Fortune Telling Collection - Horoscope - Cultural Common Sense in Preface to Tengwang Pavilion

Cultural Common Sense in Preface to Tengwang Pavilion

1. Explore the cultural knowledge related to Preface to Wang Teng Pavilion.

According to historical records, the Wang Teng Pavilion was built by Wang Teng Li Yuanying, the son of Tang Gaozu. It is said that Wang Teng Li Yuanying was very unhappy when he was transferred from Suzhou Secretariat to Hongzhou (now Nanchang, Jiangxi) as the viceroy. When he left, he took all the karaoke musicians formed in Suzhou to Hongzhou and put them in the DuDu mansion, regardless of political affairs. It is suggested that Caballe musicians should be brought to the hills on both sides of the Ganjiang River, and a banquet should be held on the hills near the river, so that they can not only drink wine, but also enjoy the beautiful scenery of the countryside, watch dancing and listen to singing at the same time. Wang Teng was very happy and adopted this idea. But when they reached the river, the mountain was covered with rocks and thorns, and the dancers in Caballe could not hear the sound of dancing. Wang Teng had no choice but to leave angrily. Some aides suggested simply building a pavilion on the mountain by the river, which can not only enjoy the beautiful scenery of mountains and rivers, but also enjoy the music of singing and dancing. Wang Teng couldn't help smiling after hearing this, so he ordered his aides to start construction, which was completed in four years of Tang Xianqing and rebuilt in two years of Shang Yuan. Later, Yan became the governor of Hongzhou. On the ninth day of the ninth lunar month, he hosted a banquet here to celebrate. It was the ninth day of the year. When entertaining guests, I want to praise my talents in public. What a coincidence. At this time, it happened that Wang Bo's mother passed by and was naturally invited to dinner. When Gong Yan pretends to let all the guests preface Teng, all the guests understand the meaning and refuse to be competent. Only Wang Bo is new here and unfamiliar with the situation. He tries to improvise. This made Gong Yan very unhappy and made him watched, so he immediately reported the verdict. Stereotype! As soon as the voice fell, he came to preach that "the flying pavilion is full of blood and there is no land underground", and he exclaimed: "Good! Good sentence! " Then I saw "the sunset is lonely in Qi Fei, and the autumn waters and the sky are the same" and "I would rather be moved when I am old and strong? If you are poor, you will think about it, and you will not fall into the ambition of Qingyun. ""Yang Yi does not pick up, caressing Lingyun and cherishing yourself; When the clocks meet, why should I be ashamed of running water? I even exclaimed, "What a genius!" After the preface was finished, all the guests were surprised. Since then, the Wang Teng Pavilion has been on par with Wang Bo's Preface to the Wang Teng Pavilion. This magnificent Wang Teng Pavilion has lasted for more than 1300 years, and has been destroyed and built repeatedly in many dynasties. Today, the Wang Tengting Pavilion we saw was rebuilt in the Song Dynasty style at 1983, with a height of 54.4 meters, three floors in the attic and four floors by the river.

2. Seek the preface, thank you online and other related cultural common sense.

Historically, the Wang Teng Pavilion was built by Wang Teng Li Yuanying, the son of Tang Gaozu. According to legend, Teng Wang Li Yuanying was very unhappy when he was transferred from Suzhou to Hongzhou (now Nanchang, Jiangxi). When I left, I brought all the karaoke musicians from Suzhou to Hongzhou and raised them in the Governor's Office. Don't ask about politics, indulge in debauchery and have fun all day, but I still can't get rid of my troubles.

One day, in order to please the host, several aides in Wang Teng suggested that musicians singing and dancing should be taken to the hills on the banks of the Ganjiang River and held a banquet on the hills by the river, so that they could not only drink, but also enjoy the beautiful countryside while listening to singing and watching dancing. King Teng was very happy and adopted this opinion. But when they got to the river, they saw that the mountain was covered with rocks and thorns. Geisha and maiko couldn't hear or dance at all. Wang Teng had no choice but to leave angrily, unhappy.

