Who can give me the preface written by Gu Long himself in front of the book Tianya Yueming Dao?

I don't know if it's this song, to pay tribute to Mr. Gu Long.

Forever Gu Long (Preface to Zhuhai's New Gu Long Works by Liqun Luo)

In the history of China's martial arts novels, Gu Long's name is like a shining star, radiant and dazzling. Although Gu Long's life is short and fleeting like a meteor across the sky, his works are as dazzling and brilliant as stars.

Jin Yong and Gu Long, which is better or worse, have been arguing endlessly about "gold fans" and "ancient fans". Jin Yong's internal strength is profound, and Gu Long's moves are strange; Jin Yong's works are heavy and Gu Long's works are ethereal; Jin Yong's works are profound, while Gu Long's works are romantic. Some people compare Jin Yong and Gu Long to Du Fu and Li Bai in the history of poetry. Du Fu is regarded as a "poet saint", and his works are all complete, profound and dignified. "The earth inherits the sea and is eclectic" (Hu Yinglin Review). Li Bai, known as the "Poet Fairy", is fantastic, imaginative and witty, which is incredible. Jin Yong is Fu, and Gu Long is like Li Bai, which is a pair of stars in China's martial arts history.

Seek innovation, change and breakthrough.

Taiwan Province critic Hu said: "There was no new school before Gulong." He believes that the real new martial arts novels should start with Gu Long, and Liang Yusheng and Jin Yong before Gu Long did not break away from the traditional routine. Although this view is absolute, it is not unreasonable.

Compared with the old martial arts novels of the Republic of China, the works of Liang Yusheng and Jin Yong are also striving for innovation and change, especially Jin Yong, who are constantly seeking breakthroughs. However, their works still belong to the inheritance and development of traditional forms as a whole, and they are still pursuing and expressing familiar cultural atmosphere, literary style and aesthetic style. Gu Long is different. His creative aim is to be innovative, changeable and realistic, and he is not bound by any rules and regulations. He gave an all-round "self-expression" from many aspects, such as style, language, martial arts routines, characterization, pursuit of artistic conception and aesthetic taste. His novel text not only provides a new standard sample for martial arts literature, but also opens a new reading world for readers.

Gu Long has a very clear creative concept. He said: "Martial arts novels have indeed fallen into a fixed form. If this form is written too much, it will become a cliche and a formula. " "If you want to change, you must innovate, you must break through those old fixed forms and try to absorb them. ..... Who stipulates that martial arts novels must be written to be' authentic'! Martial arts novels, like other novels, are successful as long as they are attractive, inspiring and inspiring! " Gu Long practiced, showed great enthusiasm and made great efforts. Throughout the world's new martial arts novel writers, except Gu Long, no two people are so persistent, so consistently seeking innovation, change and breakthrough! Gu Long's success is by no means a fluke. His success, in addition to his talent and talent, is more important, which is the valuable temperament of being uneasy about the status quo, being brave in exploration and striving for innovation.

Poetic and ethereal language

Gu Long's achievement is to create a unique style, and the most shining and core element in this style is language, and Gu Long's novels have unique language characteristics.

The language of Jin Yong's novels is elegant and dense, while the language of Gu Long's novels is enthusiastic and jumping.

The long and short sentences in Gu Long's novels are interlaced, distinct and lively. Read it in one go, with great momentum and full of charm in prose. Gu Long consciously introduced poetic elements in many paragraphs and scene descriptions. Even when characters appear and fight, Gu Long shows a poetic thinking, relying on images and emotional tension permeating between the lines.

Yujing is not in the sky, but on a horse.

His saddle is very old, his boots are as old as scabbard, but his clothes are brand-new.

The scabbard tapped on the saddle, and the spring breeze blew on his face.

He feels very happy and comfortable.

-"eternal sword"

It's windy

The wind blew up Feng Wang's clothes.

The cold wind is gloomy, but it doesn't feel cold when it blows on you.

It's foggy.

The mist floating around Feng Wang didn't obstruct his sight. -"Blood Parrot"

This description has poetic melody, prose charm, vivid picture and ethereal artistic conception. It is no exaggeration to say that it is a prose poem. The flexible use of poetic language is the most attractive place in Gu Long's novels.

