What is the central idea of Jiang Nanchun?

The central idea of Jiang Nanchun's ancient poems

Jiangnan Spring is an ancient poem that we are all familiar with, so what is the central idea about it?

Jiangnanchun

Tang Dynasty: Du Mu

Jiangnan, the sound of green and red flowers, the waterside village in the foothills.

More than 480 ancient temples were left in the Southern Dynasties, and countless pagodas were shrouded in wind and rain.

Translate poetry

The vast Jiangnan, singing and dancing,

Villages by the water, battlements by the mountain, all have wine flags fluttering in the wind.

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The rulers of the Southern Dynasties believed in Buddhism and built 480 temples.

How many terraces are shrouded in this misty rain now?

Central idea:

This poem shows the poet's praise and yearning for the scenery in the south of the Yangtze River. However, some researchers have put forward the "irony theory", arguing that the emperors of the Southern Dynasties were famous for Buddhism and Du Mu was famous for Buddhism. Buddhism in the era is also a vicious development, and Du Mu has anti-Buddhist thoughts, so the last two sentences are ironic. In fact, the interpretation of poetry should first start from the artistic image, and should not make abstract inferences. Du Mu's opposition to Buddhism does not mean that he must hate the Buddhist temple architecture left over from history. In Xuanzhou, he often goes to Kaiyuan Temple and other places to play. I have also been to some temples in Chizhou and made friends with monks. Famous phrases such as "Clouds on Jiuhuashan Road, Liu Fuqiao on Qingyi River" and "Autumn Mountain and Spring Rain Wandering All over Jiangnan Temple Building" all show that he still appreciates the balcony of the Buddhist temple. Of course, while enjoying it, it is also possible to drift a little historical emotion occasionally. It expresses that the author's mood is neutral, and there is neither obvious hatred nor obvious evil. He's just writing about the scenery and singing about spring.

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Appreciate differences

Regarding the theme of the quatrains in Jiangnan Spring, there are different opinions on whether to use the ancient to satirize the present.

Some researchers put forward the "Irony Theory", arguing that the emperors of the Southern Dynasties were famous for Buddhism in the history of China, and that Buddhism in Du Mu's era was also a vicious development, while Du Mu had anti-Buddhism thoughts, so the last two sentences were ironic. Or think that the main idea is to respect Confucianism and exclude Buddhism, and express concern about the rulers' mismanagement of the country and the mistakes of Buddhism and Taoism; Or that the main idea is to satirize the present by borrowing from the past, satirizing the rulers' excessive construction of Buddhist temples will lead to weak national strength, depressed people's livelihood and aggravate social crisis. They think that the poets in the late Tang Dynasty have a feeling of worrying about the country and the people, and there is no lack of irony in aesthetics, and the connotation of poetry is richer.

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Some researchers disagree. They just think that this poem only depicts the beautiful scenery of Jiangnan and shows the poet's praise and yearning for the scenery of Jiangnan. To understand poetry, we should first start with the artistic image, and should not make abstract inferences. Du Mu's opposition to Buddhism does not mean that he must hate the Buddhist temple architecture left over from history. In Xuanzhou, he often goes to Kaiyuan Temple and other places to play. I have also been to some temples in Chizhou and made friends with monks. Famous phrases such as "Clouds on Jiuhuashan Road, Liu Fuqiao on Qingyi River" and "Autumn Mountain and Spring Rain Wandering All over Jiangnan Temple Building" all show that he still appreciates the balcony of the Buddhist temple.

Brief introduction of the author

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Du Mu (803- 853 AD), whose real name was "Fan Chuan lay man", was called Du. Jingzhao Wannian (now Xi, Shaanxi) was a poet in the late Tang Dynasty. (Source: Zhongshu Province is also called the province, so it is called "Du") In the late Tang Dynasty, writers in the Tang Dynasty later called Du Fu "Lao Du" and Du Mu "Xiao Du". A (Mu) Fu is also quite famous.

Outstanding poet and essayist, grandson of Prime Minister Du You, son of Du You. In the second year of Daiwa, Tang Wenzong, a 26-year-old scholar, was awarded the post of Hong Wen Pavilion. Later, I went to Jiangxi to observe the envoys, turned to Huainan to observe the envoys, and then entered the envoys. Xi Chui Zhun, the Ministry of Food, Bibi Department and Si Xun, served as the secretariat of Huangzhou, Chizhou and Zhou Mu, and finally became the official of Chinese calligraphy. Outstanding poets in the late Tang Dynasty, especially those famous for their seven-character quatrains, mainly expressed their feelings by chanting history. Du Fu and Li Bai are called "Du Li". In order to distinguish them from Du Fu and Li Bai, the poets Li Shangyin and Du Mu were called "Little Du Li".

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