Huang Zi's historical contribution to China's art songs is the best. Thank you.

As a musical form of singing, artistic songs are a wonderful flower in the romantic movement in Europe in the19th century. German and Austrian composers, represented by Schubert and Schumann, first endowed this music form with brand-new artistic features and features. After repeated copying by many European composers, artistic songs have become one of the important representatives of The Romantic Period's music culture covering more than 100 years in Europe and even today with their serious and profound themes, lyrical and romantic artistic styles, rich and perfect structures and techniques. Influenced by the ideological trend of western music art, the musical form of art songs appeared in China in the 1920s and 1930s. On the one hand, he actively absorbed the outstanding achievements of German and Austrian art songs, and at the same time, he developed China's traditional music culture constructively, thus making it an early art form with China characteristics in the modern history of China. The early 1920s to the late 1930s was an important period for the formation, development and maturity of China's artistic songs. Huang is one of the important representatives in China's modern music history. In his short life of 34 spring and autumn periods, especially in his music activities only ten years after returning to China, he has made indelible contributions to the development of professional music in China. Huang Zi's works are mainly vocal music, and his lyric songs are especially artistic in all his creations. As Mr. Qian Renkang praised in the article "Life and Creation of Huang Zi", "He worked hard in the newly reclaimed music garden in China, urging the flowers of art songs to bloom ...". Mr. Huang Zi is good at expressing the realm of poetry with concise musical language, which is well combined with poetry in form and content. Nostalgia, Song of Spring Thoughts and Three Wishes for Roses are all representative works of his artistic songs. Huang Zi received a formal education in western music and traditional music in China. After studying abroad, he devoted himself to the development of national music. This makes his art songs not only have the skills of European art songs, but also have distinctive national style and China characteristics. Huang Zi's artistic songs not only play an important role in our music life today, but also play an important role in the future development of China's artistic songs. This paper studies the music noumenon of Huang Zi's art songs, and analyzes their artistic features and singing styles. This paper is divided into four chapters: The first chapter, the factors that affect Huang Zi's artistic song creation. This chapter mainly introduces Huang Zi's life and Huang Zi's aesthetic thoughts to find the social and historical background and ideological basis of Huang Zi's creation. The second chapter, the analysis of Huang Zi's art songs, is the core of this article. Huang Zi's artistic songs are divided into three basic types: lyric artistic songs, ancient poetry artistic songs and realistic artistic songs, and analyzed from the aspects of musical form structure, mode tonality, combination of lyrics and songs, aesthetic characteristics and singing skills. The third chapter, the creative characteristics of Huang Zi's art songs. Huang has received a good education from China traditional culture since he was a child, and has a profound traditional cultural heritage. 1924 went to study in the United States, systematically studied and mastered the advanced western music theory and composition technology abroad, and brought back the outstanding achievements in western music culture after returning home, and organically applied them to the creative practice of China's art songs. Therefore, in this chapter, the characteristics of Huang Zi's artistic songs will be analyzed as follows: (1) the influence of European artistic song writers' creative techniques on Huang Zi's artistic songs; Huang Zi's exploration and efforts in the nationalization of China's music: Comparing with the works of contemporary composers of art songs (such as Zhu Qing and Zhao Yuanren), analyzing the similarities and differences. The fourth chapter, the research on the singing style of Huang Zi's art songs. Based on the author's research direction-theoretical research on vocal music singing and teaching, combining theory with practice, this paper interprets the singing style of Huang Zi's art songs from three aspects: the aesthetic principle of second creation in singing, the mastery of singing style and the requirements in singing.