Soon, some aides suggested simply building a pavilion on the mountain by the river, which can not only enjoy the beautiful scenery of mountains and rivers, but also enjoy the music of singing and dancing. Wang Teng couldn't help laughing after hearing this, so he ordered his men to start construction, which was completed in four years of Tang Xianqing and rebuilt in two years of Shang Yuan. Later, Yan became the governor of Hongzhou, and on the ninth day of the ninth lunar month, he hosted a banquet here to entertain guests and climb the mountain to make poems to celebrate. On the ninth day of this year, he ordered his husband Wu to write a preface in advance, hoping to praise his talents in public when entertaining guests. What a coincidence! At this time, Uncle Wang's mother passed by and was naturally invited to dinner. When Gong Yan pretended to let all the guests make a preface, all the guests understood the meaning and refused to say that they were incompetent. Only Wang Bo, who is new here and doesn't know the inside story, tries to improvise. This made Gong Yan very unhappy, so he was under surveillance, so he immediately reported this sentence to him. When I saw that Wang Bo wrote "Nanchang old county, Hongdu new house" at the beginning, I couldn't help shaking my head and saying, "Alas-cliche! Stereotyped writing! " As soon as the voice fell, he came to preach that "the flying pavilion is full of blood and there is no land under the ground". He exclaimed: "Good! Good sentence! " Then I saw "Sunset and Lonely Qi Fei, Autumn waters and sky are the same color" and "I'd rather be moved when I'm old and strong? If you are poor, you will think about it, and you will not fall into the ambition of Qingyun. ""Yang Yi does not pick up, caressing Lingyun and cherishing yourself; When the clocks meet, why should I be ashamed of running water? I even exclaimed, "What a genius! "After the completion of the sequence, all the guests were surprised. From then on, the Wang Teng Pavilion was just as famous as Wang Bo's Preface to the Wang Teng Pavilion.

This magnificent Wang Teng Pavilion has lasted for more than 1300 years, and has been destroyed and built repeatedly in many dynasties. The Wang Tengting Pavilion we saw today was rebuilt in 1983 according to the style of the Song Dynasty. It is 54.4 meters high, with three floors in the attic and four floors in the dark. It stands by the river and is very spectacular.

3. Cultural knowledge of Lanting Preface

Preface to Lanting Collection is a preface. The preface is also referred to as the preface, which is the same as the postscript. The preface at the beginning of the volume is called preface, and the postscript at the end of the volume is called postscript. Its function is to recommend and introduce someone's work or a certain material, explain the writing process, writing purpose, main content or some things related to books, and help readers go on better. Asking someone else to write it is called "others' preface" In addition to introducing his works, he often has some comments in his preface. No matter in ancient times or today, there are articles called Preface, such as Preface to Lanting and Preface to Wang Tengting, which describe the banquet in the attic, Preface to Send Ma Sheng to Yang, which encourages others, and Scream, which explains the reasons for writing. What kinds and characteristics does it have?

The preface mentioned by modern people is an applied style written in front of a book or poem, indicating its writing reasons, content, style and other matters, and also writing "narrative" or "context". The preface mentioned above and the preface of Mr. Zhang Dainian attached at the back of this article all belong to this category. But the situation in ancient times was different from that now, and the meaning of the order mentioned by the ancients was much richer than today. Sima Qian's preface to Taishigong's Historical Records begins. Ban Gu's Han Shu contains a biography, and Yang Xiong's Fa Yan contains a preface. The early prefaces were not all written in front of the article, but a single preface, and the whole book was a preface until Xiao Tong's Selected Works of Zhaoming in the Liang Dynasty. Articles with similar prefaces are called "postscript" or "postscript". In the preface family, there are variants such as "small preface" and "preface". The so-called "small preface" refers to the short preface that is exciting or originated from the narration before poetry and prose. Amin writer Xu Shi once said in "Bian Ti": "Small preface is also named after big preface." Liu Zongyuan once wrote a preface to thunderbolt praise, also known as "inscription", "postscript" or "book back". Yao Nai's Compendium of Ancient Documents in the Qing Dynasty: "After the inscription and postscript are compiled, the words must be followed, and the books and poems of history are all introduced in an orderly manner. It is called "after a certain topic" or "after reading a certain topic", such as Li Ao's "After a Prince yan dan" and Han Yu's "Reading Xunzi". Ouyang Xiu first called this kind of article postscript, and several "postscript" in his Ancient Records were attached to his precious inscriptions. Wang Xizhi's Preface to Lanting Collection belongs to "Preface and Postscript"

