Liu Quanwei's Role Introduction

Film/TV director, senior film producer, founder of Shangmei Media.

Director of the working Committee of Chinese TV drama directors. I have traveled to the United States to study and study the narrative structure and production process of Hollywood films.

The director's creation is especially good at such themes as "youth fashion, modern inspirational, emotional ethics, epic biography, suspense detection".

Graduated from Beijing Broadcasting Institute, majoring in journalism, 1996 Director of Gansu TV Station. In 2000, he was hired as a producer of Gansu TV Station. 200 1, director major in postgraduate class of Beijing Film Academy. In 2004, he was transferred to Lanzhou Film Studio as a director and later worked for CCTV. In 2007, he began to direct film feature films independently, taking into account the simultaneous development of movies and TV series. Most of his works focus on promoting the theme of positive energy. The main director's works include The Whistling Youth, The Sea of Qinma Island, Dove Whistle, Butterfly Robbery, Sunshine Everywhere and so on.

The types of works are diverse, the image style is beautiful, the humanistic feelings are outstanding, and the spirit of innovation and exploration is extremely strong.

Chinese name: Liu Quanwei.

David

Alias: Jia Wei Legion

Nationality: China.

Ethnic group: Han nationality

Place of birth: Lanzhou City, Gansu Province

Date of birth: 1974 1 1 month.

Occupation: Director

Graduate school: Beijing Film Academy

Faith: works that pursue truth and transmit positive energy all their lives.

Main achievements: The works present diversified quality and exploration spirit.

Representative works: Ramen Prince, Chasing for Tea Card, Liu Luntang, Love the Sky, Dream Back to Wu Jia, etc.

Artistic expertise: calligrapher, art appreciation

Director's style: aesthetic realism, advocating humanistic feelings.

Good at themes: emotional ethics, youth inspiration, suspense detection.

Personal profile

Liu Quanwei was born in Scorpio on June 1974+0 1.

Director of the Working Committee of Chinese TV Drama Directors. Visiting Professor of West Yunnan Normal University of Science and Technology and Asia Microfilm College. The image of new media is an outstanding representative. At the end of last century, one of the earliest directors in China explored filming feature films with DV.

His personal director "Hollywood Style" is unique and distinctive. He is good at grasping dramatic conflicts and expressing the character texture in details, especially the aesthetic image style, which has been highly recognized by the industry. His works are diverse, rich in directing experience, and rich in the cultural background of his China art family.

He used to be the producer and director of many TV dramas broadcast by CCTV and Satellite TV. Directed a number of films to be shown in national cinemas and broadcast on CCTV-6 film channel; Over the years, he has also served as producer, director, executive vice president, CEO and other senior management positions in industry companies, comprehensively managing the planning, script creation, shooting and distribution of film and television projects; He is a powerful film and television producer with "literati temperament".

Chronology of works

Director/Screenwriter/Producer of the movie Chasing Love Tea Card (20 18)

The film Ramen Prince (20 18) Director/Screenwriter/Producer (a gift film for the 40th anniversary of reform and opening up).

43 episodes of Letv's self-made boutique drama "The Whistling Youth" (20 17) Director/Producer (produced by Letv Pictures/produced by Shangmei Media)

The film "Liu Luntang" (20 16) was directed by the director (a film dedicated to the 95th anniversary of the founding of the Party, shortlisted for the 26th China Golden Rooster and Hundred Flowers Film Festival, premiered on June 28th, 20 16, and starred in the key propaganda film of the Propaganda Department of the CPC Central Committee, Gao Ming and Niu _. As the protagonist).

The film "Yun Yong" (20 15) was directed (it was shown in national cinemas in September, 20/kloc-0).

The film Dream Back to Wu Jia (20 14) was directed (20 1 5 September1National Cinema).

Directed the film documentary "Heart Fire" (20 14) (Chinese Dream Theme Film Exhibition).

The 36-episode TV series Sunshine Everywhere (20 13) is directed by Gao Ming, Zhu Lin, Wu Jian and others, and is a CCTV drama.

The 30-episode TV series The Butterfly Robbery directed by Zhou Lijing, Tong Chun Chung and Tian Ye (20 12).