In addition to poetic language and artistic conception, there are many wonderful and amazing quips in Gu Long's novels, which are extracted from repeated chewing on life situations and interests and can be read as life maxims.

Everyone has weaknesses. As long as you know their weaknesses, anyone can take advantage of them.

No matter how tortuous and bizarre, you will find that it is not as complicated as you think.

Since ancient times, no matter who wants to stand on the highest mountain, he must first learn how to endure loneliness.

With such rich, vivid and profound quips, Gu Long writes at will anytime and anywhere in the narrative of the novel, which can prove Gu Long's profound understanding of life and human nature, profound experience of life and life, clever language expression and emotional catharsis in the creative process.

A bizarre plot

The plot of the novel is the development history of the characters, the relationship chain between the development of things and the characters in the novel, and an important element for readers to relish and the success of the novel. Famous novelists are skillful weavers of plots, and Gu Long is an excellent master of plot setting.

Suspense setting and surprise are important features of the plot of Gu Long's novels. Chu Liuxiang Series, Lu Xiaofeng Series, Blood Parrot, Wind-bell Knife Sound and Xiao Li Flying Knife Series are full of suspense, which makes people unable to see clearly and guess. Gu Long seized the reader's curiosity with suspense. Gu Long reveals suspense and shows readers the uncertainty and causality of events. In the process of answering suspense, all kinds of characters and forces contain each other, causing conflicts and promoting the plot. Readers also break through the fog and get out of the predicament, gaining great aesthetic interest and reading pleasure.

Gu Long is an expert in arranging stories. He created many incredible stories, the development and ending of which were often unexpected. Who would have thought that the real murderer in The Scent of Blood was Chu Liuxiang's best friend? Who would have thought that Ling Yufeng, the god catcher in Falcon, was actually a member of the killing group? Who would have thought that Xie Xiaoyu, a gentle, quiet and beautiful girl with a machete at the full moon, was a monster? Who would have thought that the demon legend in Blood Parrot would have such a complicated relationship and such a tragic ending? But in Gambling, the plot is cheated, the truth is cheated, the truth is hidden in the fake, the truth is hard to tell, and the unpredictable plot evolution and story ending are even more unexpected. Unexpected and reasonable, this is the winning secret of Gu Long's novels to win readers.

Most of the stories in Gu Long's novels have no historical background. Some people think that this is "ignorance", some people think that this is caused by the ethos of Taiwan Province Province at that time, and I firmly believe that this writing is Gu Long's free and unrestrained personality choice. In this historical blank story, Gu Long pays more attention to the development and conflict of human nature and the instinctive state of life. When we are immersed in the story atmosphere created by Gu Long, climbing the strange peaks, trudging through twists and turns, feeling strange and experiencing fear, we can also feel the author's complaint about the injustice of the world and his cry for natural humanity. We even feel that the whole story is like a fable, showing the eternal essence of life.

The story of Gu Long's novels is peculiar and profound, not only beautiful, but also intriguing.

Simple and invisible martial arts

Different from the martial arts routines written by Liang Yusheng and Jin Yong, the martial arts written by Gu Long are intangible, mysterious and ethereal. Xiao Li flies a knife, which is a real example; Ximen Chuixue, the sword dies; Ding Peng's magic knife, with a wave of his hand, the knife light flies up and is fleeting; Lu Xiaofeng's fingers can hold any weapon in the world, and he will never miss. ……

Laozi's Tao Te Ching says, "Elephants are invisible." Buddhism believes that all actions are impermanent, all laws are empty, and everything is legal, like a bubble in a dream. Gu Long's "no move" coincides with the cultural background of oriental philosophy.

One knife decides the outcome, and one sword twists Kun. In Gu Long's pen, there is no gesture, no unnecessary routine, and there is only one trick to win or lose. This move is the struggle of life in an extreme state, and its life is extremely intense and gorgeous. It is saturated with all the pursuit of life, and the brilliance of a moment condenses into eternity.

