Fortune Telling Collection - Horoscope - What is Chen Ziang's masterpiece?
What is Chen Ziang's masterpiece?
Don Chen Ziang
Where were those lost times before me? ,
Behind me, where is the next generation? .
I think of heaven and earth, with no limit and no end.
I was alone, and my tears fell.
About the author: Chen Ziang (66 1-702) is from Apollo. Little Ren Xia. His poetry is a pioneer of poetry innovation in the Tang Dynasty, highlighting the style of Han and Wei dynasties, emphasizing honor and restraining softness. This is Chen Ziang.
Note: Youzhoutai, also known as Yantai, is a Huang Jintai built by Yan Zhaowang to attract talents, so it is located in Daxing County, Beijing. Youyou: endless meaning. Sadness: a sad expression. Snuff: tears.
In 696 AD, the Khitan captured Yingzhou, and Chen Ziang was ordered to go to war. The general who leads the troops is a straw bag, and he has lost several battles in succession. Chen Ziang made many suggestions, but they were not adopted. Seeing that the good policy of serving the country cannot be realized. One day, he boarded Youzhou Taiwan and remembered Yan Zhaowang, who was widely recruited during the Warring States Period. He was so angry that he wrote this song "On Youzhou Tower". The poet felt that life was short and the universe was infinite, and shed tears unconsciously. This is a cry that poets can't show if they serve the country and the people. Under close reading, the tragic and desolate spirit arises spontaneously, and the uneven syntax and cadence syllables add artistic appeal.
Thirty-eight lyrics
The micro-moon gives birth to the west sea, and the static day rises. The round light fills the east, and the ghost is already condensing. Tai chi gives birth to heaven and earth, and ternary is more useless. If you are absolutely confident, who can sign it in three to five years? Lan Re was born in spring and summer and flourished in. You are alone in the forest, and Zhu has purple stems. It's getting late and the autumn wind is coming. By the age of 20, China had been shaken and Fang Yi had achieved nothing. It was a desolate place in ancient Burma. How can pavilions destroy healthy qi and bones are not full? The yellow sand curtain rises in the south and hides in the west corner during the day. Han Jia, 300,000 yuan, once worked for the Huns. But seeing death on the battlefield, who will pity the lonely people? Wei Jiang and Jia died for their country. Thin flesh and blood, others are loyal. I have heard of Zhongshan Xiang, which is a kind of release. The beast alone can't bear it, and the situation will end in serving the king. People in the city are proud of their wisdom and are naive. I don't know where I'm going. Look at Xuanzhenzi and the world in the jade pot. However, the legacy of heaven and earth has multiplied into infinity. I view Long Bian, but I know the essence of Yang. Why is Shilin a secret? There is no place to stay in the secluded cave. In ancient times, the Tao became immortal, and faith and meta-integration. Mystery doesn't feel like knowledge. Who can measure darkness? The world is staring, and the wine laughs at the single crystal. There are Yao trees in Kunlun, so you can choose their English. Every time I don't return during the day, green watermelon will fade. I don't know what I think, and my view of lying in the forest has not started. All the members of the Committee are unlucky and sound sad. The vast wilderness has been abandoned since ancient times, but who knows the Bird's Nest? I see Kunlun, and the sun and the moon are lost. When the soul meets the soul, the world is born. Zhong Ni pushes Tai Chi, while Lao Dan is very clever. Jin Xian in the West is ignorant of righteousness. Everything is empty and silent, and the cause is determined. Famous religions and beliefs have been borrowed, and life and death are uncertain. Sages have secret lives. They are afraid of the world and its truth. How to praise the public and avoid the wrong people. Congenital sincerity is beautiful, and who caused the disorder? The Great Wall is ready for the tiger's mouth, and he will kiss the disaster of victory. Red essence is obsessed with Korea, so how can we save Qin in the next year? Go to peach blossoms and talk like a horse. Deep in the concept of meta-life, I am eager to eat. If you say eating together, your interests are different. It is easier to praise children, and glory is more deadlocked. Business light makes the world, and businessmen fight for knives and cones. It's time to pick up cheese, and it's time for generations. I love guiguzi, and Qingxi has a clean breath. Including the world, stay in the white clouds. There has been no king in the world for a long time. Glimpses are not expensive enough, just