Constellation Equation (20 1 1) of seasonal drama is directed by Wang Xiaokun, Zhang Li and Andy. And the drama is done by LeTV).

Director of the microfilm "Which Station" (20 1 1) (the youngest microfilm about drifting north in the year, broadcast on the film channel)

Director (starring, Kim, etc. ) the movie "Great Love" (20 1 1).

Director of the film "Dove Whistle" (20 10) (main theme film, starring Lu Yuan and Fang)

Executive producer of 35 episodes of TV series "Far Mountain" (2009) (broadcast by CCTV in April 2009)

Executive producer of 25 episodes of TV series Inside and Outside Marriage (2008) (starring Vivi, Ren Quan and Lin Zhao, broadcast by Beijing TV).

Screenwriter of the film "True colors of tax officials" (2008) (second prize in the national tax literature and art works selection in State Taxation Administration of The People's Republic of China, People's Republic of China (PRC))

The film Sea of Qinma Island (2007) was directed by Wang Xiaokun, Tian Ye and others, and was shown in national digital cinemas.

20 episodes of TV series Original Sin (2006) Executive Director (starring Huang Zhizhong and Wanchen Zhai, broadcast by Beijing TV)

Executive producer (starring Ceng Zhiwei, Ceng Baoyi, Baby Zhang and He Qing) of the 20-episode TV series "Waves Beat the Tianya" (2006).

Director of TV series Love of Five Cents, Love of Father and Son, Love of Leftover Women, As long as I fall in love with you (2005)

Director of the TV movie Shambhala (2004)

Writer/Director of the 20-episode TV series Girls in the Academy of Fine Arts (2004)

Screenwriter/director of the short film Amnesia Commune (2003) (shortlisted for the first Xi 'an International Independent Film Exhibition)

In addition to the above film and television dramas, many documentary films directed and created have won awards. 1996 30 episode documentary "Flash Youth" won the "May 4th News Award" of Gansu Provincial Committee of the Communist Youth League; 1997 documentary "remember" won the third prize of 1997 selection of excellent TV programs in Gansu province; 1998 7 episodes of TV series "Brave Experience" won the silver prize in the 4th China TV Golden Boy Award; 1999 documentary "plum blossom fragrance comes from bitter cold" won the "May 4th News Award" of the Communist Youth League Committee; 1999 documentary "Love in the Desert" won the second prize of 1999 selection of excellent TV programs in Gansu Province; In 2008, he published a paper "Analysis of the Investment and Operation Status of Domestic TV Drama Industry".

Other major works include: 1998 "Spring and Autumn of Film and Television" was selected for the national radio and television system painting and calligraphy photography exhibition, and 1998 was exhibited in China Art Museum; From 65438 to 0998, he was the director of the large-scale literary evening of "The Rhyme of Spring" of Gansu TV Station; From 65438 to 0999, he served as the general director of Sunshine May, a large-scale literary evening celebrating the 80th anniversary of the May 4th Movement in Gansu TV Station. General director of Zhejiang image propaganda film in 2003; Director of the promotional film of Qinhuangdao Olympic city image in 2008; 20 10 joined CCTV's Shanghai World Expo news reporting team to shoot the Shanghai World Expo City Image Film; 20 10 filmed large-scale TV documentaries such as International Media Focus on Beijing and Impression of Beijing.

Growing experience

Born in a scholarly family, Liu Quanwei likes reading books and history since childhood. He began to practice calligraphy at the age of four and began to learn painting at the age of six, and was well educated and influenced by art. When I was a child, I was able to write dignified and beautiful brushwork with the help of Grandpa's famous calligrapher Liu Jiuchou, which laid a good foundation for painting. Han Li's square and steady structure and Tang Kai's dignified and healthy formal beauty left an indelible aesthetic mark in his growing years.

In many film and television works directed by Liu Quanwei, he personally wrote the titles.

From 65438 to 0996, he was assigned to Gansu TV station after graduating from college. After working for less than half a year, his documentary works won the provincial professional selection award. Later, in the six years of working in TV station, I directed various TV programs, documentaries, large-scale live cultural evenings, TV short plays, advertisements and so on. , has accumulated rich experience in directing. At the age of 25, he successfully competed for a job as a TV producer.