4. Overview of Tengwangge Culture

In Wang Bo's Preface to Wang Tengting, "Three rivers lead to five lakes, and the wild scenery leads to Ou Yue (the geographical location of Wang Tengting)", and the geographical orientation has created the cultural traditional orientation.

Wang Bo, a poet in Tang Dynasty. The word zi an.

There are more than 80 existing poems in Wang Bo, including preface, table, tablet and fu, and more than 90 existing poems. Earlier, 20 volumes, 30 volumes and 27 volumes of Selected Works of Wang Bo were not circulated.

The existing Wang Zian Collection 16 compiled by Zhang Xie during the Chongzhen period of the Ming Dynasty; Notes on Wang Zian was written by JOE and Jiang Qingyi, tongzhi people in Qing Dynasty, and it is divided into twenty volumes. In addition, Yang Shoujing's "Visit to ancient paper" recorded Prince An Wen of 1 volume, and copied 13 volume (actually 12 volume, of which 6 volumes were incomplete).

Luo Zhenyu's essay continuation of Yongfeng Farmer 1 volume ***24 articles, adding 12 articles that Yang did not have, and supplementing the 6 incomplete articles recorded by Yang. Roche's preface also mentioned that "Tomioka Jun (Cang Qian) doesn't collect the 29th and 30th volumes of The Wang Zian Collection in Kyoto". According to the manuscript of 1, there are two volumes of Wang Canben, which says "twenty-nine to thirty" and was immediately collected by Tomoka.

In the third year of Qing Dynasty (19 1 1), Yao's Collection of Relieving Daowei Zhai has a chronology. Wang Tengting, rebuilt in A.D.19 * *, has a complete landscape restoration of poetry, books, paintings, piano, dance and songs.

It is not a replica of the Wang Teng Pavilion, nor is it a cosmetic surgery of cultural heritage. Mr. Zhang, a world poet, a scholar of Tengwangge culture, a famous master of ci and fu, a pioneer of contemporary parallel prose ci and fu movement, an online activist, a leading figure in tea culture and a cultural celebrity, brilliantly expounded the essential connotation of "Tengwangge culture": "Tengwangge is a cultural heritage of Chinese studies, history and the world."

5. Wang Bo culture in Tengwangge culture.

In the Tang Dynasty, there were song and dance artists such as Wang Boteng, Wang, Linjiang Zhu and Ming Luan.

The painted building faces Nanpu Cloud, and the bead curtain rolls up the rain in the western hills at dusk. The shadow of the idle cloud pool is long, and things change for a few years.

Where is the emperor in the cabinet today? Outside the threshold, the Yangtze River flows by itself. This is a seven-character ancient poem.

The first four sentences describe the prosperity of the Wang Teng and Wang Teng pavilions. The last four sentences say that times have changed, things have changed, and prosperity is hard to last. Only the river flows naturally, which is an eternal witness of human history.

Zheng Sheng, a Tang Poetry, says, "It is beautiful and quiet, so it is better. It is a unique short song in the Tang Dynasty". "Selected Poems of Tang and Song Dynasties": "There is only one conclusion, and how many practices will be opened later".

