Where is Yan Weiwen from?

Yan Weiwen was born in Taiyuan, Shanxi. /kloc-joined the provincial song and dance troupe at the age of 0/3,/kloc-joined the army at the age of 0/5. This singer, who now takes singing as her lifelong career, spent nine years in dancing in her initial artistic career. When he found the artistic orientation of singing, he began to adjust himself and insisted on going on. He studied under Wei, Jin, Cheng Zhi, etc. And successfully combined national singing with western singing, forming a unique artistic style. His pure and bright timbre, wide range like the sea, fluent voice like a spring, simple and sincere feelings conquered many audiences. He recorded theme songs and episodes for more than 40 TV dramas and TV musicals, such as The Last Emperor, The Master of the Sea Lantern and The Warrior. Audio-visual publishing houses in Beijing, Shanghai, Guangzhou, Shantou and other Chinese record companies have produced solo albums for him, such as One Book in Two Places, Love between Mother and Child, Emei Restaurant, Honestly, Northeast Folk Album and so on. In these four solo albums, many of them were first sung by Yan Weiwen, which was appreciated by the audience and experts. His Shanxi folk song "Pastoral" makes people feel very rustic. And "Fenhe River flows" and "People say that Shanxi has good scenery". And the taste of folk songs and the spirit of the times are just right; Shaanxi folk song Sacrifice Spirit, Tibetan Spring on the Plateau and Sichuan Emei Restaurant all push the singing skills of all kinds of folk songs to the extreme.

In recent years, Yan Weiwen has sung three songs, one is Little White Poplar, and the other two are Speak from the Heart and One, Two, Three and Four. In the army, these three songs are similar to Guerrilla Songs and Shooting Songs in the 1950s and 1960s. Everyone can sing and everyone loves to sing. In the vocal competition of many professional or amateur singers in the army, there are often many singers who choose to sing these three songs. Sometimes four or five people choose to sing these three songs at the same time in a game. The popularity of these three songs has a very important reason besides the contribution of lyrics and composition. First, Yan Weiwen sang these songs and persistently spread them to the hearts of the audience and cadres and soldiers through various media means such as television, radio and stage. His unique and artistic singing charmed many audiences. When singing these songs, many singers tried to imitate Yan Weiwen in voice, articulation and action performance, which shows that Yan Weiwen's singing skills have been recognized by the audience. When performing in Canada, a local vocal music professor could not help but marvel at the singing level of eastern singers: "I didn't expect China folk singers to have such a good foundation, such a good breath and such a * * * voice."

Yan Weiwen has great ambitions for China's national vocal music. He once said: "National music has a broad and profound mass base in China. However, with the development of the times, the art of national vocal music must also keep pace with the times. I will never abandon the national things, take root in my homeland forever and make my own contribution to the prosperity of national vocal music. "

Yan Weiwen has been practicing like this since she set foot on the music scene.