In 200 1 year, Liu Quanwei gave up his comfortable TV job and chose to study as a director at the Beijing Film Academy. During more than two years of postgraduate study in Beijing Film Academy, Liu Quanwei is eager to learn and absorb the nutritional essence of film art.

In 2004, after graduation, Liu Quanwei successfully signed a contract with Beijing Universal Television Media Company, and filmed more than 40 TV dramas for the company, which were broadcast on 80 TV stations nationwide.

20 1 1 year, when Liu Quanwei directed the most films, he decided to study in the United States.

During his years in Los Angeles, he left the domestic noise, which was the most peaceful period of his mind and had a lot of time to think about his life. I did the same thing every day in those days, watching movies, studying, writing papers and charging myself quickly.

In 20 14, Liu Quanwei finally gave up his life in the United States and the opportunity to get a green card, and returned to China to continue his career.

After 20 16, Liu Quanwei gradually took care of the production management from the beginning of the director's creation, and became the director and producer of many film and television dramas, taking full control of artistic creation and company management. Re-integrated the film and television production organization of Jingshangmei Media, and established a complete operating system from financing investment, script research and development, filming and production to publicity and distribution. In recent years, he has successfully produced and contracted a number of film and television drama projects.

Liu Quanwei is kind-hearted, soft on the outside and hard on the inside. What many partners admire most is that he has never been infected by the grandiose wind in the entertainment circle. When he is not filming, he likes to stay at home and read books and watch movies. He looks quiet, but his heart is fiery. He has experienced twists and turns and his emotions are delicate. Rich life experiences provide him with an inexhaustible source of directors.

Film and television works

The movie Sea of Qinma Island (2007)

In 2007, director Liu Quanwei filmed the first film novel "The Sea of Qinma Island" (starring Wang Xiaokun), which is a low-cost pure love literary film invested by Tianjin Film Studio. Some people compare her and Love Letter to China campus youth films.

After the film was shown in the national digital cinema and broadcast on the film channel, the response was good. The film won the praise of countless audiences and film critics with its super-beautiful picture, and also laid the unique image style of "writing movies with light" directed by Liu Quanwei. At least it was a literary film, which made money during the film depression.

The movie Dove Whistle (20 10)

On 20 10, director Liu Quanwei filmed a humanistic exploration film "Dove Whistle" with a strong literary flavor, starring the famous actor Lu Yuan, describing War of Resistance against Japanese Aggression's colorful feature film recalling the Dongjiang column. This is also an emotional film that reflects the collision, communication, integration and influence of two generations. Because the end of the film is too bloody and flamboyant, it was forcibly deleted during the review, which caused great losses to the integrity of the film. I'm deeply sorry.

The movie Great Love (20 1 1)

20 1 1 Mid-Autumn Festival, starring the famous actor and Kim, and directed by Liu Quanwei, the film "Love in the Sky" was shown in major cinemas in Guangzhou. This is a tearful and bitter drama that tells the sad story of an orphan being contested for custody by both parents with simple shooting techniques.

Constellation equation of seasonal drama (20 1 1)

20 1 1 Christmas, the first season of the online drama Constellation Equation was jointly launched on 16 video website, directed by Liu Quanwei and starring Zhang Li and Wang Xiaokun. Only three days after its launch, the total number of videos on demand of Tudou and Youku exceeded170,000, which triggered comments and reprints from thousands of netizens and triggered a wave of online topics at the end of the year.

The second season of Constellation Equation, 20 12, was broadcast online as a self-made drama of LeTV.

The first tender microfilm "Which Station" with the theme of drifting north (20 1 1)

It was rated as "20 1 1 counting the five warmest micro-movies".

Recommended index: ★★★★★☆.

Type: plot, love

Keywords: happiness, drifting north

20 1 1 year, Liu Quanwei quickly grasped the pulse of online film and television works, and successfully launched a micro-movie "Which Station", which was broadcast all over the network, causing a large number of North drift screams, and the online comments were applauded, with almost no bad reviews among thousands of comments. Liu Quanwei summed up this method as follows: the largest group should be collectively supplemented with calcium, and the warmth of attracting people's hearts should be brought into full play.

