Appreciation of Two Palace Poems

Generally, the short poems of palace resentment written in quatrains always reveal only the corner of the picture of life, and can show the tragic life of the imperial secretary from one scene to another; At the same time, it is often written euphemistically and implicitly, and some contents leave a lot of room for imagination. This poem is different. These two pictures show the whole picture of life, telling stories and writing feelings directly.

In the first half of the first poem, the author condensed all the experiences of a claustrophobic imperial secretary who was far away from home in just ten words. The first sentence "A Thousand Miles from Home" is written from the perspective of space, which is far from home; The second sentence, "A maid-in-waiting has lived here for twenty years", has been written in the palace for a long time since the time. These two poems not only have high generality, but also have strong appeal; It not only expresses the sorrow of the heroine in the poem once, but also expresses her sorrow in a double and deeper way. Unfortunately, it is tragic enough that a young girl was elected to the palace, separated from her family and the outside world, and lost her happiness and freedom. Moreover, her hometown is 3 thousand miles away, and the years are as long as 20 years, which makes readers feel that her fate is more tragic and her life experience is more sympathetic. Similar to these two poems, there is a couplet in Liu Zongyuan's poem "My Last Brother Zong Yi": "I went six thousand miles and died for twelve years", which also shows that the country that has been gone for a long time is particularly sad. This is to increase the weight and depth of the poem by doubling and entering a layer. The second half of the poem turned to writing grievances, and the fact that a sad song fell with tears directly wrote the long-buried grievances of the people in the poem. These last two poems are also won by strength, not by implication. Poets used to say that poetry is expensive and implicit, but it is not absolute. It should be said that whether a poem is straight, implicit or strong depends on its content. The first half of this poem has written the tragic situation of the people in the poem to the extreme, and accumulated enough strength to force out the grievances. Then in the second half, it is bound to make the grievances of the people in the poem gush out and pour out quickly. Only in this way can the whole poem appear strong and powerful, and can it receive artistic effects that impress readers. What is particularly worth mentioning here is that some court resentment poems write that the reason for the royal family's resentment is that it is not desirable to see the emperor or fall out of favor with the emperor; This poem is just the opposite. The grievances it wrote were produced in front of the emperor and when the people's songs and dances were appreciated by the emperor. Judging from the first two sentences, this resentment is by no means a protest against being deprived of happiness and freedom because of being refused contact or falling out of favor. It is Liu Zao who said in "Tell on Nagato" that "I don't miss you, I hate you". This poem also has two characteristics. First, among the four poems, the first three sentences are noun words without predicates. Xie Zhen once pointed out in "Four Poems" that "there are many content words in poems, which are deliberately simple and sentences are healthy", and the example he cited of "all using content words" is a famous sentence. The reason why this poem is particularly concise and powerful is related to the use of this special poetic structure. Another feature is that in the four poems, "three thousand miles" means distance, "twenty years" means time, "one song" and "two tears", and every sentence uses numbers. Numbers often play a special role in poetry. They can express a thing and a question more clearly and accurately, give readers a deeper impression, and make poems particularly refined and powerful. These two artistic features of this poem complement each other with its content.

The second song, singing in the palace, is always creating new sounds. The author also has two other songs, one of which is: "The son-in-law says, turn your voice softly, and you have to wait for your feelings to come to you." It's just that there is harmony in front of us, and everyone sings new voices. "There is another sentence in The Man Who Met the Song by the Side:" Old Qiu Ge went out to the DPRK, and the cloud stopped to pay for old Qin Qing. Teenagers throw out new voices, but turn a deaf ear to others. "This shows that poets attach importance to new voices and emotions. The title of this poem is "Where does the new voice sing? As a knot, "heartbroken Li Yannian" contains rich connotations, endless words and endless meanings. Here, the "new voice" is directly pointed out, with "where to sing" as the lining, revealing its sadness. The last sentence mentioned "heartbroken", and the feelings went further, ending the whole poem at the peak of emotion. On Wang Zhifang's poems in Song Dynasty: Hu Zhang has hunting poems and palace poems, which Bai Fu called them. Gong Ci said, "Thousands of miles away from home", Xiao Du kept Qiu Pu and became a poetry friend with you. He loved Gong Ci, and gave a poem saying, "How to sing lyrics in her home for nothing? "

Song Ge Li Fang wrote in Yang Qiu's rhyming poem: Zhang Hu's poem, "A maid-in-waiting lived here for twenty years, a thousand miles away from home." Du Mu rewarded it and wrote a poem: "Being poor is thousands of miles away from her home, and singing lyrics for nothing." Therefore, Zheng Guyun: "Thousands of miles away, the only person who knows her should be Du Ruo. The title of the sage is like this. Is the name of the poem safe?

Kun's Criticism on Pronunciation of Tang Poetry: Love and Bitter Rhyme.

Qing Shang He's Poems on the Wine Garden Editor: Palace poems are simple, that is, "a maid-in-waiting has lived here for twenty years" is also very common, and I don't know why it is so famous!

Master Qing Fan's Poems of Past Dynasties: notes rushing in one breath.

Wang Qing's Poems "Selected Comments on Ten Thousand Sentences of Tang Poetry": He Manzi's voice is the saddest, and Lotte said: "A song with four words is 20% off, and it is heartbroken." This poem is sadder than the first two sentences, so sing a sad song and stop crying!