Wang Fuzhi's "Selected Comments on Tang Poetry" commented on this poem: "Six rites are vigorous, and both are in a dilemma. The word' Yu Peiming' is more important than Guangming. "

In 676, in the third year of Tang Gaozong's reign, the poet went all the way to visit his father, passed through Hongzhou (now Nanchang, Jiangxi), attended the banquet of the governor of Yan, and improvised Preface to Wang Tengting. At the end of the preface, he attached this concise and implicit poem, summarizing the contents of the preface. The first sentence comes straight to the point, pointing out the situation of Tengwangge with simple and old brushwork.

Wang Tengting was built by Wang Teng Li Yuanying, the son of Gao Zu Li Yuan, when he was governor of Hongzhou. Therefore, it is located at the gate of the newly-built Xizhanghe River in Jiangxi, facing the Ganjiang River. You can look at it from a distance. The following "Nanpu", "Xishan", "idle clouds", "Tanying" and "Yangtse River beyond the threshold" all come from the first sentence "Zhu".

The Wang Teng Pavilion is in good condition, but who will visit it now? Wang Teng, who built this pavilion, has passed away. He came to the pavilion, held a banquet and sat in a carriage full of beautiful Yu Pei with phoenix bells. The scene of luxury is gone forever. The first sentence is about space, the second sentence is about time, the first sentence is full of enthusiasm, and the second sentence is depressed.

The poet's technique of "sweeping it from the vertical" naturally makes readers feel ups and downs. A few sentences contain the theme of the whole poem.

This poem has only fifty-six words, including pavilion, river, building, curtain, cloud, rain, mountain, pond shadow; If it belongs to time, the long day, things change, a few autumn days, where is it now These words are mixed together, and there is no feeling of overlapping bedsteads. The main reason is that they all revolve around a center-Wang Teng Pavilion, and each one plays its own role in the Moon Arch.

There is antithesis at the end of this poem. Generally speaking, antithetical sentences are mostly used in the middle section, which plays the role of arrangement.

This place is used for ending, and it is not juxtaposed like two doors (the term is fan pair), but is open and closed. The reader only feels its flow, but does not feel that it is double, which shows Wang Bo's extraordinary talent. Later, Du Fu's seven-character poems, even seven-character quatrains, often used this technique, such as "coming back from this mountain, passing another mountain, coming up from the south, and then going north-to my own town!" , "oral powder medicine is kind, jade tube silver poppy is under the sky", "butterfly always dances, and the charming warbler just crows" and so on.

Wang Bo's influence on the development of Tang poetry can be seen. Every ten years, a boat goes to the five lakes, and fireworks travel thousands of miles.

If you don't restore the Kirin Pavilion, where can you find the butterfly map? The sound of the waves in Nanpu flows in the sunset, and the spring scenery in Gaodong carries a cloud hoe.

Wang Han and Lu couldn't believe that they were alone, so they hurried to the bull. Sitting for a long time is carefree, carefree.

Sparse stars gather fishing fires, and the rivers are wet. Looking at the evening, learn the voice of Chu tonight.

Because I cherish its good bamboo branches, it is translated into. The ancient pavilion in Cui Wei is at the head of the river. It was late autumn when he was ill.

The white clouds between the windows are the Wuchu River, and the red sun flows between the waves. The mountains and rivers are full of tears, and the songs and dances have been heard by the emperor.

Wanli is the person who Wang Li may be in Jingzhou. The boat returned to the south in a hurry, and the riverside was connected to the Xiangyang Building.

Nanpu Xishan has a panoramic view, and there are endless songs! Where the king sang and danced, the dangerous pavilion opened to the west wind. In the evening, even the clouds are green, and the sunset on the Yanhe River is red.

Gao Wenxue Ya, Li Zao sees nature. Lonely Xia rises beyond the threshold, fighting for a pen.

Fortunately, there is nothing to do when closing the cabinet. Go upstairs and talk forever. Go to Li Xiakai, the mainland is full of shapes.