follow the bad times. Shunk mi universe, the amount is not profitable. Is it just the longevity, emptiness and elk herd of mountains and rivers and trees? Yo yo, Nanshan deer, who suffers from it, lives in peace. Show off the green osmanthus trees, and insects will become families. The world is willing to learn, and honor and disgrace are different. Hatred and resentment have not been reconciled, dear, this is a disaster. Yaotai smiles skillfully, and the jade cup kills two moths. Who saw the withered tiller and the green became an axe? When Lin was ill for a long time, he was very lonely. Leisure is materialized, and leisure is lifeless. Youth began to sprout, and the firepower was full. Since then, I have lamented when it will be flat. Qi Lin cries the world, his fate is long. In the past, Prince Yin and Jade Horse went to the Zhou Dynasty. Baoding fell into Yigu, and Yaotai became an ancient hill. Xishan hurts the elderly, and Dongling has a long history. It is hard for a noble person to be proud, but this is a time to appreciate love. Don't explore his bright moon beads like jade. Yesterday it was called peach, and now it's an urban apprentice. Owls grieve for the east, elk weep ... >>
Question 2: Chen Ziang's major works: 1. There are 38 poems about feelings; 2. Lu Jushi has seven poems about Qiu Ji's visit to ancient times; 3. Dengzezhou North Tower Banquet; 4. Guan Jingyu; Happy horse joined the army; Drunk songs; Jingmen wangchu; Late Lexiang County; Send David to join the army.
Question 3: What is Chen Ziang's nickname? Apollo.
There is a poem that says "Apollo has 10,000 volumes of piano practice books", which can be nicknamed "Mr. Qin Practice". This is Baidu search. I wonder if it will help you.
Question 4: Chen Ziang's poetic thoughts can be found in his _ _ _, and his masterpiece is _ _ _ 38 Preface to Raising Bamboo.
experience
Question 5: Chen Ziang's Works and Artistic Features In his famous Preface to Bamboo, Chen Ziang once put forward a positive proposition of poetic innovation: East is the first step: the article has defects, which have been strong in Han and Wei Dynasties for 500 years, and has been passed down in Jin and Song Dynasties. However, there are files to collect. In his spare time, the servant tasted the poems between Qi and Liang, full of colorful and complicated poems, but he was absolutely willing to send them. Every time I sigh through the ages, I often fear decadence and elegance when I think about the past. Yesterday, I saw the "Three Lonely Tung Fu", which is full of vigor and vitality, full of sound and emotion, brilliant, and trained in gold. Then decorate your vision with your heart and play the melancholy down. I don't want to start the sound, but I will see it again; Can make Jian' an authors smile at each other. ..... In the history of the development of Tang poetry, Chen Ziang's essays are like a declaration, marking the innovation and transformation of the poetic style in the Tang Dynasty. As we all know, Liu Xie and Zhong Rong opposed the poetic style of the Southern Dynasties and once held high the tradition of Bi Xing and Feng Gu. Wang Bo opposed the style of court poetry before and after The Dragon, and accused them of being "spineless and lifeless". Chen Ziang inherited their thoughts, pointedly pointed out that the poetic style of Qi Liang worshipped by the court poets in the early Tang Dynasty was "colorful but not vulgar", and pointed out that the glorious traditions of "elegance and vulgarity" and "Han Wei style" were pioneer examples of creation, which realized the real innovation of poetry content under the banner of advocating retro. The attitude is very firm, the flag is very clear, and the call is very strong. "Ji Xing" and "Feng Gu" are the primary issues related to the life of poetry. The essence of "good luck" is to require poetry to carry forward the tradition of criticizing reality and has a distinct political tendency. The essence of "style" requires poetry to have noble and rich thoughts and feelings and rich and substantial realistic content. Judging from the situation at that time, only by realizing the real innovation of content can poetry undertake the mission of the times. At the same time, we should also see that due to the active efforts of poets such as the "four outstanding poets in the early Tang Dynasty", new styles of Tang poetry have emerged, people are increasingly dissatisfied with the style of court poetry after Qi and Liang Dynasties, and the time for poetry innovation is more mature. Chen Ziang's innovative proposition at this time has not only theoretical significance, but also practical significance; It not only attacked the stale poetic style, but also opened the way for the new