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The following is Qiong Yao's personal information:

Name: Qiong Yao

English name: Qiong Yao

Birthday:1April 20th, 938

Constellation: Taurus

Height:155cm

Education: graduated from high school.

Marital status: married

Favorite season: autumn

Favorite animal: dog

Favorite country: People's Republic of China (PRC).

Hobbies: poetry, novels, * *

Advantages: delicate feelings, beautiful writing and profound poetry skills.

Work unit: writer

Native place: Hengyang, Hunan

Formerly known as Chen Zhe, he was born in Zhajiang Town, Hengyang County. 1938 was born in Chengdu, Sichuan province on April 20th. 1949 came to Taiwan Province province from the mainland with his father Chen Zhiping. Father Chen Zhiping is a university professor, and mother Yuan Xingshu comes from a scholarly family. Shortly after graduating from high school, she got married and had children. While being a housewife, she began to try writing. Later, she entered the ranks of professional writers and entered the TV and TV drama production industry, during which her marriage broke down. The current husband is his agent and publisher and runs a family-run Crown Publishing Company. All Qiong Yao's works are produced by this company.

1947 at the age of nine, she published her first novel, Poor Xiaoqing, in the children's edition of Shanghai Ta Kung Pao. At the age of sixteen, the novel Cloud Shadow written in an adult's tone was published in Morning Light magazine. 1957 graduated from Taipei No.2 Girls' Middle School. 1July, 963, the first collection of short stories, Out of the Window, was published and appeared in the literary world of Taiwan Province Province. She has created quite a lot, including dozens of works. Many works have to be reprinted in dozens or even dozens of editions, and they are often adapted into TV dramas, which have a large number of readers in Taiwan Province Province and overseas. Especially popular with young people. Qiong Yao's works include: Cutting Homesickness (Prose), Girlfriend, Europe, The Wind Has Disappeared the Heart, Plum Blossom Branding, Burning Firebird, People in the Tianya, Xue Ke, Wangfu Cliff, Lights Last Night, Meeting and Parting, and Asking the Sunset.

1942 moved back to his hometown in Hunan with his family, and then moved back to Sichuan due to the outbreak of War of Resistance against Japanese Aggression;

1947 The family moved to Shanghai and published the first novel "Poor Xiaoqing" in Shanghai Ta Kung Pao;

1949 moved to Taipei City, Taiwan Province Province, where his father taught in the Chinese Department of Normal University and his mother taught in Jianguo Middle School.

1959 get married;

1963 published the novel Out of the Window in Crown magazine, and soon published a solo book, which is the first book published by Qiong Yao.

1964 divorce;

1965' s works were put on the brocade screen for the first time, including Cousin's International Nuclear Accident Grade, Tusi Flower, Misty Rain and Mute Girl's Love;

1968 set up Firebird Company to shoot "Full Moon West Building" and "Stranger" (adapted from the novel "Lucky Grass");

1976 set up superstar company;

1979 married Ping;

1985 published Europe, the only novel without parents;

1986 launched the TV series "Several Sunset Red";

1988 returning to the mainland for the first time;

1990 published the first historical costume novel "Xue Ke";

Qiong Yao's novel career

Speaking of love novels in Hong Kong and Taiwan, Qiong Yao is indeed a "brand" spanning 30 years. In fact, since her debut novel Out of the Window was published in 1963, it has established her important position in love novels.

Qiong Yao's novels can be divided into three periods: the early novels include Out of the Window published by 1963 and Moist White Fox published by 197 1 year, which are mainly short stories of ancient people's love developed from China's folklore. The mid-term novel begins with seagulls flying and burning! Firebird, a love novel set in contemporary Taiwan Province Province, has a happy ending except I am a cloud. The later "Xue Ke" was created and published in the 1980s, and the background of the novel moved back to ancient times, trying to cope with the changing love views of urban men and women, and trying to get rid of the fate of early tragedies and the happiness story formulated in the middle.

