Wei Zi lives in the street.

In a recent variety show, Jenny and Mai Chao were praised as "immortal love" by netizens.

Jenny has a starting point envied by her peers: Miss Joan. Her debut is Qiong Yao's play Seeing the Curtain of Another Dream.

How hot was Qiong Yao at that time? For the heroine of one of her plays, Hunan Satellite TV spared no effort to hold a national draft, and even the host was Cao Ying, an elder sister at that time.

Generally speaking, this is the only treatment that can be given to a masterpiece like A Dream of Red Mansions.

At that time, for young couples, being able to play Qiong Yao's play was equivalent to half stepping into the threshold of a line. It is said that every Joan will explode, and even bit part can mix his face.

At present, the audience of idol love drama is basically young women, but in that year, Qiong Yao's drama won more than a girl's heart.

From housewives in their thirties and forties to teenage boys and girls, they all shed tears for the "harmony between heaven and earth".

Jenny and Mai Chao fell in love, which reminded the audience of Qiong Yao's plays. Unexpectedly, the Qiong Yao universe that made us crazy from the beginning.

Today, when I suddenly look back, it turns out that ... the dog's blood is flowing downwards.

Jenny's debut "Seeing Another Scene of Dreams" can be said to be the masterpiece of three views in Qiong Yao's works. Judging from the whole drama, only the villains are normal.

At the beginning of the play, the hostess had a dream. Sister Lu Ping and prospective brother-in-law Chu Lian walked arm in arm on the edge of the cliff.

The woman grabbed her heart and wondered if Chu Lian would look back at herself, then accidentally fell off the cliff and woke up.

At this time, my sister, who was still practicing dancing late at night, heard the sound and ran to comfort her. One second ago, she was dreaming about her prospective brother-in-law, and immediately switched seamlessly, holding her sister in her arms and begging for sleep.

Let's taste the line said by the hostess lying in my sister's arms: "Dad is right, I dreamed of Zi Ling, and you are dancing green duckweed."

In Aunt Qiong Yao's plays, when the heroine is paired with women, she must be in a weak position, which will have a touching effect of first restraining and then promoting. Lines like this have appeared many times:

You said she was a swan and I was an ugly duckling.

Your sister is busy performing, and you are still playing with pearls. My two daughters are so different.

These lines remind the audience countless times that the hostess is particularly pitiful. In the contest of secular rules, she has no advantage over her sister.

After all, the female examiner can't go to college and can't do a good job. She only likes writing poems and wandering, while her sister is beautiful and clever. She studies well and can dance. She has been a famous dancer since she was young.

The heroine herself spared no effort to emphasize this point. The prospective brother-in-law came to pick up the plane and praised her ugly duckling for turning into a swan. She wanted to say, "We only have that swan."

Drunk, the whole family didn't sleep until two o'clock in the morning, and she would shout, "I'm sorry for delaying my big sister's sleep!" " "

Miss Zi Ling laughed at the thief and said that "perfection", "beauty" and "greatness" were all good words, but when she heard these words, she was frightened.

When it comes to green duckweed, it tastes sour when you open your mouth.

So what did my sister do before driving her crazy?

Put the hostess to sleep at night;

The female examiner was scolded for not being admitted to the university, and also helped persuade her mother to let the two sisters go to France to play together;

The hostess was drunk and took care of it all night;

The hostess complained that the light was too strong, and even apologized and said, "I'm sorry, I didn't know I hurt you ..."

Lv Ping, we viewers don't know how you hurt her.

I don't know how a woman's sarcastic mouth becomes "she thinks there is no trace on her face, and loneliness has already been written on her face" in the eyes of men.

With all due respect, not only the face is full of traces, but also the spit is full of traces.

While the whole play sets off the so-called tragic experience of the heroine, it tries to overthrow the shackles of "tradition and secularity": love is unreasonable, she is better than you and more beautiful than you, but fate has doomed me to love you.

Start with the father of the hostess: "Zi Ling, you and Lv Ping have their own advantages, but dad loves you more."

Smooth duckweed: "?"

As a father, what I said to my daughter is full of typical robber logic. You are weak and you are right. He forced him to deserve it.

This considerate old father also agrees that the hostess doesn't want to work, which is the theory of "trying to find herself".

Alas, I have never seen such a fresh and refined saying of "NEET".

After the woman confessed her feelings with her brother-in-law to her father and said that she would marry that man and leave for France, her father's reaction turned out to be, love dearly. ...

Even so, the hostess still feels extremely wronged every day and feels that she lives in the shadow of her sister.

With the guidance of parents-in-law, sons-in-law will naturally unify their values, and Qi Xin will also work together with Qi Xin to care for the heroine who is "nothing like Lv Ping, but worthy of my love".

Chu Lian, the brother-in-law who had proposed to her sister, had to sneak into the woman's room and confess her tenderness.