poets and poetic styles that were budding and growing at that time. Chen Ziang's poetry creation clearly and powerfully embodies his innovative ideas. Thirty-eight Love Poems is the main work that embodies this innovative spirit. These poems were not written at the same time. Some satirize reality, feel current events, and some express their life experiences and ideals. The content is broad and rich, and the thoughts are also contradictory and complicated. First of all, it is worth noting those frontier poems with strong reality, such as: looking at the county in the clouds and looking at Taiwan Province in the north. Hu Qin is so close to you, and Sha Shuo is so energetic! Born in Tianjiaozi, madness is back. The castle wall is unknown and the pavilion is empty. Duh, why do I sigh? People are drawing grass. This is his work when he began to explore the north. The poem expresses deep indignation at the incompetence of the generals and the constant infringement of the border people by the Hu people. In the article "The North Wind Blows the Sea Trees" written during his expedition to Youzhou, he also expressed deep sympathy for the suppression of patriotic enthusiasm of frontier fortress soldiers. The article "Clouds and Dusks at the Age of Ding Hai" more clearly reveals the militaristic behavior of Wuhou attacking Tubo through Shushan. These contents have initially broken through the pan-imitation atmosphere of traditional frontier poems on ancient themes. He also satirized the shortcomings of Wuhou's internal affairs. In the poem "Saints don't care about themselves", he accused Wuhou of carving Buddha statues and building Buddhist temples, wasting manpower and material resources to kill Buddha. In the poem "It's hard to be proud of a noble man", he even bravely satirized the style of trusting and killing his generals. From these realistic poems, we can clearly see that his political ambition is closely related to his poetic innovation thought. The poems he wrote about his life experience are also very touching: Lan Ruo was born in spring and summer, where is it? You are alone in the forest, and Zhu has purple stems. It's getting late and the autumn wind is coming. Years old, China is teetering, but what is the significance of Fang? Here, the artistic conception of scattered vegetation and withered beauty in Chu Ci expresses the deep anguish that the beautiful ideal cannot be realized. However, in different times and circumstances, his frustration turned into anger and generosity. Such as: Ben is your son, and he really loves talent all his life. Homesickness, draw your sword and start Artemisia. Dingling in Xichi was blocked, and Taiwan Province was in the north. Seeing thousands of miles in mountain climbing, homesickness is long! Who said he didn't forget the disaster and turned to dust? There are also some articles in Feeling Poetry that lament the impermanence of life, praise seclusion and seek immortality, and give full play to their works, such as "City people admire spiritual wisdom" and "Silence in the mysterious sky", all of which have strong Buddhist and old negative thoughts. Seven Poems on Youzhou Tower and Qiu Ji's Collection of Lu Jushi in Searching for the Ancient are also his masterpieces. These poems were written when he and Jian went to Qidan. Lu Zang uses Chen Zhuan >>
Question 6: Besides Chen Ziang's collection, what other works does Chen Ziang have? Poetry in the early Tang Dynasty, following the habits of the Six Dynasties, has a delicate style. Chen Ziang stepped forward to try to reverse this trend. Chen Ziang's poems, with their progressive and substantial ideological content and simple and vigorous language style, have exerted great influence on the whole Tang poetry. After Chen Ziang's death, his friend Lu Zangyong compiled the 10 volume for him. The Collected Works of Chen Boyu was edited by later generations. This book contains 10 volumes of the Collected Works of Chen Boyu edited by Yang Cheng during the reign of Hongzhi in Ming Dynasty, and is accompanied by the New Tang Book and other related materials. Copy the four series here. Universal Library has made many revisions according to the Ming and Qing editions. Today, Xu Peng collates The Collection of Chen Ziang, which is based on four series, The Complete Poems of Tang Dynasty, The Complete Poems of Tang Dynasty, Wenyuan Huaying, etc., with more than one poem 10, becoming a relatively complete book, with Luo Yong's Chronicle of Chen Ziang attached. Today, Peng Qingsheng has notes on Chen Ziang's poems. Attached is his Chronicle of Chen Ziang and the comments of various schools. Cen is the author of Chen Ziang's Deeds and Collected Works (attached with the first and second issues, volume 14).
