Fortune Telling Collection - Ziwei fortune-telling - Wei Zi soft sword evaluation
Wei Zi soft sword evaluation
However, everything has advantages and disadvantages. When the sword is too fast, it is often difficult to send and receive it freely. At first, you may not realize that your fencing has gradually entered the magic road (probably because Jianghu people call him "Demonbane"), until the "vicious accident" of "injuring the righteous by mistake" occurs.
Although the book doesn't record in detail how to "injure a righteous man by mistake", according to the result (even if you seek defeat alone, you define "Wei Zi soft sword" as an ominous thing and "abandon it in a deep valley", thus creating a new realm of "epee class"), it is related to the fact that "soft sword class" fencing can't be received and sent to your heart. From this point of view, Dugu's move of "abandoning Wei Zi and soft sword" actually represents Dugu's determination to give up the detour of "soft sword Class" and start a new stove, which is quite a bit like "feeling right today and wrong yesterday". Moreover, it is beyond people's reach to write "injuring the righteous by mistake" straight on the sword tomb, which shows that it is open and aboveboard.
(Off-topic: It is very likely that the Nine Swords of Dugu was passed on to the descendants of the "righteous" during this period, so that this set of swordsmanship can be passed on to Feng Qingyang in the future, but there is no record of the sword spectrum in the sword tomb that Yang Guo saw. ) After giving up the "soft sword-class" mistakes in learning sword, he finally realized the wisdom of learning sword by summing up years of practical experience, so that his ancestral learning sword made the first substantive breakthrough.
As for the "soft sword period", what I want to say next is that soft sword is better than a sword, not just a word "fast". I think soft sword's sword of victory is close to the Taoist concept of "strong is down, weak is up". No matter everything in the world or martial arts moves, they are sharp and fragile, and soft and timeless. In Jin Yong's works, if a set of martial arts is fierce, fast and ruthless blindly, it will never be considered superior if it goes well all the way. Even the Dragon Eighteen Palms, which was pioneered by my family, was proved to be more agile and flexible by Jiuyin Zhen Jing. At the age of 20, he realized the wisdom of being gentle and demanding rigidity, so he abandoned his sword and went to Wei Zi, which was the first breakthrough in his martial arts career.
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