Rich, powerful, divorced, romantic old men prepare 10000 rainbow farts almost every time they appear.

In his eyes, it doesn't matter if the female host doesn't study well, we talented women can also write poems; The hostess will also bravely challenge the world. Does it mean falling in love with her brother-in-law?

In the face of the romantic proposal made by the hero Huatian Coast Castle and Xanadu with you, the hostess said that she was really shocked, surprised and helpless.

Who is the hero? He doesn't need to input his ideas. Opening your mouth is a new love poem:

In front of parents-in-law, expressing loyalty with love words is also a model:

What I said is also very reasonable. I and other ordinary people really can't understand this old-fashioned, narcissistic, self-pitying, meticulous and mean "innocence".

This kind of "my soul is the most interesting in the world" is most obvious in Seeing the Other Scene of Dreams, but it can also be found in Qiong Yao's other plays.

Take the well-known Princess Zhu Huan as an example. Swallow and Zhihua are "skins are more beautiful than me, not as lively and lovely as me", while Wei Zi and Sunny are "talents are higher than me, not as brave and refined as me".

The love Qiong Yao wants to create in the universe is incredible and irresistible. But this statement seems to be of little use to the audience in recent years.

No matter whether it is the remake of Princess Pearl on 20 1 1 or the flower without flowers and fog on 20 13, it can no longer create the grand occasion of that year.

After all, Qiong Yao's love magic is more like the heroine's head falling on all mankind than magic.

Pseudo-tragedy pseudo-redemption, mortals are not worthy to talk about love.

As we all know, Aunt Qiong Yao was born in an oriental family composed of university professors and ladies, so she was immersed in traditional culture and had profound poetic skills.

In the love stories in ancient oriental literature, such as The West Chamber and The Peony Pavilion, the birth status of beautiful women is generally higher than that of talented people.

Even Li, who was born in a brothel in Peach Blossom Fan, is on a firmer and more powerful side in love and life.

Qiong Yao, who grew up in this oriental love culture, built a love world, but they all operated according to the Cinderella model in the west.

Qiong Yao is very good at shaping a slim and sensitive image of a talented woman.

This is very interesting. In ancient times, men who had the right to write always fantasized about having a beautiful woman as beautiful as flowers and pure as jade, who could see, play and sing, but also had to be generous and rich; Qiong Yao, deeply influenced by classical culture, reversed this obscene logic after mastering the right to write.

Qiong Yao's heroes and heroines don't need to consider food, clothing, housing and fireworks. However, love is hard and extraordinary. Without status and class, it is not so convincing.

Of course, the Cinderella model does not fly to the branches and become a phoenix. Don't forget that Cinderella was also a kind and beautiful lady before she fell, living in a mansion and having servants.

Most heroines in Qiong Yao's plays are also full of such contradictions. While emphasizing class differences, they also believe in fate and bloodline theory. In short, it is all natural selection.

Bai Yinshuang, who sold herself to bury her father's plum blossom brand, is actually a princess in the palace. Because of the drama of the civet cat prince, she was unfortunately stranded among the people until the man took her back to the palace.

Crescent Moon, the heroine in "Princess Crescent Moon", is a noble princess who has lost her family. She was rescued from the battlefield by a man and a slave.

Xiao Yufeng, the heroine of Tears in Heaven, is also a big lady who doesn't worry about food and clothing. By mistake, her father was burned to death. She took her sister-in-law to the streets, and the man secretly helped.

In Deep Rain (formerly called Misty Rain), Lu was born into a rich family and became a ballroom dancer, and he needed the son of a diplomat, He Shuhuan, to restore his class status.

Swallow and Wei Zi in Princess Pearl are the daughters of scholarly family and illegitimate daughters of the romantic emperor.

They were lonely when they appeared, but fate (blood relationship) doomed them to return to the upper class with the help of the prince.

Wang is rich in "Looking at Another Scene of Dreams" but neglected. Who can save her except the wholehearted love of the overbearing president of the multinational group?

Perhaps it can be said that the charm of Qiong Yao's heroine is partly given to her face and partly to her noble and pure love lineage.

In Qiong Yao's world, real mortals don't deserve to talk about love.

From this point of view, Qiong Yao in the new period is no different from the ancient male writers.

The protagonist in their love story is either talented or poor, but not mortal, waiting for another protagonist to step on colorful auspicious clouds to save him.

Love will never be out of date, but Qiong Yao's drama finally ushered in the day of being skinned.

The love wrapped in a girl's heart and Dream Girl, once opened, turned out to have so much dog blood, chicken feathers and blades under the icing.

Today, with the glory of Qiong Yao's drama gone forever, Qiong Yao herself failed to win the tolerance and love of the whole world and defend the eternal love like the heroine in the play.

Dream Girl had a dream all his life. Who knows if anyone can * * *?