There are Qingyun Zhang, Thirty-eight Poems Encountered, Viewing Jingyu, Yuanyang and Xiuzhu with Zuoshi in the East Palace, Seven Visits to Ancient Poems for the Collection of Lu Jushi, Returning to the West for Three Passes to Answer Qiao Que's Knowledge, Duxiakou Mountain to Give Qiao Que a Knowledge of the King, and No Dispute, etc. Answer: Luo Yangjun has a gift from the autumn night pavilion, a gift from the worship hotel, Xia Ruochong, a dream with Song Congjun, a farewell to the son of Lu, a farewell to Cao Yulou, and a farewell to Li Shenjun's worship at the Asahi meeting and his illness in the autumn garden. You Zhou Tower Cold Food Collection, when I joined the army, I met drunken songs. Later, I went to Jingmen to see Chu. After the rain, I sat alone in the south building of Kaiyuan Temple. As a result, I thanked the courtiers of the Eastern Expedition (a success) and bid farewell, praising Cui's painting of cranes on the master's wall to send Joe. Send them to Shu, farewell to Gaoming Mansion in Luodi West Liu, farewell to April 8th in Luodi West Wei, farewell to Fujian, farewell to friends in Nanjiang in Suizhou, farewell to Donglai King, farewell to Liang Erming Mansion and farewell to Liang's work Zuo Lang Cui Rong. Go to the Northwest Building to send Cui's works to Beijing, get pregnant on a moonlit night, go to the door in a summer night, go to Jin (nine works and one work) in spring, gather the public forest hall, feast on the forbidden area of Hu Chu, give the autumn pavilion of day lily by the Wei gardener, and feast on the Gaolin hall in the dark. The system of offering sacrifices to heaven (making mounds), enjoying Tian Yiren's visit to rocks, living in seclusion, reminiscing about the past in Baidicheng, reminiscing about the past in Xianshan, and leaving blank ● Zuozhou Youling Gorge Qingshu Cunpu, Suxianghe Puyi, giving Yancang Cao Qi a record of pushing longevity, Changshi Shantang three-day Qushui Banquet, and asking my younger brother to go to Dongyang Gorge in Hezhou while it is getting late. As a reminder, it is strange to send a small boat back to relatives and friends in Sichuan in Wanzhou, and the secluded forest ridge in Xia Qiaoan Zhuxi is Back to the ancient city of Zhangye, Wen Chenggong presented Wei Wu Xu himself, dedicated the beacon tree on the mountain to Joe's twelve attendants, gave the biting cold wind when he first entered the gorge to his relatives and friends in his hometown, dedicated the field of washing horses to swimming in the rocks, awarded Xu Lingbi (a work on the wall) the title of ancient times, and gave the proposal of holding a banquet in the pavilion on March 3 to Ji's attendants (see age>
Question 7: What is the most famous poem written by Chen Ziang? Of course, it is on the rostrum of Youzhou.
Famous nostalgic poems.
Question 8: About the characteristics of poetry, it can be divided into five points: (659-700) Shehong (present-day Sichuan) people mainly lived in the period of Wu Zetian, slightly later than Wang and Yang of the four great families. Chen Jiashi is rich, without Ren Xia, and has a heroic temperament. At the age of twenty-four, I raised a scholar, and the official was right. He wrote many articles about politics and stated its disadvantages. He once attacked the Khitan with Wu Youyi's army and didn't get along well. After being dismissed from office, he returned to his hometown, was framed by Duan Jian, a county magistrate, and died of anger. He is eager to take advantage of the opportunity of the times to make great achievements, but he repeats the fate that a generous man with poetic temperament can't escape in officialdom and is trapped in a sinister political whirlpool. Chen Boyu's collection.
Connecting with Chen Ziang's creative situation, it can be specifically interpreted as a strong concern for major life and social issues, and the passionate emotions caused by it. Chen Ziang's "Han Wei style" is to restore and develop the heroic character in literature, thus correcting the weak tendency of poetry. But this is by no means a simple retro, but to inspire the voice of the Yellow Road that adapts to the spirit of the times. Chen Ziang's own poems are the best examples.
What runs through Chen Ziang's poems is the call and shaping of new personality ideal. Take thirty-eight of his representative works "Feeling" and seven of Qiu Ji's Ancient Stories for Lujushi as examples. Their basic content is to meditate and reflect on a series of fundamental issues such as politics, morality and destiny with strong self-awareness and enterprising spirit. If the ideal of life with the characteristics of the times is embodied in the poems of the four great masters, then in Chen Ziang, this ideal has been further sublimated and enriched, with a kind of "sublime" beauty.
