What are the summaries in the 19th chapter of A Dream of Red Mansions?

Summary 19 of A Dream of Red Mansions: Baoyu left the sugar steamed cheese sent by Yuan Fei to his favorite xiren. Mammy Li ate crisp cheese in anger. Aaron said that she loves chestnuts and asked Baoyu to throw away the crunchy cheese, and Baoyu peeled chestnuts for Aaron. Xiren tested Baoyu with the theory of redemption, showing her nostalgia for a place where she ate and wore with her master, and cursed from time to time. Baoyu put on rouge ointment to see Daiyu. Daiyu said that she has a vulgar fragrance, but she doesn't have the fragrance given by Luohan. Say strange fragrance, warm fragrance, Leng Xiang's words. Baoyu told Daiyu the story of a mouse stealing taro, telling her not to fall asleep. When Baochai came, she laughed that Baoyu had forgotten the poem of Banana and was sweating profusely.

Extended data:

A Brief Introduction to the Author of A Dream of Red Mansions

Cao Xueqin (about 17 15—— about 1763), whose real name is Zhan, real name, real name, Qin Pu, the author of China's classic Dream of Red Mansions, was born in Shenyang (about Liaoyang) and returned to Beijing at the age of thirteen. Cao Xueqin was born in Zhengbaiqi, the interior office of Qing Dynasty. He is the grandson of Cao Yin and the son of Cao Yong (the son of Cao Fu, about 1724).

According to Mr. Hu Shi's textual research, Cao Xueqin experienced a luxurious and romantic life in Nanjing Jiangning Weaving Institute in his early years. In the sixth year of Yongzheng (1728), the Cao family was robbed of their property because of a deficit, and Cao Xueqin moved back to his former residence in Beijing with his family. Later, he moved to the western suburbs of Beijing and made a living by selling calligraphy and painting and helping his friends. Cao Xueqin has an open mind and a wide range of hobbies. He has studied epigraphy, poetry, painting, gardening, Chinese medicine, darning, craft and diet. With perseverance and years of hardships, he finally created a great work with great ideological and artistic quality-A Dream of Red Mansions.

Second, the creative background of A Dream of Red Mansions

A Dream of Red Mansions was born at the end of China feudal society in the18th century. At that time, the Qing government closed its doors to the outside world, and the whole country was immersed in the dream of Kangxi, Kangxi and Qianlong, and went to China. This period seemed peaceful on the surface, but various social contradictions in the bones were intensifying, and the whole dynasty reached a turning point from prosperity to decline.

During the Kang Yong period, Cao Jiazu Sun San worked in Jiangning for 58 years on behalf of four people. In its heyday, the Cao family had done four large-scale pick-up and drop-off of drivers. Cao Xueqin grew up in Nanjing and experienced a rich aristocratic life in his youth. However, the family gradually declined. In the sixth year of Yongzheng (1728), Cao Xueqin returned to Beijing with his family. After returning to Beijing, he worked as a handyman in charge of literature and ink in a royal school, "Right-wing Religion". His family was poor and his life was difficult. In his later years, he moved to the western suburbs of Beijing, and his life was even poorer. He is "full of wormwood" and "the whole family often eats porridge and wine on credit". A Dream of Red Mansions was written in poverty after Cao Xueqin went bankrupt. The creation time is from the early years of Qianlong to about thirty years of Qianlong.