Why are there more painters and painters in the descendants of Aisin Gioro?

First, the descendants of the royal family are basically well educated. After Manchu entered the customs, officials at all levels, from the emperor to the emperor, held an open-minded attitude towards Chinese culture. The emperor set an example for his ministers, and all the princes and nobles attached importance to and led their children to learn China culture. Therefore, as early as the early Qing Dynasty, the Ministry of Interior opened the "Ruyi Pavilion" to cultivate talents in painting and calligraphy, and the art of painting and calligraphy became a royal family heirloom. For hundreds of years, the "court painting school" has formed a unique style of appealing to both refined and popular tastes.

Second, the influence of the royal atmosphere on future generations is obvious. For example, the youngest painter in the Essien Choro family, Essien Choro Luo Yuhuan, is the daughter of Pu Zuo, a famous contemporary painter in China and a professor at Tianjin Academy of Fine Arts. She studied traditional calligraphy and painting with her father, Pu Zuo, since childhood, and taught herself. She became a professional painter after graduating from high school.

Third, the art of calligraphy and painting is an elegant art, which needs a certain material foundation to some extent. Even if the Essien Choro family later became a declining royal family, this art still has a soil for existence. The literati that the descendants of the royal family can reach are hard for ordinary people to reach, and they have long been influenced by elegant culture.