academy.

There are many comedy elements in the film, even in the creation of a sense of the times, the setting of dramatic conflicts, the completion of role performances and so on. , have shown a good level. For example, Chen's dull and serious appearance and childish words and deeds have created a "laughing fruit" with a strong sense of uniqueness.

However, the film is too hasty in the emotional transition of the role. In the distribution of roles and scenes, the second half is also somewhat stingy (Beijing Times Review)