Fortune Telling Collection - Ziwei fortune-telling - What is the ending of the Cold King in The Journey to the West?
What is the ending of the Cold King in The Journey to the West?
Qinglong Mountain is a place name in Journey to the West. There are three monsters in Xuan Ying Cave in Qinglong Mountain, namely the King of Cold, the King of Summer and the King of Dust. They are rhinoceros spirits who have been practicing for many years. King Pihan used an axe, a demon's head, King Pixia used a broadsword, and King Pichen used rare and exotic vines. All three monsters can fly in the clouds and walk in the fog, with many changes.
Extended data:
The three demons designed to catch the Tang Priest and try to find out how to eat it. The Monkey King, Pig and Friar Sand knocked at the door, and all the demons caught Pig and Friar Sand according to the number.
The Monkey King was short of resources and had to send reinforcements to heaven. The Jade Emperor sent four wooden birds and stars to catch monsters. Three demons saw four wooden birds and stars and fled to the West Sea. Prince Xi Hailong led the army to help Wukong, caught three demons and rescued Tang Priest, Pig Bajie and Friar Sand.
The Journey to the West's content is the most complicated in China's classical novels. It combines the thoughts and contents of Buddhism, Taoism and Confucianism, which not only allows the immortals of Buddhism and Taoism to perform at the same time, but also injects the human feelings of the real society into the world of Buddhism and Taoism, and sometimes inserts a few words of Confucian wisdom, which is harmonious and interesting, making the book win the interest of readers at all levels of culture.
Judging from the basic nature and art of the text as a whole, The Journey to the West is a Han folk literature text mixed with elements such as religion and myth, superstition and witchcraft, and it is a text form that has been collectively created and finally individually processed in a long historical period. It reflects the decline of China's philosophy after the decline of the axis culture in the pre-Qin period and the chaotic picture of the life world and the secularized enjoyment picture after the collapse of the value building.
The ridicule and satire of the comedies of Confucianism, Buddhism and Taoism highlight the germination and gradual development of commodity economy, the deconstruction of mainstream ideology and the collapse of spiritual belief in the late period of ancient China society.
In the mythical world constructed by The Journey to the West, religion is a metaphor of spiritual and psychological totalitarian rule and is interpreted as a symbol of imperial power. As a result, the consciousness of imperial power and mythical thinking are logically allied in religious artistic texts, and a religious model of politicization and politicization of religion is born.
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