The Realistic Information of The Sad Lamb

What do you use instead of lamb sacrifice? You sacrificed your career, but you lacked love for your family and children? Are you sacrificing health and sleep for desire? Are you sacrificing friendship and love for a more perfect self?

In China's paintings, the sheep is a tribute of barbarians, a three-yang, an idyllic poem, and almost never shows the characteristics of personification. In the history of western art, sheep is the Pan God of hedonism, a lost believer, and the homesickness of Xia Jiaer, often entrusted with the joys and sorrows of human nature.

Sheep, gentle and cautious, have sacrifices all over the world. Sheep are equated with losing humanity, and a group of people who have lost themselves and can't be their own masters are called sheep.

There is a saddest sheep in the Bible. Its fate is in the hands of God and its closest relatives. The saddest sacrificial lamb was named Isaac. Titian, Caravaggio and Rembrandt all described the moment when he was slaughtered.

Three masters drew the same lamb.

The story of Isaac comes from Chapter 22 of Genesis in the Old Testament: God wanted to test Abraham and asked him to offer his favorite only son Isaac as a lamb for a burnt offering, so Abraham took the knife. At this time, the angel appeared and stopped him, because Abraham's fear of God had been confirmed.

In the original Bible, this cruel story of killing children is *** 19, and the most worrying one is this dialogue-Isaac said to his father Abraham, "Father." Abraham said, "Here I am, my son." Isaac said, Look, there is fire and wood, but where is the lamb for the burnt offering?

Isaac was unconscious, and the lamb was him, and his father wanted to kill him himself-"They came to the place where God showed them, where Abraham built an altar, set up firewood, bound his son Isaac and put him on the firewood of the altar. Abraham reached for the knife to kill his son. "

In many stories, why did Titian, Caravaggio and Rembrandt choose to show this scene? Because it most profoundly reflects the entanglement of human nature.

From 1542- 1544, Titian takes the picture as a look-up perspective, the mountain peaks are lowered and the sky is closer. The three characters in the painting are diagonal, which is both dynamic and epic. Abraham is like a legendary hero and a ruthless executioner. Isaac, the lamb with his head down, is just a young and naive child, as docile and naive as the ram beside him.

1603, Caravaggio's handling is more like a scene of daily life. Abraham appeared as a rude farmer, and his right hand stopped by an angel was still struggling. You can hear their conversation. In the distant view, Italy has a tranquil and picturesque scenery. By contrast, as a sacrifice, Isaac's face was distorted and his mouth was open in fear, as if he were pleading.

Rembrandt's interpretation of 1635 is more tragic than the "divinity" of religious works in the Renaissance. In his painting, the dying Isaac did not struggle, his face was covered by his father Abraham's big hand, and his white body was defenseless, like a pure lamb waiting to be slaughtered. Fortunately, angels came down from the sky and woke Abraham.