Gu Long's martial arts pays attention to attacking the heart. The decisive battle of the master, the temperament, mood, temper, clothing, posture, even muscle vibration and tightness, standing wind direction, surrounding environment, etc. , will have an impact on the play of martial arts, and will not tolerate any mistakes. In "The Desert", Chu Liuxiang fights with Shi Guanyin, and Chu Liuxiang intentionally breaks the mirror, making Shi Guanyin feel sorry for himself faint, and finally fails. The psychological changes of both sides become the key to victory or defeat. People who lose heart and self-confidence are bound to lose, even if their martial arts are higher than their opponents.

In the first knife of Fengyun, Gu Long believes that the highest realm of martial arts is "no one without me, I forget two things", which is the transformation of martial arts and the peak of martial arts. This transformation of martial arts is actually a manifestation of Zen. Before the decisive battle, the master looked back and practiced the mind method, hiding his heart in it, as quiet as a virgin. In fact, he is ready to hide the danger. At this time, the movement is extremely static, and the static movement is also extremely dynamic, which constitutes the mental state of the martial arts master Zen. This quiet meditation and flying life constitute the duality of Gu Long's martial arts art.

When we read Jin Yong's novels, the description of his martial arts is full, and his acrobatic career seems to have experienced various realms of life, full of incomparable excitement; In Gu Long's novels, the realm of martial arts is ethereal and tends to be simple, but it contains infinite vitality in simplicity!

A lonely and generous person

The male characters in Gu Long's works are mostly prodigals, wandering around the world. Li Xunhuan, Chu Liuxiang, Lu Xiaofeng, Jiang Xiaoyu, Ichiro Xiao, Fu Hongxue, A Fei, Ma Rulong, Ying Bu, Hu Tiehua, Ding Peng, Wang Feng, etc. They all lost their lives and experienced bitterness, aloof personality and lonely feelings. They are either not understood by the world, or framed by the wicked, suffer injustice, have families, lack warmth, and bear the eyes and storms of the world alone. They are outcasts of secular society and rebels in the eyes of the world.

Despite their misfortune and tragic fate, they are born with pride and strong will. In the face of framing and discrimination, they hide their suffering in their hearts, endure it silently and wait patiently for the opportunity; In the face of difficulties and strong enemies, they are indomitable and calm, and respond with great courage and superhuman wisdom. They are the strong men of life, the masters of fate, the warriors who resist the darkness and the heroes who call for justice.

Due to injustice and lack of warmth, most of the protagonists in Gu Long's novels are depressed and lonely, but they are not pessimistic about the world and still cling to their spiritual home. They are tolerant, selfless, compassionate, affectionate, friendly and moral. They treat their friends sincerely and promise their friends things, even if they are invulnerable, they do not hesitate to practice their promises. They show the most beautiful and charming qualities of human nature.

The heroines in Gu Long's works are all gorgeous and sexy. The characters in the book often sigh: "I have never seen such a beautiful woman in my life." Shen Bijun, Su Rongrong, Linglin Ding Feng Siniang, Butterfly Dance, Su Ying, Lin Xianer and Shangguan Xiaoxian are all such beauties. They are quiet, gentle, noble, lively, pure, kind, mysterious or provocative. In a word, the women in Gu Long's works are poetic and idealistic. They are like a ray of sunshine, bringing warmth to readers; Like the sea, it adds mystery to the story; Like a beauty, like a real illusion; Like a bunch of flowers, the fragrance is attractive. Beauty cherishes heroes, and beauty values heroes. They dare to love and hate. They are clear-minded, gentle and delicate. Even if they are villains, they are scheming, vicious and beautiful, we can't hate them. Because when Gu Long described their bad behavior, he often touched their emotional depths and showed readers their helpless and miserable mentality, which aroused our little sympathy. The female images in Gu Long's works are the true expression of the prodigal son's feelings.

The most disgusting thing in Gu Long's works is the gentleman like Lian and Liu Ruosong. They are well-born and gentle, but they are treacherous and insidious. Under the mask of benevolence and morality, they secretly engage in male thieves and female prostitutes, and they hide their sinister intentions in the illusion of being enthusiastic about helping others. The appearance of this kind of character in the book is Gu Long's warning to kind people, exposing the falsehood of society, and containing valuable life truths.