Fortune Telling Collection - Horoscope - This 16-year-old Qing drama, starring newcomers in their early twenties, achieved classics with Yan value acting.

This 16-year-old Qing drama, starring newcomers in their early twenties, achieved classics with Yan value acting.

Qing Palace drama can be said to be one of the most popular TV dramas at present, from the Hong Kong drama War and Beauty broadcast in 2004, to Walking on Thin Ice broadcast on 20 1 1, The Queen of the Palace broadcast on 20 12, and then to the hit "On 20 18"

When it comes to the classic repertoire of the Qing Dynasty, we have to mention the Young Emperor, which started broadcasting in 2003. Douban scored as high as 8.5 points.

The drama tells the dramatic life of Shunzhi, the founding emperor of the Qing Dynasty. He ascended the throne at the age of five and died at the age of twenty-four. The actor Shunzhi was played by Deng Chao, the super brother who had not taken the teasing route at that time. As a newcomer, his performance in the play is remarkable. He described a smart, studious, ambitious, self-abased, cowardly, sensitive and suspicious young son of heaven.

The popularity of the play made Deng Chao well known to the audience, and the profound interpretation of the role also made Deng Chao an "emperor professional household". Later, he played different emperor roles in Young Kangxi, The Best in the World and The Storm in the Late Ming Dynasty.

When it comes to the drama of the Qing Dynasty, it is essential to have a palace fight. In the harem, the concubines and nobles turned against each other in order to please their sisters, poisoned and framed them, and drugged them for abortion, all of which were common scenes in the Qing palace drama. However, in The Son of Heaven, there are few such female fights.

Hao Lei's ruined Fei Jing can be said to be the most worrying female character in the play. She married into the royal family with a noble and arrogant surname, but it became an inevitable tragedy because of irreconcilable contradictory background and arrogant temper with low emotional intelligence.

She is mean and stubborn, and even has no fear of Tian Zi's own husband. It is precisely because of this detachment that Shunzhi is pushed further and further.

And such a role, an unruly wayward and even a vicious waste, can make people so loved and heartbroken. Hao Lei's interpretation makes the role full, and makes the role and herself.

Yang Rong plays Tong Fei, but there is a tragic character in the play. Compared with the queen who has never been loved by the emperor, Tong La Yue's extreme love from the beginning to the fall from grace behind can be described as an experience from heaven to hell. If it will eventually be lost, isn't it more gratifying from the beginning?

Tong Fei, who fell out of favor, finally couldn't bear loneliness and came together with Wu, the old eunuch around Shunzhi. Wu expressed her willingness to do her best to help her son ascend to the throne, but she didn't have sex for many years. She was willing to be caught by the old eunuch and stick her cheek on each other.

/kloc-now, 0/6 years later, Yang Rong, 38, still has a good feeling of girlhood, which can be described as a skill in studying in the United States. Yang Rong, who was watching the drama in those days, also lamented that youth is really capital and a beauty with a full face of collagen.

Huo Siyan plays Wu Yunzhu and Dong E Fei, who came from a family of military commanders in the Qing Dynasty, and their mother was a talented woman from a family in the south of the Yangtze River. Under the careful cultivation of her father, she became a legendary woman who combined beauty and literary talent.

After experiencing an overbearing queen and a bunch of flowers lacking talent, Shunzhi thought that he would never meet true love again, but Wu Yunzhu's appearance made him fall in love with his talent and beauty and became the love of his life.

Wu Yunzhu also secretly promised Shunzhi's heart, wanted to marry him as an alternative for a woman to enter the palace, but mistakenly married Shunzhi's half-brother.

The unscrupulous pursuit of Shunzhi finally won the beauty, so Wu Yunzhu was favored in the harem. She and Fu Lin two of a kind, although there were many concubines in the harem, never changed Fu Lin's love for her. There was no choice but to marry the emperor, and she became a victim of politics after all.

Wu Yunzhu's death also became the last straw to crush Shunzhi. After the departure of someone close to him, the teenager finally became disheartened and chose to become a monk.

The bouquet played by Cui Bo was Fei Jing's maid when she was queen, and it came from the bottom of Manchu Dynasty. Modest personality, like sisters with the queen. Because of Shunzhi and the queen's anger, she was honored as a noble person. However, she was born too lowly and educated too shallowly, and was doomed to be difficult to please the emperor.

The success of the play, in addition to the excellent script and director, also benefited from the excellent performance of the actors and characters. At that time, the average age of the leading men in the play was in their early twenties, and they were all newcomers who just debuted, but they could accurately grasp the emotional changes and inner fluctuations of the characters.

And Pan Hong, Cai Feihe, and other old operas are the icing on the cake, which makes the play more full and rich.

The success of a drama is by no means accidental, but the success of Young Emperor, as a model of drama in Qing Dynasty, is the result of the efforts of all creators. Have you seen this drama of the Qing Dynasty 16 years ago? Which character or plot impressed you the most?