Correggio's masterpiece.

2. Van Yi's fable

3. Venus Setter and Mibit

4. Portrait of a young man

5. Mysterious wedding smoke between Saint Catherine and Saint Sebastian.

6. Christ left the Virgin Mary

7. Our Lady of the Bastille

8. A good prostitute

9. Love series

Raiguel Correggio (Correggio)

Colegio (My Youth: Self-portrait) was originally named Antonio Regel. In order to commemorate his hometown, he took his hometown town as his stage name-Colegio.

Colegio studied Qiao Erqiao's unique scene fusion painting in his early years, and later studied Da Vinci's shading method. It is said that he had painstakingly copied hundreds of works and finally formed his own charming style.

Colegio is good at expressing themes with light and color, creating new techniques that have never been seen since the Renaissance, especially with color. He is in front of giorgione. His paintings are full of changes in light and shadow, with a warm and peaceful impression. Compared with Finch's hazy mystery, it can be said that it is the mystery caused by magnificent colors.

We were surprised to find that the colors, distinctive styles and vivid styles of many of his works were absolutely second to none during the Renaissance. Compared with other painters, Colegio's paintings are more acceptable to people with modern orientation today. These works are regarded as a book of color painters' challenges to Florence stylists, which truly declares the emergence of another mainstream in the long river of painting-color school.

Colegio has a unique experience in shaping women. Many female painters in the Renaissance were plump and energetic girls (haha). Colegio broke through this style and created a lot of femininity different from Raphael and Botticelli's charming beauty (needless to say, Venus in little love god's education and Venus in Mars' myth are all feminine like women; "Reading Spot").

Colegio has a special liking for the scene of rural life (Sangalli's wedding: the Bible records that Galina of Alexandria had a dream that the virgin was holding a baby and Jesus wanted to marry her as his bride) and the style of home life (Sancta familia). He abandoned the traditional practice of preaching first-he boldly indulged in the creation of human love.

The Birth of Jesus (Night) and The Worship of the Virgin by Infants are different works with the same theme. We are moved by it in the soft, ethereal, swaying and ethereal light and shadow, in the gentle, affectionate and delicate face, and in the elegant and dreamy colors.

Another artistic achievement of Corghi Ou is that he created a large number of paintings with the theme of love stories in Greek mythology, which created a precedent for this style in the art world. These works mainly focus on Zeus, the main god in Greek mythology, and show his love, sadness and joy with many human women.

In Greek mythology, Zeus was an affectionate god king, who often lusted after the beauty of the world and provoked doomed love: he was attracted by the beauty of Princess Rita of Sparta and became a swan, and gave birth to the essence of ancient Greek beauty-Helen (Rita and Swan); He became a monster, and fell in love with Imo, a cowherd girl, which brought great disaster to the girl (IO). Turn into an eagle, take away the beautiful boy Gunned, and take him to the sky to be a waiter at the banquet ("Gunned"); When the beautiful woman Antiopi was asleep, she secretly met and gave birth to the famous twin brother (later Gemini) (Antiopi).

The painter tried his best to condense these plots into one point, focusing on these women who were conquered by magic. They look afraid (more benign-not women) or dreamy (moths); Or love (Lida), or sleep (Antiopi). From this point of view alone, artistic imagination is by no means ordinary.