Who is the author of Han Xizai's Night Banquet? This painting depicts the life of that noble.

Han Xizai's "The Night Banquet" is a masterpiece in China's painting history and one of the top ten famous paintings handed down from generation to generation in China. It depicts the scene of Han Xizai's family feasting, playing and having fun in a long scroll. It is divided into five parts: listening to the pipa, drumming and watching the dance, enjoying the six dances of Wu Wangshan, changing clothes, resting, playing an ensemble and ending the song. In order to avoid the suspicion of Li Yu, the ruler of the late Southern Tang Dynasty, Han Xizai took lewdness as his hiding place. He likes to swim with the guests at every banquet. This picture depicts the whole process of a banquet in Hanfu. This long scroll has accurate and smooth lines, exquisite workmanship and expressive force. Elegant color, layered and unique.

In the Palace Museum in Beijing, there is a classic painting over 0/0,000 years ago-"Han Xizai's Night Banquet". Treasure of the Town Courtyard was written by Gu, a famous painter in the Southern Tang Dynasty in the Five Dynasties. After thousands of years of tossing, it is a miracle that it can still be preserved intact.

Gu, a native of Jiangnan, is famous for his good painting of figures. He once painted in the Hanlin Academy in the Southern Tang Dynasty for a long time. Han Xizai's "The Night Banquet" is a work that describes the real life at that time, reflects the real story, has a profound theme and is highly artistic. Speaking of this famous painting handed down from ancient times, there is an unusual story.

According to China's painting "Xuanhe Pu Shu", Han Xizai, a calligrapher in the Southern Tang Dynasty in the Five Dynasties, was a very talented official, born in a noble family in the north, and a scholar in the late Tang Dynasty. He knows music and is good at poetry, calligraphy and painting. He is good at painting and full of political talent. But this person keeps a geisha, indulges in debauchery, often gathers guests at home, drinks from time to time, and often sings loudly. Put your own difficulties on the song and dance night banquet.

Li Yu, the weak leader, relies heavily on Han Xizai, and wants to use him as a phase, but he is not at ease. It turned out that at that time, the country was divided, the north and the south were divided, and the national strength of Nantang was weak. The powerful Northern Zhou Dynasty posed a serious threat to the Southern Tang Dynasty. Li Yu, the late ruler, was very suspicious of northerners who were officials in the Southern Tang Dynasty, fearing that they would have second thoughts. It was reported to the late leader Li Yu that some North Korean officials would get together at the home of Han Xizai, the minister of northern nationalities, tonight. Li Yu, the deceased, is puzzled. In order to understand the real situation, he sent Gu and Zhou Wenju to sneak into Han Zhai late at night to learn about the activities behind him.

Gu found that among the guests were the top scholar Lang charm, Dr. Chen Yong, Dr. Ziweilang and other officials, as well as the vice chairman of the teaching workshop. In addition, there are some pop singers and * * *. The atmosphere of the banquet was unusually warm, and the guests and the host were entangled, which was very likely to get drunk. During the banquet, singers sang, played music and danced. The guests were intoxicated with joy one by one.

Gu know, Han Xizai indulge in debauchery to kill time, in fact, is to protect themselves, in order to show that they are not interested in power, so as not to be suspected and persecuted by the emperor.

After returning home, Gu and Zhou Wenju drew a banquet in Han Xizai and gave it to Li Yu. After Li Yu saw this painting, he was much less wary of Han Xizai. Later, Han Xizai served as assistant minister of Zhongshu and bachelor of Zheng Guang in Southern Tang Dynasty, and his ending was very good.

There are two original pictures of Han Xizai's The Banquet, and one of Zhou Wenju's is missing. Today we see Gu's works. Gu's The Night Banquet is 28.7 cm long and 335.5 cm wide. Silk books are in color. The picture is in the form of a hand scroll, with Han Xizai as the center. The whole picture is divided into five sections: listening to songs, watching dances, resting, blowing and feasting. Paragraphs are independent and can be connected into a whole.

The first paragraph is about Han Xizai feasting with his guests and listening to Li Jiaming's sister playing the pipa. In the second paragraph, Wu Wangshan danced "Six Yao", and JaeHee personally played drums. In the third paragraph, after the guests left, the host and actress rested and washed. In the fourth paragraph, I wrote about Xi enjoying the cool in plain clothes and listening to the wind music played by the poetess. In the fifth paragraph, write a part about being close to guests and flirting with female prostitutes. The first two paragraphs are the most vivid. Guests and hosts listen or watch silently, paying attention to the pianist's hand and the singer's body. Drums and beats are played according to the beat, and the picture seems to have rhyme. Because of Gu's meticulous observation, he vividly described Han Xizai's banquet in Dadan. In five scenes, more than 40 characters took off their silks.

In the picture, the music is melodious, the dancing is graceful and the laughter is noisy, which highlights Han Xizai's preoccupied and unhappy mental state. Han Xizai, who appears in each paragraph, has different facial angles, costumes and action expressions, but one thing is the same. No smile on her face, always deep and melancholy. Describe a brilliant but depressed inner world, immersed in debauchery, keeping a low profile and complicated contradictions. Compared with the general feast picture, it has a certain ideological depth. In fact, it is not only a picture depicting Han Xizai's private life, but more importantly, it reflects the characteristics of that particular era and reveals the contradictions within the ruling class. It also vividly reflected the arrogance and extravagance of the ruling class at that time from one side.