What are the characteristics of freehand brushwork Chinese painting?

The characteristics of freehand brushwork in Chinese painting are as follows:

1, writing God in form and freehand brushwork with God;

Freehand brushwork emphasizes expression, lyricism and expressing ambition, while western modern painting emphasizes subjectivity, expression and emotion, which are quite similar in emphasizing painting to express the inner feelings of the creative subject;

2. The performance is the flank and counterattack of the center;

The so-called "painting comes from the heart" in China's freehand brushwork refers to freehand brushwork, which is superb and lyrical, and the ever-changing brushwork tells the thoughts, feelings and feelings of the painter as the creative subject;

3. Expressing ideas with colors, different color feelings are full of different emotions of painters;

Every detail of the painter's color under different emotions and emotions is closely related to the painter's psychological activities. This emotional expression of color in pen and ink is realized at two levels.

Extended data:

China's freehand brushwork depicts the scenery with concise brushwork, and freehand brushwork is mostly painted on posters, with vertical pens and flying ink colors, which can better reflect the charm of the depicted scenery and directly express the author's feelings than meticulous brushwork;

Freehand brushwork painting is an art form integrating poetry, calligraphy and printing, which is gradually formed in long-term artistic practice. Among them, the participation of literati in painting has played a positive role in the formation and development of freehand brushwork.

According to legend, in the Tang Dynasty, because of its excellent poetry and painting, later generations called it "painting in poetry, painting in poetry". He "changed the hook method" and created a broken ink landscape with "light ink and clear brushwork". In the Five Dynasties, Xu Xi first wrote the branches and leaves of flowers in ink, and then painted them slightly, creating the "drop ink method" of Xu Ti.

Wen Tong advocated the painting style of "Four Gentlemen" in Song Dynasty. In the Ming Dynasty, Lin Liang created a new style of "courtyard style" freehand brushwork; In the Ming Dynasty, Shen Zhou made good use of thick ink and light color, Chen Boyang emphasized realistic ink and wash, and Xu Qingteng was even more unrestrained in the rhyme of existence;

After long-term artistic practice, the generation of freehand brushwork has entered its heyday, and it has been carried forward by Badashanren, Shi Tao, Shan Li, Wu Changshuo, Qi Baishi, Zhang Daqian, Pan Tianshou, Wang Yachen disciple Wang Dezu, Anping Yijun, Li Kuchan, Zhu Xuanxian, Li Keran and Fan Ceng, and has become the most influential and widespread painting method.

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