The lights are full of rivers and birds. People in the city are half a boat, and trees in Tianjin are full of maple oranges.

The feelings of parting have been repeated, and the feelings are different. If you don't agree with me, you will know who you are with.

I have been single-minded all my life and have met my superiors. Suffering is sent to the country, and the manager is shameful.

Although outspoken and self-encouraging, Cang Li is not true. If David li Chen is ineffective, Xie Bing will learn from Uncle Zhi.

Tower pillow Nanpu, day and night to the western hills. Wan Wan Luan crane, high smoke room.

Jing Xian is still here today, but Hongya has been gone for a long time. I won't teach you gold, but it's hard to climb a feather pole.

There are thousands of peaks on the eaves, and thoughts are all over the world. Don't get involved, I'll close my door and keep calm.

When Baishui crossed the river, where did Ru Chen go? Sorrow came to Wang Tengting and took a plaque from Wen Gong. Cui Wei has been shelved, while Di Zi used to sing and dance.

The curtain is clear on all sides, and the flute and drum in the air hide spring thunder. Goushan Man said that Lapras was leaving, and Sanhai heard that He Hua was coming back.

Only carve three kings, berries are older. There are twelve pillars in the high pavilion, and the west wind attracts guests.

Half-curtain misty rain outside the Yangtze River, thousands of miles of lakes and mountains. The geese take the autumn sound to farewell Pu, and the warbler sounds to spring scenery in Bashan.

When the butterfly knew who painted it, she had a dream and never came back. It's freezing, Jiangge is towering, and the setting sun is over a hundred feet railing.

A long time ago, a ichthyosaur was not a thing of the past. Who is the butterfly in spring? Sails lead to the south pole, cars cover clouds and hold jade medals. At night, the lake was brightly lit, and it began to rain. Neighbors called for wine and said they would do it.

The building was empty before Huan Wang enjoyed the land. Only Xishanhui will be the same as the old days.

Yi still faces a short threshold, sighing at Changfeng. In a hurry, the river flows from the east.

Gog, Wang Teng, Cui Wei, who built the first Xijiang River! Sex rains don't accept songs and dances, and the article sighs ancient and modern talents. Fengcheng smells dragons at night, and Li Peng sends geese in autumn wind.

I want to ride and ask the bull if there are three on the flat ground. Yangpu Wu, take the Drum Tower. The king stopped singing and dancing, and the rain and white clouds stayed.

The color of grass changes every year, and the river is flowing. Looking at dusk, the whole state is brightly lit.

The Yangtze River can't go back outside the threshold, and the willow before the threshold belongs to the later race. At that time, only Xishan was there. I once saw Teng Wang Ge facing Xia Ling, but relying on hundreds of cities.

When Xiaoyun was at the crane ridge, the residual rain blew off Longsha. Poets are happy in stones and prose, but Di Zi's happiness is not based on credit.

Good night, golden encouragement, the ox fights the eaves. The guest came from Yunxi, and the boat was a leaf on an odd side.

Suddenly, I watched Zhang stroll to pick him up. Frost and wind come out of the mainland, and grass trees are in the air.

Upright, running in the West Mountain, prospered in ancient and modern times. The view of the building depends on each other, and the mountains and rivers open and close.

A frightened bird will watch the goose die out. Look at the sail for a long time before you know the width of the river.

The monarch is in the east, and the government has a Xu Ru couch. Talking about guest travel is really bone-deep.

Yusi is from Zhoushan, and I gave her a legacy when I boarded the plane. The arrogant king should laugh at Teng, and the madman also pity Bo.

Ten thousand dollars is enough for a meal, and one thousand dollars is enough for a hearty meal. When you are angry, you will be in a hurry.