First of all, Chen Ziang always looks at the infinite universe with a broad mind, and observes his personal existence under this huge background, showing his desire for eternity. Article 13 of the Experience:
When Lin was ill for a long time, he was very lonely. Leisure is materialized, and leisure is lifeless. Youth began to sprout, and the firepower was full. Since then, I have lamented when it will be flat.
Get sick in the forest, watch everything become life, and remember the essence of all life (inanimate). Spring begins to sprout, summer is already strong, and everything has withered since then. How can a person not be deeply touched?
Chen Ziang loves Laozi and Zhuangzi and Zhouyi, and his poems are full of metaphysics. But there are also significant differences here: the poems of metaphysical scholars in Wei and Jin Dynasties have a feeling of escaping from society when they emphasize that individuals not only exist in society, but also face the whole universe. Chen Ziang, on the other hand, set out from this point and actively went to the society, demanding to establish immortal achievements in his short life. The poet has expressed his feelings many times, such as "feeling the time and thinking about serving the country, relying on the sword play" ("feeling" 35) and "weeping is still sad and I want to go to Wolong" ("thinking about the past in the fairy mountain"). "Answer to Teacher Luoyang" cloud:
Aunt Fang, prepare a feast tomorrow. Then take cheap, three know Hou. Or brush your clothes and go back to the seagull. It is better to follow the contemporary, strive for perfection, ups and downs.
This heroic character, full of self-confidence and prospect, embodies the great spirit of the Tang people and becomes the forerunner of poetry in the prosperous Tang Dynasty.
After the awakening and growth of personality consciousness since Wei and Jin Dynasties, even when pursuing great achievements, Chen Ziang didn't want to regard himself as an accessory of the monarchy, but demanded considerable respect and took some equal acquaintance as his ideal. Therefore, in his poems, Corporal Yan Zhaowang was repeatedly praised, which enabled talents such as Guo Huai and Le Yi to display their intelligence. A poem "Yan Zhaowang" in Qiu Ji's Visit to the Ancient Times is full of emotion:
Go south to Jieshi Museum and see Huang Jintai. The mountain is full of trees. Is Wang Zhao here? I'm tired of dominating maps, so I'm going to drive my horse back.
It is also a remarkable feature of Chen Ziang's poetry to actively intervene in society and politics, resist powerful people with strong opposition and expose the shortcomings of current politics. This is an obvious progress compared with the general ridicule of the four great masters on wealth and splendor.
Although the society in the Tang Dynasty brought many new hopes and ambitions to ordinary scholars, the officialdom was still full of traps. Chen Ziang thinks highly of himself, but his ambition is hard to realize. He spoke frankly, and every time he embarrassed a powerful person, he was framed and imprisoned twice. These life experiences are naturally projected in his poems, and the most obvious is the strong sense of helplessness and unknown to the world. Words such as "solitary phoenix", "solitary English" and "solitary scale" often appear in his works. But even so, Chen Ziang's loneliness has never manifested itself as depression and self-pity, but as heroism, arrogance and unyielding. "Climbing the mountain and looking at the universe, the sky has gone west. The sea of clouds swings and the solitary scales are flat "("Sense "22), how vast the realm in the poem is! There is another famous saying on the Youzhou rostrum:
No one can see the ancient wisdom of the ancient king, only those wise men who can't see the afterlife can see it. Year ... >>
Question 9: What contribution did Chen Ziang make in the history of Tang poetry? Chen Ziang crossed from his hometown to Beijing, and when he stayed in Lexiang County, Xiangzhou, he wrote a five-law, expressing his feelings of staying. Gu u said, "No syntax, no grammar, naturally." Following the four masters, Chen Ziang stood up against the rule of Qi Liang's poetic style with a firmer attitude, and showed a distinct spirit of creation and innovation in theory and practice. Chen Ziang's thought is very complicated. He is good at crossing Ren Xia, but the Confucian spirit of statecraft is still the dominant aspect of his thoughts. From many of his political essays, we can see his foresight in understanding national security and his enthusiasm for caring about people's sufferings. For example, in the recitation of "Shang Chuan An", he was worried about the invasion of Qiang people, expressed deep sympathy for the unemployed and fleeing Sichuan people, and angrily accused officials of greed, embezzlement and deprivation of people. His lectures and political comments were quoted four or five times in Zi Tong Zhi Jian. Wang Fuzhi's Zi Zhi Tong Jian thinks that Chen