This killer is not too cold. What is the success of the subtitles at the end?

Wei Chenggong is not the biggest winner, Harvey is. I always thought that the film of Twist FunAge had no soul without Shen Teng. Later, I saw that the box office of Shen Teng's Four Seas was lower than that of Wei Xiang's Black Boy, so I reelected for the latter. After watching Black Boy, I think this movie is quite good.

The killer's information is not too cold.

The plot is smooth and there is no redundancy. The leading actor Wei Chenggong is a walk-on actor. Originally, he finally got a chance to play the first hero, but he was involved in an entanglement with the gang. Later, even if you go to jail, you can keep your heart. The plot seems absurd but logical. There is no artificial grandstanding, and the plot is smooth, instead of making jokes by joking.

The visual effect is Hollywood style in the 1940s. The scenery and overall color are arranged according to the style of European stage plays. The actor's eyes switch between the actor and the killer very quickly, knowing that he is performing, but he can't refuse to be brought into the joke. Mary is like Monroe in shape and appearance, and she is an affectionate female star.

Wei Chenggong played by Wei Xiang is funny. Every little person is the protagonist of his own life. We can't choose the way of life, but we can choose the attitude of life. All kinds of absurd plots and actors' body language are facial expressions, and the constantly output lines are funny and contain philosophical meaning, which sets off the film to the highest point.

There is no traditional routine of love-hate tragedy at the end, but an open non-love ending. The fourth wall technology is also very good. Men break the fourth wall by looking at the camera and interact with the screen. This kind of stage play has only interactive fun and is skillfully used in the film. Several jokes were set off from the fourth wall.