Fortune Telling Collection - Ziwei fortune-telling - What's Nuwa's last name? Does she really exist? Does she have an alias? What's your name?

What's Nuwa's last name? Does she really exist? Does she have an alias? What's your name?

Nu Wa has no last name. She never really existed. Nu Wa has another name, Nu Wa Huang and Nu Wa Yin.

Nu Wa, the goddess of creation in ancient China mythology. Also known as Wa Huang, Nu Wa and Nu Wa Shi, it is the beginning of Chinese people's humanities and the true god who bless the country.

According to legend, Nu Wa created human beings, changing day by day, imitating herself with yellow mud, creating human society and establishing the marriage system. Because the world is falling, colorful stones are melted to fill the sky, and the tortoise is enough to stand up four poles, leaving the myth and legend of the goddess mending the sky.

Nu Wa is not only a heroine who helps save the world, but also a goddess who will create the earth. She is also the god of nature who created everything, and has the magical power to turn everything into life.

At least 70 things can be created every day. She created the world, so she is called the mother of the earth. She is the creator and mother god, and has been widely worshipped for a long time.

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Apart from creation, the record that Nu Wa was the first musical instrument god in pre-Qin classics should also be an important part of Nu Wa's creation god, but it doesn't seem to attract enough attention from scholars, especially when literature turns to romantic themes.

The Book of Rites, Imperial Century and Ying Shao's Zuopian of Shiben are used as the fountain of Nuwa, which shows that the hole is correct. This short five-word record has become a platform for later writers to gallop their talents.

Among ancient books, the earliest story about Nu Wa's creation is Custom Justice. Although this story positively describes the story of Nu Wa's creation and shows the status of Nu Wa's ancestors and mothers, there is no doubt that it has been branded with the shadow of human social changes.

Making people with loess is regarded as a mythical projection of the invention of pottery-making technology in the history of human culture, and the distinction between rich and poor created by human beings is a reflection of human beings entering a hierarchical society. This shows that once the myth leaves its own growing soil, its form will take on a new posture with the new growing land.

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