An Analysis of the Fate of Twelve Women in Jinling

A Dream of Red Mansions depicts a real and living feudal family. Everyone in it has a different personality, so it is difficult for you to measure it with the general concept of good guys and bad guys. In this character platter, I think the most difficult thing to understand is "Touching White"-Xue Baochai.

Xue Baochai's "cold" outside and "hot" inside reveal a very important personality characteristic. This character is reflected in her hypocrisy and sophistication in dealing with people.

Xue Baochai's overall impression in Jiafu is that she is "open-minded and keeps up with the times", and she is more popular than Daiyu.

Baochai is also very kind. For example, she helped Xiangyun take on the job requested by Aroma, which lightened her burden. There is also Shi Xiangyun's enthusiasm for running a poetry club. Knowing that she can't be the master at home and that "one month's money is enough to spend", Xue Baochai gave her advice and got a few baskets of fat crabs from Xue's house to make the poetry club lively and save money. Besides, Baochai was very kind to Xing Xiuyan in secret, keeping it from Mrs. Xing, so as to avoid people gossiping. Isn't it kind to do good without leaving a name?

As a girl, Xue Baochai was also under the pressure of feudal ethics, and her fate could not be independent. She was also a victim. The author sympathizes with her first, and is very sympathetic to her. Like all the girls in the Grand View Garden, she is also a "life without happiness" person, and the author also put her in the book "Misfortune Department". She loves Jia Baoyu, but she dare not disobey her surroundings. She only dares to make a confession evasively. In fact, she is a fish swimming at the bottom of the pot, but she regards boiling water as spray and welcomes it everywhere, hoping to gain benefits from it. "Every word is meticulous, and ten years of hard work is extraordinary." -Cao Xueqin called the work she cultivated with blood and tears A Dream of Red Mansions, which shows the author's deep sympathy for her.

Jia Yuanchun:

Jia Zheng and Mrs Wang's eldest daughter. Raised and raised by Jia Mu since childhood. As the eldest sister, she taught Baoyu to read and write when he was three or four years old. Although they are sisters, they are like mother and son. Later, because of her filial piety, she was elected as a female official in the palace. For a long time, it will seal the date and the history, and add the virtuous and virtuous princess. The Jia family specially built a villa for mothering, and welcomed her to mothering. The luxury of this villa is so high that even Yuan Chun thinks it is too luxurious and expensive! Yuan Fei was confined in the palace, although she brought Jia Fu "full of flowers and oil". When visiting relatives, she talked and cried, describing the palace ouchi as a "shady place" with no interest at all. After the mothering, Yuan Fei never had a chance to leave the palace, and then died of a sudden illness.

Jia Yingchun:

Yingchun has no maternal love since she was a child, and she is weak and lacks literary talent. Seventy-three times her wet nurse broke the law and was scolded by Mrs. Yun, which showed that she could not get sympathy and warmth. At the age of 79, she wrote that her father decided to marry Sun Shaozu, a very miserable guy, and she was tortured. According to Yingchun's judgment, "it takes a year to go to a golden boudoir", she should have died soon after marriage, and continued to write that she died at 109. After Yuan Chun's death, it was different from the author's original idea. Among the children in the Grand View Garden, Yingchun was the first to reveal her tragic fate. Her marriage makes the Grand View Garden even more desolate, which is reflected in Baoyu's sadness.

Later, it was written in the book that she married Sun Shaozu, a native of Tongzhou, who was an officer and is now a commander. The man, nicknamed "Zhongshan Wolf", is a sadist who indulges in luxury and debauchery and abuses women. Poor Yingchun, Mrs. Jin, died in just one year under the torture of fists and feet.

Jia Tanchun

Tanchun is the most capable, intelligent and beautiful of all sisters. The humble position of concubines can't stop her from being strong in this noble family. Although literary talent is not as good as Xue and Lin, I can still cope with the past. Her eloquence in the debate, her decisive personality and her ability to read and read are her most outstanding performances. Tanchun's verdict shows that she later married Haiyue, and the sequel is slightly different, but it did not greatly destroy the original image. According to the verdict, "born in the last days", Tanchun's concubine status has made her unable to make a difference, and she was born at a time when this big family tends to decline, so her capable, intelligent and strong heart has formed an irreparable contradiction with her doomed fate. In this sense, Tanchun is the most successful model created by the author.