Several Sunset Red is an important work in Qiong Yao's novel creation, in which time and space are interlaced, there are many characters and the plot is complex, which can best represent the characteristics of love and affection. The two story lines took place in Chongqing during the Anti-Japanese War and Taipei in the 1960s. The first story is about the young age of the heroine Zhu Meng. She fell in love with Kunming college students, and many gripping stories happened because of her mother's opposition. Finally, I married He. And settled in Taipei. The second part of the novel is the love story of Zhu Meng's daughter Xiao Shuang. Wei, his lover, is He's nephew and works in He Kai's company. Since then, a series of old hatreds and new worries have been intertwined. Finally, he had a lover with Wei and stayed with Mingyuan, while he lived in seclusion in the mountains.

The content and structure of this work are similar to the mode of TV series, that is, the plot is complex and the climax is repeated; Emotional expression is strong and exaggerated; The relationship between characters is entangled because of family grievances; The misunderstanding between people leads to all kinds of lifelong regrets and grievances; The secret and mystery of the protagonist's life experience, as well as war, separation and reunion, are undoubtedly the "basic elements" of popular drama.

To sum up, in Qiong Yao's love kingdom, love is the source of nourishing and inspiring women's self. Without love, a woman's self will wither. In this case, Qiong Yao's female image inevitably appears passive and negative. In fact, during the May 4th Movement, the concept of "love" was a public ideology, which mainly rebelled and challenged the patriarchal system in China, but in Qiong Yao's romance novels, it was completely private. However, this dream world has been pushed to the extreme by the help of its ideology, which has reversed the rights and obligations of the upper class and the lower class in the patriarchal family, so that parents or men with resources and strength can devote themselves wholeheartedly to their children who have nothing, especially women, under the emotional moral call. This is also the spirit of romance novels.

All Qiong Yao's works so far:

Outside the window, lucky grass, six dreams, misty rain.

Tussah flower, sunset glow, tidal sound, boat.

Purple shells, cold smoke and delicious food, the full moon in the West Building, and Feng Chun.

Clouds are rolling, the courtyard is deep, the milky way is boundless and watery.

White fox, where seagulls fly, Qian Qian knot, curtain of dreams.

Waves, blue sky, girlfriend, by the water.

Qiu Ge, the person at the end of the world, I am a cloud, moonlight and a bird.

Wild goose in the forest, a red bean, rosy clouds all over the sky, and marigold.

The clothes of dreams come and go, but they go to my heart and ask the sunset.

"Burn it! Firebird, last night's lamp, in a hurry, in a hurry, a burning paradise.

My story, Europe, uninterrupted nostalgia, Xue Ke.

Cliff in Wang Fu, grass by the green river, plum blossom brand and ghost husband

Water, crescent moon, smoke lock building.

The first part of Princess Zhu Huan, one third, one third, one third, two seconds, Princess Zhu Huan is in hot water.

Princess Zhu Huan, part one, part three, the truth comes out.

Heaven has tears and no words to ask heaven.

"There are tears in heaven, love and hate must be millions" and "There are tears in heaven on earth"

"Princess Zhu Huan Part II, One of the Five Storms Comes Again" and "Princess Zhu Huan Part V, Two Life and Death Commitments"

"The fifth part of Princess Zhu Huan is full of sadness and joy" and "The fifth part of Princess Zhu Huan is wandering around the world"

Princess Zhu Huan, five of the five worlds of human friendship.

Princess Zhu Huan Part III Heaven and Earth I, Princess Zhu Huan Part III Heaven and Earth II.

Princess Zhu Huan, Part III Heaven and Earth.

Qiong Yao is from The Book of Songs.

The Book of Songs Feng Wei Papaya

You give me papaya. I'll pay for Joan.

Not to thank you, always cherish your feelings.

You want to send me a peach, and I want to give it back to Qiong Yao.

Not to thank you, always cherish your feelings.

You give me wood, and I'll take Joan Jiu in return.

Not to thank you, always cherish your feelings.