6. Cultural knowledge of Lanting Preface

Preface to Lanting Collection is a preface. The preface is also referred to as the preface, which is the same as the postscript. The preface at the beginning of the volume is called preface, and the postscript at the end of the volume is called postscript. Its function is to recommend and introduce someone's work or a certain material, explain the writing process, writing purpose, main content or some things related to books, and help readers go on better. Asking someone else to write it is called "others' preface" In addition to introducing his works, he often has some comments in his preface. No matter in ancient times or today, there are articles called Preface, such as Preface to Lanting and Preface to Wang Tengting, which describe the banquet in the attic, Preface to Send Ma Sheng to Yang, which encourages others, and Scream, which explains the reasons for writing. What kinds and characteristics does it have? The preface mentioned by modern people is an applied style written in front of a book or poem, indicating its writing reasons, content, style and other matters, and also writing "narrative" or "context". The preface mentioned above and the preface of Mr. Zhang Dainian attached at the back of this article all belong to this category. But the situation in ancient times was different from that now, and the meaning of the order mentioned by the ancients was much richer than today. Sima Qian's preface to Taishigong's Historical Records begins. Ban Gu's Han Shu contains a biography, and Yang Xiong's Fa Yan contains a preface. The early prefaces were not all written in front of the article, but a single preface, and the whole book was a preface until Xiao Tong's Selected Works of Zhaoming in the Liang Dynasty. Articles with similar prefaces are called "postscript" or "postscript". In the preface family, there are variants such as "small preface" and "preface". The so-called "small preface" refers to the short preface that is exciting or originated from the narration before poetry and prose. Amin writer Xu Shi once said in "Bian Ti": "Small preface is also named after big preface." Liu Zongyuan once wrote a preface to thunderbolt praise, also known as "inscription", "postscript" or "book back". Yao Nai's Compendium of Ancient Documents in the Qing Dynasty: "After the inscription and postscript are compiled, the words must be followed, and the books and poems of history are all introduced in an orderly manner. It is called "after a certain topic" or "after reading a certain topic", such as Li Ao's "After a Prince yan dan" and Han Yu's "Reading Xunzi". Ouyang Xiu first called this kind of article postscript, and several "postscript" in his Ancient Records were attached to his precious inscriptions. Wang Xizhi's Preface to Lanting Collection belongs to "Preface and Postscript"

7. "Preface" of "Preface to Wang Teng-ting" is a style, and in the end, it is also.

A famous parallel prose.

Preface to Wang Tengting is the full name of Preface to Wang Tengqiu Pavilion, also known as Preface to Wang Tengting's Poems. Tang Wang Zuo Bo.

Wang Tengting in Preface to Wang Tengting is located on the bank of Ganjiang River in Nanchang City, Jiangxi Province. Wang Tengting was named after Wang Teng Li Yuanying, the younger brother of Emperor Taizong Li Shimin.

According to historical records, during the Zhenguan period, Li Yuanying, the youngest son of Tang Gaozu Li Yuan and the younger brother of Emperor Taizong Li Shimin, was named Wang Teng in Tengzhou (now Tengzhou City, Shandong Province) and built an attic in Tengzhou called "Wang Tengge". Later, Wang Teng Li Yuanying was transferred to Hongzhou (now Nanchang, Jiangxi Province) in the south of the Yangtze River, and Haug was still named "Wang Tengting", which was known by later generations (Wang Tengting was built when Li Yuanying was governor of Hongzhou in history, so it was located near Ganjiang River in Nanchang, Jiangxi Province, and its vision was extremely broad.

Li Yuanying was profligate, immoral and had no political achievements. But he is good at singing and dancing, good at painting butterflies and very artistic.

He built the Wang Teng Pavilion for the fun of singing and dancing. This famous building in the south of the Yangtze River was built in the prosperous Tang Dynasty, and it soon became famous for Wang Bo's Preface to Wang Tengting.

In 676 AD (the third year of Shangyuan in Tang Gaozong), the poet went all the way to visit his father (now Yue State), passed through Hongzhou (now Nanchang in Jiangxi Province), attended Governor Yan's banquet, and made an impromptu preface to the pavilion. At the end of the preface, he attached this concise and implicit poem, summarizing the contents of the preface. God, it's no big deal.