Jia Xichun:

Xichun is the youngest of the four seasons. When she appeared, the author described her as young and did not change her young image in the following plot. She didn't take part in the poetry reading activities of her sisters, but the 42 paintings in Grand View Garden were specially written for her, which shows that she knows the art of painting. Xichun's visit to the Grand View Garden shows her lonely and determined character. In this incident, all the people sideways showed their own personality characteristics. Unlike Yingchun's cowardice, Xichun showed a very calm personality at an early age. It's just that this calmness is a kind of abandonment and escape from reality. This feature of her finally made her have a more positive performance after 80. During the funeral when she was seriously ill, she and Feng did housework together. She is often with Miaoyu. Miaoyu was robbed and finally made up her mind to cut her hair and practice. The result of Xi Chun's becoming a monk in the end has been clearly written in the verdict of twelve women in Jinling. "After three spring, all flowers are gone." Cherish spring is the last one to end, so the carefree days of these sisters are gone forever.

Wang Xifeng:

In A Dream of Red Mansions, the author created a negative image of success, that is, Xifeng. In her body, it embodies the class essence of the feudal ruling class, greedy, fierce, cruel, vicious and cunning. It can be said that through the author's successful description, readers can see the ruling class itself as well as Wang Xifeng. Unlike Jia Zheng and Wang Fu, Feng wears a mask of generosity and kindness. She didn't realize that she was doing something bad, but she was bold. She once declared that "I never believe in things circulating in the underworld, so I will do whatever I say", which shows that she dares to challenge any force that prevents her from doing bad things. In this sense, Xifeng's philosophy of life is probably the same as that of Cao Cao: "I would rather teach me to be negative to the world than to teach the world to be negative to me." But people will never confuse her with Cao Cao. At the same time, because of her greedy and vicious nature, coupled with Feng's softness and intelligence, she is good at catering to language and making herself more subtle and complicated. In the greedy pursuit of money, she really loves money like life. She wouldn't let Jia Lian usury, and even moved out the money of the servant girl every month to usury. Later, the Jia family lived on the open space, and the money was really not enough. Ji Lian asked her to ask Yuanyang, and she asked for a reward of one or two hundred and twenty silver. Even the intrigue between husband and wife shows that it was indeed a moth before the collapse of Jiafu.

The full description of Xifeng's character effectively exposed the ugliness of the feudal ruling class and the darkness of the feudal society. The author's "judgment" on Wang Xifeng is that "the authorities are fascinated and calculating Qingqing's life. My heart was broken before my death, and my sex was ethereal after my death. It is better to have a rich family, but eventually a family will die and everyone will go their separate ways. It's a waste of time to hang on to your heart for half your life: it's like swinging for three times. Suddenly like the first floor, suddenly like Yi Deng. Ah! One happy and one sad. Sighing that the world is hard to decide. " Thus, the author still sympathizes with it. The more capable Xifeng was, the more she accelerated the collapse of Jia's dilapidated building, and she herself was mutually assured destruction.

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Shi Xiangyun:

Xiangyun was born rich, long and worried, lost his father in his childhood, had nothing, and could only live a miserable life in poverty. Because her life is full of changes, her personality also changes with the change of life situation.

Because she lived in the high wall and deep courtyard of feudal rule and was imprisoned in the feudal residence like the sea, the long-term standard feudal upbringing made Shi Xiangyun accept a set of stale traditional concepts. In this sense, Xiangyun and Baochai belong to the same ideological system. When she first appeared in the front of Jiafu, she shared a bed with Lin Daiyu, but when she was invited to join the poetry club for 37 times, she was dragged to Wu Hengyuan by Xue Baochai. On the 2nd1,when she saw that Jia Baoyu wanted to eat rouge, she slapped the rouge and scolded him, "How long will it take to get rid of this problem?" From this point on, the feudal Taoist spirit of this noble girl began to appear. Then, in the tone of Xue Baochai, he persuaded Jia Baoyu to make friends with people like Jia Yucun and take the road of career economy. Xue Baochai's style of speech angered Baoyu, and immediately dismissed it as "bullshit" like Xue Baochai, embarrassing her and driving her to another room. It can be seen that in Shi Xiangyun's bones, it is still a deep-rooted feudal thought.