Annotation of works

Precautions:

Qiongju: the floorboard of beautiful jade and beautiful stone.

Bandit: No.

Interpretation of papaya

In the Book of Songs, the phrase "Give me a peach, give me a plum" has become an idiom for later generations, meaning to give the other party a reply and return it with courtesy. Comparatively speaking, although there is an idiom "throw a papaya (peach, plum) back (Yao, Jiu)" in papaya articles, the frequency of using "throw a wood back to Joan" cannot be compared with "throw a peach back to plum".

For such a well-known pre-Qin poem with uncomplicated sentences, there are as many as seven explanations of its theme throughout the ages (according to cutie's statistics in the Collection of National Styles), which is really interesting.

Modern scholars generally say that it is from Zhu Xi, and more clearly point out that this poem is a love poem. In all fairness, it is precisely because the text semantics of a poem is very simple that it is possible to explore its theme with greater freedom, just like the smaller the connotation of a concept, the greater the extension. Therefore, it is not advisable to deny a theory easily. The author thinks this is a poem that expresses deep affection by giving and answering.

The poem "Papaya" is very distinctive in both text and sentence structure. First of all, there is no typical sentence pattern in The Book of Songs-four sentences. This is not that you can't use four words (if you use four words, it will become "vote for my papaya (peach, plum) and report it (Yao, Jiu); Bandits think that the prince is good and the water is good, but the author intentionally or unintentionally uses this sentence to create a kind of ups and downs, which is easy to achieve the effect of singing with emotion. Secondly, statements have a very high degree of coincidence and overlap. Don't say that the last two sentences in each chapter are exactly the same, even the first two sentences are only one word apart, and although the meanings of the three words "Qiongju", "Qiongyao" and "Qiongjiu" are slightly different, the three words "Papaya", "Mutao" and "Li Mu" belong to the same genus according to Li Shizhen's Compendium of Materia Medica, and the differences between them are roughly the same. In this way, we might as well say that the three chapters are basically repetitive, and such a high degree of repetition is not much in the whole book (The Book of Songs). The format looks like the music of Three Chapters of Yangguan written by Wang Weishi in Tang Dynasty, which is naturally determined by the duality of music and literature in The Book of Songs.

You give me fruit, and I'll give you jade in return. Different from "returning a peach to a plum", the value you return is far greater than the value you get, which reflects a noble feeling of human beings (including love and friendship). This kind of emotion focuses on soul-to-heart, which is a spiritual fit. Therefore, what you give back and its value are actually symbolic here, which shows the value of others' good feelings for yourself, so there is a saying that "bandits repay you" "Give me papaya (peach, plum) to repay you with (Yao, Jiu)", and its deep meaning is: Although you give me papaya (peach, Mei), your affection is more expensive than (Yao, Jiu); I can't thank you enough for repaying you with (Yao, Jiu). The author is broad-minded and has no intention to measure the thickness. What he wants to express is that cherishing and understanding the affection of others is the noblest affection.

Thoughts after reading: The idiom "reciprocate a peach with a plum" should be related to the idea of this poem (this idiom also comes from "restraint" in Shiya), but the return is more valuable and emotional. This poem is about two of a kind.

One-sided politeness cannot last. This is the custom and rule of our etiquette country. This is the general communication, and so is the communication between men and women. In the communication between men and women, it is not only a common courtesy, but also a ceremony. The value of the gift itself is no longer important, but the symbolic meaning is more prominent to show mutual commitment, two of a kind.

We don't know whether westerners have this tradition, but we read this story of "returning the favor" from the novel The Gift of the Maggie by American writer O Henry, but it is full of tragedy.

Nowadays, we don't seem to pay much attention to ceremonies. In fact, ceremonies play a very special role in our lives, just as we can't lack sunshine and air. Ceremony is by no means an empty form, it is always associated with a specific meaning. The communication between men and women can be simplified to unnecessary forms, but there must be a ceremony of "returning the favor".

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