The style of Preface to Wang Tengting is parallel prose. Isn't this serious enough? No, there is no preface. Style includes: Fu, Parallel Prose, Narrative, Prose, Novel, Poetry, Explanatory, Argumentative, Ci, Drama and Practicality.

8. Questions about Feng Shui and Literature

"Wing lodge, Overnight lodge" belongs to the second of Suzaku's seven lodgings and twenty-eight lodgings, which are divided into twenty-eight lodgings and are located in the south-southeast position of C, IV, X and X.. This means that Nanchang, Jiangxi Province is divided by two wings and two lodges.

Hengshan Mountain is a branch of Wuling Mountain in Hunan Province. It starts in the northwest of Hengshan County, extends to the southwest between Xiangshui and Zishui, and ends in Weishan, which is called Hengshan Mountain Range. Its main peak is in the north of Hengyang county, which is the south-central part of the Five Mountains. Lushan Mountain is located in the south of Jiujiang County, Jiangxi Province, also known as Kuanglu. According to legend, it was an ancient scholar named Kuang Lu who built this house. The mountain is surrounded by water in the north, east and south, and land in the west. Waterfall is the most famous. It is a summer resort.

There are different opinions about "Three Rivers". The Sanjiang mentioned in Preface to Wang Teng Pavilion generally refers to Nanjiang in Wuchang, Hubei, Zhongjiang in Jiujiang, Jiangxi and Beijiang in Zhenjiang, Jiangsu. There are many sayings about the "Five Lakes". The five lakes mentioned in Preface to Wang Teng Pavilion generally refer to Peng Li, Dongting, Chaohu, Taihu and Jianhu.

Comments on ancient Chinese prose about Taihu Lake, Poyang Lake, Green Grass, Dongting Lake and Danyang seem to be inconsistent with the original intention. Although Poyang Lake is also called Penghu, that is, Li Peng of Gong Yu and Peng Ze of Hanshu, it was renamed Poyang Lake in the Sui Dynasty, but it seems appropriate to say in the preface that "the fishing boat sings late, and the poor Li Peng shores", which should be interpreted according to geography. In "Manli Jingou Yue", the ancient prose commented that Jingchu was originally a barbarian land, so it is now controlled; Fujian and Vietnam connected to the territory of Dong 'ou, which led to it.

Such comments are rather vague. According to Ou Yue, it is located in Yongjia County, Zhejiang Province. It is close to Oujiang River, and it is the place where the customs of ancient Yue lived, hence its name.

It seems that it should not be related to construction. "Bullfighting" is to reverse the order of bullfighting, which is the second of the seven nights in Xuanwu. In ancient China, Wudi (now Jiangsu Province) was the dividing line of bullfighting.

"Cold shock", the sound broke the pu of Hengyang. "The ancient prose commented that there is a peak at the southern foot of Hengshan Mountain, saying: Yan Hui Peak, geese can't cross it. According to Yan Hui Peak, it is the first of the 72 peaks in Hengshan Mountain. The mountain peak is like a wild goose, hence the name. According to the secular legend, the geese fly here, instead of crossing this mountain to the south, they return in spring. This is just a wrong report.

Yan Hui Peak and Hengyang are far apart, so Wang Bo ignored it and said it was the sound that broke Hengyang. "Tianzhu" is five of the fifteen stars in the Cliff Ziwei Garden in the Near East.

"Beichen" is the North Star. Zhu said, "Beichen is a place with no stars in the middle, and some children don't move." There is no star in Beichen, and people want to take it as the extreme, so they can't forget it, so they take the small star next to it and call it the extreme star. "

Polaris belongs to Ursa minor, pointing from the north pole of the earth's axis, but it is not directly above the north pole, but is closest to the north pole among the stars, so it is chosen as the pointer to the north pole, so it is called Polaris. Because the earth itself rotates, the direction pointed by the North Pole is not always the same, so the North Star chosen is not always the same.