However, Catkin Poems at the Last Poetry Meeting, with its unfortunate experience of being dependent on others, the decline of four big families and the turmoil in the Grand View Garden, clearly shows her reluctance to the feudal class's "spring gone" and her infinite attachment and sorrow for the complete fall of Heaven. However, the biggest change in Xiang Yun's personality was in 1976. After a major change in the Jia family, she was snubbed by Baochai and realized that Xiangyun, who was in a cold world, was finally isolated from feudal forces. Together with Daiyu, she sang a lament of despair before the collapse of the aristocratic class, that is, "crossing the crane shadow in the cold pond and burying the flower soul in Leng Yue". In addition, in Shi Xiangyun, we can also see a series of following images such as "heroic and broad", "needing the scenery of the moon" and outstanding talents.

As a successful artistic model, Shi Xiangyun's dialectical character thought plays a very important role in revealing the social contradictions expressed in his works.

qin ke qing

Qin Keqing, one of the twelve women in Jinling, is Jia Rong's wife. She is the adopted daughter of camp doctor Qin Bangye, from Yangshengtang. Her nickname is Kerr, and her name is both pleasant and pleasant. She is graceful, delicate and romantic, gentle and peaceful, and won the favor of Jia Mu and others. However, her father-in-law Jia Zhen had an ambiguous relationship with her, which led to her early death.

Miaoyu

Suzhou trainer. Her ancestors were scholars and officials. Because I was sick since I was a child, it was useless to buy a lot of double bodies. "The old superstition believed that people who were doomed to disaster had to lay down their lives to become monks, and the rich bought children from poor families not to become monks." I have to enter an empty door to be healthy, so I always practice with my hair. My parents are dead, and I have two old nurses and a little girl to wait on. She is proficient in pen and ink, familiar with classics and excellent in appearance. At the age of seventeen, she went to Chang 'an to practice with her master. After her death, she was invited by the Jia family to take her hair to the Jade Temple for practice. However, she "wants to be clean, and the clouds may not be empty." The teacup that Granny Liu drank was too dirty for her, but the teacup she gave Baoyu was a green jade bucket for daily use. On Baoyu's birthday, she specially sent someone to send a copy of A Wonderful Jade Outside the Threshold, ready to knock on Chen Fang from afar. Miaoyu entered an empty net, but fell in love with Baoyu and was finally robbed. Maybe this is Buddhism's punishment for her.

Qiaojie:

Daughter of Jia Lian and Wang Xifeng. Born on the seventh day of July, Grandma Liu named her "Qiaojie". Qiaojie has lived a comfortable life since she was a child. She is the daughter of a rich family. However, Jia Fu died, and after Wang Xifeng died, my uncle Wang Ren and Jia Huan wanted to sell her to the prince as a servant girl. At the critical moment, thanks to Grandma Liu's help, she was taken out of the Grand View Garden in disguise. After marrying a landlord named Zhou.

Exposed the hypocritical relationship between people within the feudal rulers. When the dynasty was powerful, it climbed the clan and talked about relatives. When the situation is defeated, it will be swindled and the flesh and blood will be ruined; This is a naked power transaction. Qiaojie's experience is sympathetic. She came to the countryside, grew up in a farmhouse and became a village girl. Comparatively speaking, she is much luckier than her aunts.

Li Wei:

Li Wan, whose name is Gong Cai, is his wife and has a son, Jia Lan. She was born in Jinling, and her father Li Shouzhong once made a toast to the whole country. From an early age, she was taught by her father that "a woman without talent is a virtue", so that she can recognize a few words, remember several virtuous women in the previous dynasty, and concentrate on spinning and sewing every day. Jia Zhu died of illness before he was 20. Li Wan has always been a widow. Although she is brilliant, she is like a dying ember. She only cares about raising her parents, accompanying her sister-in-law and studying. She is a typical virtuous woman, a virtuous woman who abides by feudal ethics.