Criminal cases in Wei Zi

The just-concluded "black storm" pushed the word "acting" to the stage.

In addition to the tense rhythm, sensitive scale and gripping story, Sweeping the Black Storm is the moment when the actors fight.

When the word "acting" is mentioned, many exaggerated words will automatically appear in our minds to describe the superb acting, such as "acting bursting", "acting bursting", "acting amazing" and "acting invincible" ...

What exactly is acting?

Pigou tried to think about this problem and came to the conclusion:

Acting is not only a summary of an actor's performance skills, it is rooted in film and television works, related to the role and its situation and state, and is an important evaluation standard reflecting an actor's comprehensive performance ability.

The real performance, in Pigou's view, is divided into three levels:

The first level: performance skills and basic skills

This is the threshold that every performance major must pass, and it is also the minimum requirement for a professional actor.

The so-called performance skills, of course, is the actor's technical proficiency, whether he can cry immediately when he should cry, whether he can be funny when he should laugh, whether he has a basic sense of lines and cameras, and whether he has the basic ability to understand scripts and roles.

If you can't even do these things, it may be difficult to be called an "actor."

Intuitively, what we ordinary viewers actually see is "like it or not". If you can't even "like", there are only two words left: embarrassment.

The second level: expressiveness, appeal and emotional communication.

Acting, in many cases, is to show the state of the role in a specific environment and under specific conditions. This state includes psychological state and physiological state.

For a high-level performance, the audience can know at a glance what the role has experienced and what the mood is now. A better performance will infect the audience in an instant and make the audience's mood change with the actor's mood.

For example, there are many kinds of crying. When a good actor cries in a performance, the audience can feel what he is crying, whether he is happy or sad or even desperate.

Obviously, this expression is much higher than the purely technical level.

The third level: the sense of integration and empathy with the role.

This is the highest level of performance. When the level and experience of actors reach a certain level, people and drama can be integrated.

When an actor is completely integrated with the role he plays through performance, in the eyes of the audience, he is the role and the role is him, then the performance is successful and advanced.

What we call "too deep into the play" can be said from the perspectives of the audience and the actors.

This has gone far beyond simple acting skills. There are many ways to achieve this state, and acting is only one aspect. Such performances can often bring a very real immersion and movie (drama) experience to the audience.

Through these three standards, Pigo talked with everyone about "Top Ten Performances of Actors that can be written into Performance Textbooks".

10, 54-year-old Tangshan earthquake in Xu Fan

Xu Fan's acting skills have been ignored by everyone. She had such a scene in the Tangshan earthquake.

The background of this scene is that Xu Fan once thought that the daughter who died in the earthquake suddenly came home, which was hidden. Her daughter's death was actually the result of her own choice. Because a pillar presses her two children on both sides, she can only choose one of them.

Watching the performance, Xu Fan came in and said to his parents first: I have washed all the tomatoes for you. Mom didn't lie to you.

Endure it, and guilt comes to mind. She knelt down to her daughter.

"Mother kneeling on her knees" is a taboo in China's traditional etiquette. When Xu Fan kneels, the audience can feel the weight of this matter in a mother's heart and the pressure it has brought her for more than 30 years.

Saying it was an apology, Xu Fan knelt down and began to blame: "Why didn't you give me a message after so many years?"

The mother still cares deeply about her daughter, even though her daughter has been dead in her heart for many years.

After that, she started crying. Xu Fan's mood is full, his tone is trembling, his voice is rising, and he is sobbing, which makes people deeply grieved.

The phrase "Why are you ignoring me?" It seems to be addressed to the dead and the living. When the audience saw this, few people could hold back their tears.

This explosive performance deeply infected Pigou, who always seemed to have tears in his eyes.

Compared with the acting skills in some textbooks, Xu Fan's performance is even worse.

09, Wang Qianyuan, 49, Save My Husband.

Wang Lihua Pigou, the robber, just wrote that reality is more wonderful than movies.

But Wang Qianyuan can be said to have played the role of Wang Lihua to the bone in this film.

The last farewell before the death penalty, Wang Qianyuan and his mother are on both sides of the glass.

When it comes to mobile phones, I still look like I don't care about anything.

Hearing her mother's sentence, "Mother can't educate, but she is guilty", Wang Qianyuan has obvious little moves to avoid her mother's eyes.

This is the beginning of being touched.

Raise your head, go back to that careless look and remind your mother to pay attention to her health.

Mother also advised: Don't do such a thing in the next life.

How did Wang Qianyuan do? Nod, pout and laugh, just like we usually "coax children".

On the surface, he agreed to his mother's request. Deep down, he certainly wouldn't think so. This action shows that the murderer's evil is still there.

But for feelings, he is sincere. Facing his mother, Wang Qianyuan made two micro-expressions, fighting back tears.

Put down the phone, the mood broke out.

This conversation with my mother through the glass is very infectious, so it is "kowtowing to you" and still echoes in Pige's ear.

The audience will have contradictions in their hearts. Looking at the old mother, they didn't want this son to die, but in the face of the victim, he deserved it.

