Which play of Guo Zifan do you like best? Why?

In Little Joy, he has roles and opportunities that match his age and personality. From the role, he is too young to be a man for the time being, and it is not a bad thing. Only in the background of contrast, the first hero is more noble than the second man, but in fact, the right person and the right amount of scenes are the best balance point. Coincidentally, the background of the men's team means that there is a certain acceptance among young people under the age of 25; Beiying refers to Shangxing, Juzheng and official warlords; Small happy TV ratings mean that TV users (middle-aged groups) are familiar with their faces, which is very suitable for the initial career development. 3. Some shortcomings of Little Joy. (1) Take Xiao Huanji Yangyang as an example. He didn't explain the emotional line with Huang. This "trick" is neither acting nor acting. For example, does Ji like peaches? Does peach like aspen? Does Ji know this kind of love/affection of peaches? He didn't explain these problems, but he needed an actor to have a basic role design and have faith in the process of acting. (2) Grasp the details. In the scene where Lin Leier ordered Thai food to take out, when the camera was given to Guo, the position and posture of the right hand were incoherent, and even people could see that the director had stopped; Several times; The distance from the peach and the sitting posture are confusing. This detail determines the relationship between the characters. What is the relationship between them, is it ambiguous/puppy love? Once there is a character design, these details should be unified. (3) Seriously criticize the "numbness" in Little Joy, which is simple and numb. Be emotional when the camera stops on the actor's face to give a close-up. This kind of emotion needs some expression and can be expressed in action language. It's impossible to be completely still. (4) Lack of character design. Ji is the second generation official. What are his characteristics, such as how he walks and talks, like ordinary people? Then we might as well assume that he is willing to be like ordinary people, so will he drive a Ferrari to school on the first day? In that case, shouldn't he have some special designs for walking/talking? The design of these characters' behavior and personality requires the actors to give a balance themselves, so as not to rob the play too much, but also to make the performance move the characters. Take Zhao in The Longest Day in Chang 'an as an example. The role is very, very small, but the character is very distinct. Guo is extremely lacking in desk work such as character design, character behavior logic research and character biography. He hasn't understood acting yet, but he has a simple blunt knife feeling. In the process of small joy, Guo Zi is always "stupid", which brings the problem of unclear accounts mentioned above. Similarly, this vague feeling has brought embarrassment to Ji and his parents who want to change channels quickly with the remote control. At this time, this state is very accurate. His simplicity is very suitable for supporting roles. It is not a great thing that an actor looks too easy to remember. Even if it is impressive, it is not a good thing.