For example, in the Zhou Dynasty three thousand years ago, Emperor Star was Polaris, and now Gou Chenyi is Polaris. I wonder if this will help.

9. Preface to Wang Teng Pavilion can be divided into several levels.

The first section topic-the second section is close to the scene-the third section is the combination of distance-the fourth section is the feeling of the distant scene-the fifth section is the expression of inspiration-the sixth section is self-introduction and the recovery of the topic meaning-the seventh section is thanks.

This is a problem from shallow to deep. First, let readers know the situation at that time by asking questions.

The next description of the near world, with the human eye as the fulcrum, from near to far, will naturally have the second, third and fourth paragraphs, which is a layered problem. This kind of treatment is clear and makes people feel natural.

Similarly, the same is true for expressing feelings, from the first half of the fourth quarter to the fifth quarter, to the sixth quarter and then to the seventh quarter. Full of layers.

The author uses appropriate methods, just like the shooting technology of a movie, from near to far, to form a panoramic view with a sense of hierarchy and depth. The scenery around the pavilion is written in four sentences, which is a close-up view; The second sentence "rivers and lakes in mountains and rivers" is the middle scene; Below the cloud selling rain Ji is the broad prospect of rice fields.

This kind of writing is the most prominent feature of the scenery in the preface to Wang Teng's Songs, which embodies the author's three-dimensional aesthetic view and brings readers into the picturesque scenery of Jiangnan. Readers are integrated with the landscape, people are in the landscape, and there are people in the landscape. This article pays great attention to the color changes of the landscape.

For example, Zidian in Zidian green frost, Liu Dan in Gefei Liu Dan, Cui Cui in hills and Qingque Huanglong in Qingque Huanglong axis are all colorful and swaying. In particular, the phrase "flowing water is cold and clear, and smoke condenses into purple mountains" is not limited to the color of still pictures, but focuses on the changes of water, light and mountains. The former sentence is simple and elegant, and the latter sentence is dignified in color, which is praised by predecessors as "writing the scenery in September"

The four sentences of "mountains, green waters and green waters" are inseparable by changing the perspective, so that the upper and lower parts are in harmony with each other, and the heavens and the earth are in harmony with each other, which embodies the author's unified aesthetic view. And "The setting sun is lonely in Qi Fei, and the autumn water and the sky are the same color" is a famous sentence. Water and the sky are connected, forming a beautiful picture with bright colors.

"Fishing boats sing late" four sentences, that is, relying on auditory association, convey the distant scenery with the method of virtual reality, so that readers can broaden their horizons and see Wan Li. The real writing and the imaginary writing are in harmony, and the scenery is described as much as possible.

In a word, Preface to Wang Tengting is quite ingenious, with exquisite words, brilliant sentences and gorgeous chapters, which makes people feel like they are in a water town in the south of the Yangtze River. No wonder Han couldn't help but admire: "There are many scenes in the south of the Yangtze River, and Wang Tengting is the first." The original title of this article is Preface to Wang Tengting's Autumn Farewell, and all articles are closely related to this topic.

The full text is divided into four paragraphs. 1 paragraph describes the magnificent terrain, playing time, exotic products, outstanding talents and distinguished guests of Hongdu, closely following the word "Hongfu" in the title. The second paragraph shows the colorful Qiu Jingtu in the Wang Teng Pavilion. Close-up, full of rich colors, the magnificent scenery of Wang Teng Pavilion is written, which is closely related to the words "autumn" and "Teng Teng Wang Ge"; The third paragraph, from the description of the banquet to the feeling of life, is closely around the word "the Committee" in the title; In the last paragraph, I narrated my personal experience, which means that when I meet a bosom friend, I should write a poem as a souvenir. This is closely related to the words "don't" and "order" in the title. From this perspective, the full text is clear; From the ground to people, from people to scenery, from scenery to emotion, it can be said that clues are connected and topics are interpreted layer by layer.