Why does almost every battle in jojo's fifth film make me feel a little strange and far-fetched?

I think there is nothing wrong with your feelings, but it is politically correct to say that jojo is perfect now, and no one dares to say it. Or even if you want to, you will doubt yourself first. After all, this is a classic among classics. So far, it has influenced countless cartoons, held an art exhibition in the Louvre and cooperated with various luxury brands. But even though we love watching jojo so much, we have to admit that it is not perfect. There are indeed many loopholes and threats in its battle. The fifth part reaches its peak, and the more you look at it, the more obvious it feels. Jojo is smart, but even if everyone thinks Jojo is good-looking,

I can also feel that there is still a gap between jojo and real reasoning suspense brain-burning animation in intellectual warfare. In the second part, a sudden volcanic eruption pushes Katz into space, and Er Qiao somehow breaks his hand. In the third part, some articles are far-fetched to defeat the enemy from time to time. In the fourth part, Yitai, who was forced to be killed by a double body because she was too invincible, was forced to weaken Rohan Kishibe, who was the first to be killed. Kira Yoshikage, who just wanted to live a quiet life but could easily kill the leading group, just didn't take the initiative. In the fifth part, Joe, a player, every part is opened. Anyway, I feel that jojo is just an episode from time to time. I am particularly anxious and angry when I look at it. I can easily convey information, or something that normal people can react to, but my teammates just can't understand or react. For example, in the third film Death 13, at first, only Huajingyuan saw that the baby was the enemy, and all kinds of abnormal phenomena made teammates (including the extremely clever Er Qiao) not suspicious, and they resolutely did not believe Huajingyuan;

The fourth suit shop, Kang Yi and Nobutaro first met in kira yamato. The behaviors of Kang Yi's various younger brothers are simply worrying. Kang Yi is not so impetuous and impulsive. He just didn't listen to Taro that day. Nobutaro is older than you 1 1 year. In the fifth episode, the small plane hits the gay duo, and the small plane uses its tongue to manipulate it, trying to make teammates realize that they are so abnormal in various ways. A few teammates who are usually so cautious and smart suddenly have a black question mark, and they don't feel anything unusual at all. Maybe a small plane is usually such a genius. They think that all the abnormal behaviors of facets can be explained by "gifted children". In a word, it is normal for you to feel strange and far-fetched, because in many battles, the reason why the enemy is defeated is: 1. The enemy is in trouble. The enemy suddenly hung up. 3. We hung up. Of course, this degree of suspension is unmatched by other migrant workers, except Joe. Well, the fifth part is a bit far-fetched, especially the biological performance of the golden experience makes Araki often use his own Araki creatures to defeat the enemy. In the end, Huang Zhen was almost a plug-in, and Huang Zhen's ability had nothing to do with the previous golden experience, which would make people feel that the ability system collapsed. The protagonist's own ability could not beat boss even if he fought wits, and he could only be invincible.

In fact, I don't think no boss in Huang Zhen will be defeated. The episode of Sister Bu in the church made me feel that although the boss can predict what will happen after 10 seconds, he doesn't know what will happen after 10 seconds, and he can't read his mind. If he misleads the boss through the behavior after 10 seconds like Sister Bu, let him take corresponding actions, and then make a completely unexpected next step after 10 seconds. But this idea is more difficult to conceive, and it is not as good as the result of Huang Zhen's eternal cycle of death.

But why do we still think jojo's wit is beautiful when there are loopholes (not limited to the fifth part, but the topic can be deducted to the fifth part)? The following is my personal analysis:

Jojo's charm is not just wit. On the one hand, a work has its advantages, on the other hand, it also has its disadvantages. Jojo is excellent in other aspects and has strong comprehensive strength, although it can't compete with those brain-burning people who are at the extreme level of intellectual warfare. Jojo, in addition to this intellectual characteristic, is the hymn and golden spirit of human beings, excellent design, wonderful lines and avant-garde aesthetics. I think the spirit of a work is very important. Dramatists and painters are external things, and spirit is the core of this work. Works without excellent spirit are empty no matter how fancy they are. The golden spirit is the universal virtue of human beings, and Qiao Jia is a model of the golden spirit. The golden spirit is a strong sense of justice, courage to face danger, and willingness to fight for the people and things you cherish. The fourth part puts forward the concept of the golden spirit for the first time, and the whole part of the fourth part is about the golden spirit. The fourth part wants to express that even if they are not protagonists, even ordinary people, they live a quiet life. Even if they have various shortcomings, even if they die, they can obviously cross over to heaven. But for the town where they live, for the people they cherish, and for the inner sense of justice, they will do their best to fight against the terrible bad guys together. The protagonist is not the perfect and Gao Daquan protagonist in many other cartoons, and the supporting role also has its own bright spots. The protagonist is one of the sentient beings (although it is obvious that he is a king who tears onions), and all sentient beings have more or less a kind of Dolly. The fifth part of Goldwind is called Goldwind. Of course, it also places great emphasis on the golden spirit. I think it is the golden spirit of the leading group that supports the far-fetched fifth part. Because the spirit of gold is so bloody, people can regard those fighting logics as clouds. Moreover, several battles are still wonderful. Even if there are loopholes, there are flaws.

I saw an explanation on Zhihu. "Jumping Boy" is full of shifts every week, and there is also a system for readers to investigate works that connect the bottom. Cartoonists are people who burn their lives and draw cartoons. Under such a crazy rush, it is almost impossible to think about the story of wits. So many other jumpers beat the enemy through battle escalation and suddenly the small universe broke out. JOJO, the protagonist's skill, was set at the beginning, but he could only develop creative usage himself if he didn't upgrade later. This is rare. And this skill can only be fixed by developing new ways of fighting, which is bound to be limited and unimaginable. Body double can still come up with many uses in the first two films. In the fifth part, the ability of body double is becoming more and more fancy and novel, and it is extremely difficult to think of a way to beat them. In particular, Comrade Diablo didn't drink as much poisonous blood as Dior did. He was quite calm until the end, and King Jiang was so strong that he had to open the door to fight high. Therefore, it is a bit overwhelming to ask jojo according to the intellectual plot of orthodox wits. All the above are personal opinions.