Why does guzheng have such a low status in folk bands?

It is not the low status, but the wide range of guzheng. One is enough, and more is chaos. Like in western music, everyone knows that there are many violins, but there is only one harp and cymbals. That's the reason. However, China's classical musical instruments are all national musical instruments, and there is no saying that whoever has a high status has a low status. It is because the timbre of guzheng may be too popular or too avant-garde to be combined with other instruments in a folk music group. I have a friend who just learned the timbre of guzheng. It's really nice, but even if he is in a band, he will be particularly abrupt and give the audience a bad feeling.