People are complex, not black or white. This is also Wang Qianyuan's performance, which makes our souls suffer greatly.

08, Yan Huiwang 5 1 year-old "scorching sun burning heart"

Pigo hesitated for a long time between Duan Long, Deng Chao and Wang Yanhui when choosing The Scorching Sun, and finally decided to choose Wang Yanhui.

If nothing else, just because I saw the movie for the first time, I knew that the movie was adapted from a real case, and Pigo thought this passage was intercepted during the real trial.

Yes, I think Wang Yanhui is the real criminal.

Although it was only a few minutes, the performance was indifferent, colloquial and without ups and downs. Although there is no physical movement, you can feel his evil and disdain from his micro-expression.

Especially when describing Xin Xiaofeng, he expressed himself like a criminal in dialect, with some slight surprise and exclamation in his expression, revealing that although he was a heinous criminal, he was still a little surprised at this behavior.

Describe the killing process, always calm, fiddling with your fingers from time to time, just like the feeling of chatting at ordinary times.

When he talked about some other criminals, his expression still had that kind of drag bottle and social spirit.

This performance reminds me of Wang Yanhui. The online evaluation of his performance is very high, worthy of the name.

Douban netizens even called him "the god of acting" because of this performance.

07. Li Mingqi's 85-year-old "Pearl Princess"

Childhood shadow, if you want to choose an old play bone, I choose Li Mingqi.

I have seen many bad people, but Li Mingqi was the only one like Mammy Yung until the audience had nightmares in the middle of the night.

This is a model of "combination of people and drama". Li Mingqi once said in an interview that because she played Mammy Rong, she suffered a lot of unprovoked "malice" in real life. Some people refused to sell her things, and the taxi driver even refused to drive her.

Looking at Wei Zi's suffering, the expression of the needle alone is enough to make people afraid.

This evil and ferocious smile is an advanced psychological thriller.

Interrogation with her hips akimbo is not only the procrastination of her aunt in our daily life, but also the unprovoked malice beyond interrogation.

This character's mood changes from the expression of "anger-satisfaction-joy", which is a classic.

This kind of performance, not to mention in textbooks, is more than enough as a template for performance exercises.

06, Tony Leung Ka Fai 63 years old "black gold"

Tony Leung Ka Fai, a thousand-faced actor, has played many brilliant roles. It's easy for him to play the villain, such as the gangster in Chasing the Dragon 2 and the eldest brother in Du Qifeng's movie, but the villain that impressed me the most was Zhou Chaoxian in Black Gold.

Black Gold stars Tony Leung Ka Fai and Andy Lau. In the film, Tony Leung Ka Fai plays the Zhou Dynasty as the leader of the Pine Forest Gang in Taiwan Province Province. His personal assets exceed 3 billion pounds. He assembled a 13 gang in Taiwan Province province, and 2 million members of the underworld fought against society. Later, he aimed his ambition at the official forces.

Zhou Chaoxian's arrogant line "Who is for it, who is against it" has been made into an expression pack and has been passed down to this day.

This film at the end of last century, with a bold scale, exposed all kinds of scandals in Taiwan Province's political arena, such as gang vendetta, official corruption and popular riots.

In the film, Tony Leung Ka Fai's acting skills overshadowed Andy Lau's. He is calm and restrained, not angry and arrogant, and has created the image of a rogue politician in Taiwan Province Province with his exquisite and vivid acting skills.

05, Hou Yong 54-year-old "in the name of people"

When in the name of people became popular, Hou Yong became popular again because of a performance.

In Pigo's view, this performance is a classic "textbook performance".

At the beginning of Eating Noodles, he plays Zhao, director of the project department of a national ministry, and seriously discusses "serving the people".

After being caught in the villa, he finally collapsed after being caught with stolen goods.

First, pick a thorn, when picking a thorn, even the wrinkles on the face are shaking, showing the deep fear, anxiety, pressure and panic of the characters.

After being poked by a sentence, a stunned expression vividly showed Zhao's mentality at this time.

There is no retreat, facing the majesty, start crying, crying and confessing.

"I didn't spend a penny, I dare not, our family has been farmers for generations ..." A few lines, coupled with trembling hands and wronged corners of the mouth, Hou Yong's facial distortion at this time is the truest portrayal of his heart.

Because of poverty, Zhao wants to be insatiable, but because of cowardice, he dare not spend money.

In just a few seconds, the audience can instantly get Zhao's past, present and future, especially for this complex corrupt cadre, the audience sees not one floor, but two or even three floors.

This is the basis of performance.

04, Xu zhēng 49 years old dying for survival.

Pigou found a rule that comedians are very powerful when they play serious plays. Xu zhēng is one of them.

Let's just say the impression that Xu zhēng gave me: After watching Xu zhēng's performance in Yong Cheng in Desire for Survival, I forgot that he was bald outside the play.

The best part is Xu Zheming's confrontation with Zhou Yiwei after learning that Huang Mao died.

I was shocked at first when I asked. This is the first stress response of the human body to learn important bad news. It takes him a few seconds to accept this reality.