Ziang is not only a scholar's choice, but also a minister's material, which is completely correct. His political enthusiasm is the driving force of his poetry innovation. In the famous Preface to the Pearl Show, Chen Ziang once put forward a positive proposition of poetry innovation: Oriental style comes first; the article is flawed, which has been in the Han and Wei dynasties for 500 years, but literature can afford it. In his spare time, the servant tasted the poems between Qi and Liang, full of colorful and complicated poems, but he was absolutely willing to send them. Every time I sigh through the ages, I often fear decadence and elegance when I think about the past. Yesterday, I saw the "Three Lonely Tung Fu", which is full of vigor and vitality, full of sound and emotion, brilliant, and trained in gold. Then decorate your vision with your heart and play the melancholy down. I don't want to start the sound, but I will see it again; Can make Jian' an authors smile at each other. ..... In the history of the development of Tang poetry, Chen Ziang's essays are like a declaration, marking the innovation and transformation of the poetic style in the Tang Dynasty. As we all know, Liu Xie and Zhong Rong opposed the poetic style of the Southern Dynasties and once held high the tradition of Bi Xing and Feng Gu. Wang Bo opposed the style of court poetry before and after The Dragon, and accused them of being "spineless and lifeless". Chen Ziang inherited their thoughts, pointedly pointed out that the poetic style of Qi Liang worshipped by the court poets in the early Tang Dynasty was "colorful but not vulgar", and pointed out that the glorious traditions of "elegance and vulgarity" and "Han Wei style" were pioneer examples of creation, which realized the real innovation of poetry content under the banner of advocating retro. The attitude is very firm, the flag is very clear, and the call is very strong. "Ji Xing" and "Feng Gu" are the primary issues related to the life of poetry. The essence of "good luck" is to require poetry to carry forward the tradition of criticizing reality and has a distinct political tendency. The essence of "style" requires poetry to have noble and rich thoughts and feelings and rich and substantial realistic content. Judging from the situation at that time, only by realizing the real innovation of content can poetry undertake the mission of the times. At the same time, we should also see that due to the active efforts of poets such as the "four outstanding poets in the early Tang Dynasty", new styles of Tang poetry have emerged, people are increasingly dissatisfied with the style of court poetry after Qi and Liang Dynasties, and the time for poetry innovation is more mature. Chen Ziang's innovative proposition at this time has not only theoretical significance, but also practical significance; It not only attacked the stale poetic style, but also opened the way for the new poets and poetic styles that were budding and growing at that time. Chen Ziang's poetry creation clearly and powerfully embodies his innovative ideas. Thirty-eight Love Poems is the main work that embodies this innovative spirit. These poems were not written at the same time. Some satirize reality, feel current events, and some express their life experiences and ideals. The content is broad and rich, and the thoughts are also contradictory and complicated. First of all, it is worth noting those frontier poems with strong reality, such as: looking at the county in the clouds and looking at Taiwan Province in the north. Hu Qin is so close to you, and Sha Shuo is so energetic! Born in Tianjiaozi, madness is back. The castle wall is unknown and the pavilion is empty. Duh, why do I sigh? People are drawing grass. This is his work when he began to explore the north. In the poem, he expressed deep indignation at the incompetence of the generals and the continuous violation of the border people by the Hu people. In the article "The North Wind Blows the Sea Trees" written during his expedition to Youzhou, he also expressed deep sympathy for the suppression of patriotic enthusiasm of frontier fortress soldiers. The article "Clouds and Dusks at the Age of Ding Hai" more clearly reveals the militaristic behavior of Wuhou attacking Tubo through Shushan. These contents have initially broken through the pan-imitation atmosphere of traditional frontier poems on ancient themes. He also satirized the shortcomings of Wuhou's internal affairs. In the poem "Saints don't care about themselves", he accused Wuhou of carving Buddha statues and building Buddhist temples, wasting manpower and material resources to kill Buddha. In the poem "It's hard to be proud of a noble man", he even bravely satirized the style of trusting and killing his generals. From these realistic poems, we ...
Question 10: Who inherited Chen Ziang's Thirty-eight Poems? Yinwen Nanxi, spring tea buds. Start with the bamboo cage and steam the Baiyun Valley.
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