Then, from static to dynamic, it only took a second, and Xú Zhēng suddenly jumped on it. This explosive power shows his deep yearning for Huang Mao and his hatred for Zhou Yiwei and the system.

Calm down before accepting the reality. Look at Xu zhēng's expression. Can you feel the despair, panic and great grief that he has penetrated the screen?

For this performance, Pigou felt that Xu Zheming's acting skills were somewhat neglected because of his directorial achievements.

03, Wang, 39, "Hello! Mr. Shu

Wang's acting is a masterpiece, and this performance has really been used as a teaching material by Beijing films.

Through this smoking action, we can see that Wang has developed himself into a heavy smoker in order to shape this role.

Smoking will not be so natural without hard training.

Look at his confused, inquiring and thoughtful eyes. If Pigou doesn't talk about the drama, can you guess the general story that happened here?

Reasonable guesses like this are mostly the charm of acting.

Watch another paragraph, or smoke.

After taking a bite, he seemed to remember something, and he seemed to forget something.

The marginalization of Mr. Shu's life is like a memory that failed when he was alive, and also like his hands with nowhere to put.

Thought of here, I caught up. This kind of running posture is obviously different from normal people.

The hand swings like this just to attract others' attention. In fact, the performance of Wang's whole film is like this, forbearing and implicit, just like a fool, unable to maintain the dignity of his life.

We can experience this fragility through one or two shots.

But more, it is helplessness, bitterness, and even the yearning for "madness" in the rolling life.

Wang's performance in Mr. Tree is definitely a well-deserved actor.

02, Stephen Chow 59 years old "king of comedy"

Everyone has seen this film many times, so Pigou won't talk about it one by one.

There is only one fragment mentioned here, which is Stephen Chow's wry smile.

Because the studio died several times, which delayed other people's eating time, he was scolded by the waiter when he went to get a box lunch after work, and he also lost his meal to feed the dog.

When Ng Man Tat called him "a piece of shit", he smiled, nodded and greeted others.

I walked a long way, listened to the bristle, looked back and smiled, and my face changed in an instant.

Only someone who has experienced something can play this role so well. It is said that Master Xing played himself in king of comedy. After reading this passage, I totally believe it.

This smile is too rich in meaning. Pigou doesn't want to read too much. It's good that everyone understands.

What I want to say is Stephen Chow's vague expression when he was about to leave the camera frame.

You see, the face is twisted but tight, the eyes are round and the corners of the mouth are slightly drooping. If the image is not blurred, there should be a few tears.

This is a really sad expression, Stephen Chow, really playing with himself.

0 1, Li, 67, "Hey! husband

Except Song Jiang, Pigou has great feelings for all Mr. Li's performances, but this drama, which ranks first, has few emotional elements, because the performance is really wonderful and exquisite.

Liu Ertie played by Li is a retired train driver. His son failed to live up to expectations, but he slowly got Alzheimer's disease.

Then there was this one-man show.

The old man was alone at home, a little angry and throwing things at random.

Pay attention to Li's expression, which is typical of everyone, clumsy but stubborn.

I want to drink when I go to the dinner table, because my hands are shaking and I shake when I pick up the bottle.

Therefore, when Li is drinking, he has a subconscious action to catch the leaking wine. This move brought back to life the image of the old Li Man No.2 Railway Company, which was both annoying and pitiful.

If you can't do it with one hand, drink it with both hands. As a result, my hands shook together and my teeth were broken.

The old man was a little angry and found a cup, trying to pour the wine from the bottle into the cup. But my hands were still shaking, and finally I simply turned the bottle over and held it down with my hands.

You see, he didn't have a line or a counterpoint in the whole performance, but the image of the old man was vivid.

On the surface, he was angry with the bottle. In fact, he is angry with himself, his past and his disappointing son.

A comedy-like performance, although there is no crying, no emotional outbursts, and no lines that reflect acting skills, can be Li See Xue Jian's acting skills only by these expressions and actions.

Cows, real cows.

In fact, when taking stock of the performances of these 10 actors that can be written into textbooks, Pigou was puzzled and spent a long time, because there were too many classic performances, Pigou wanted to include them.

Another example is the Tiantai drama of Infernal Affairs, Deng Chao's death penalty drama in the scorching sun, the drama of laughing and crying in Sweet Honey, the drama of Wind Against Li Xun, the drama of Liao Fan in White Fireworks, the drama of Zhou Dongyu in Good Days and the death penalty drama of Drug War.

Zhao Gao's confession play in Myth, the turning point play in Anti-drug, the chicken-eating play in Jigong, the new poetic play in Legend of the Demon Cat, the torture play in Daming Dynasty, the bleeding confession play of the concubines in the palace, the crying play of Zhang Yi in Soldiers Assault, and the opposite play of Jiang Wen in Chow Yun Fat. ...

From the first 50 clips, to the next 30 minutes, to 25, and finally to 15, we adjusted the time for two days between hesitations and compressed it to 10.

Text/Pippi Film Editorial Department: Mayfly

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