The TV series The Butterfly Robbery (20 12)

20/kloc-September/February, 36 episodes of the emotional drama "Butterfly Robbery" started in Zhengzhou, directed by, Tian Ye, Tao Zhe, Fan, Wang, Su, Pan Yan and Han Yifei. This is a theme involving the procuratorial organs in anti-corruption from the perspective of women, but the focus is still on vigorously excavating the urban emotional drama about women in the current social contradictions and entanglements, and positioning it as a romantic, aesthetic and attractive commercial drama. This is also Liu Quanwei's first TV series since he returned to China. He changed his previous aesthetic and moderate style and couldn't wait to show off the new ideas he had learned in America.

The orientation of this theme is very advanced, novel and unique. Facing the interview classes of more than 30 TV stations in China, Liu Quanwei gave them a unique director report. He introduced the idea and practical application of shooting American TV series, strengthened the plot points and skillfully designed conflicts and contradictions in suspense. Director Liu's report won the unanimous praise of the leaders in charge of the purchasing department of various TV stations on the spot, and the applause was thunderous. Coupled with Liu Quanwei's sincere and serious attitude, he immediately won the favor and attention of the publishing industry.

The TV series Sunshine Everywhere (20 13)

June 20 13, 36 episodes of TV series "Sunshine Everywhere" started in Chengdu, directed by famous actors Gao Ming, and starring, joined by powerful actors such as Wei Wei, Wang, and Tao Zhe. This is an emotional drama with youthful inspiration and positive energy, which shows the Chinese dream of three generations of electricians and is a CCTV customized drama with realistic themes.

Based on the emotional positive energy of "Youth Epic Drama", the director combined "plot suspense" with "emotional suspense" to make the drama mainstream but not dogmatic, popular but not vulgar, sensational but not overly sensational, gripping and reaching people's hearts.

The film documentary "Heart Fire" (20 14)

This is an affectionate story of mentoring;

This is a power handed down from fire;

Love, ignite the dreams of more people;

Heart fire illuminates the way forward for more people.

In this noisy film and television circle, we try our best to filter out the impetuousness of Vanity Fair and concentrate on filming this documentary, hoping that in this hot and dry city, a beautiful warmth can penetrate into the hearts of more people again and move with us.

Liu Quanwei's sincere work, 20 14, passed down from generation to generation. This is the feeling of our contemporary electric power people, seeing greatness in the ordinary and seeing the truth in the subtle.

The movie Dream Back to Wu Jia (20 14)

The film "Dream Back to Wu Jia" directed by Liu Quanwei was shown in national cinemas on September 1 2065, and the Chinese aircraft carrier Liaoning was electrocuted for the first time. This is a theme film created and filmed to commemorate the 20th anniversary of the Sino-Japanese War/KLOC-0. The film tells two touching love stories spanning a hundred years, from the Forbidden City to Liu Gongdao, one sad and the other beautiful, which reflects the grief of the Sino-Japanese War and the great changes of the home country in the great changes of the late Qing Dynasty. It also depicts contemporary people's dream of strengthening the military and Chinese dream of never forgetting national humiliation and self-improvement in the stormy world trend.

The movie Heroes of the World (20 15)

2065438+September 2005, the large-scale heroic epic film "Clouds in the Heroic World" was launched in Hulunbeier, Inner Mongolia. This is the first epic film in costume directed by Liu Quanwei. In this film, director Liu Quanwei's image expression style has matured. And formed its own unique aesthetic image style of "emphasizing artistic conception, shaping characters with light and expressing feelings with human nature". This film shows a sad picture of feud and hatred between tribes and nations on the Silk Road in the Tang Dynasty.

The movie Liu Luntang (20 16)

On June 28th, 20 16, Liu Luntang, a film celebrating the 95th anniversary of the founding of China * * * Production Party, premiered in Hubei.

20 15 15 The main theme movie "Liu Luntang" promoted by Model of the Times of the Propaganda Department of the Communist Party of China was launched in Hubei. Directed by famous actors, Gao Ming and Niu _, the film set a new benchmark for classic movies and was shortlisted for the 26th China Golden Rooster and Hundred Flowers Film Festival.

Liu Quanwei, the director of the film, tried hard to find a new breakthrough in the theme film, and finally got what he wanted, which gave the audience the most real touch. In an interview, Liu Quanwei said: In many people's minds, the theme film has a stereotype. In order to break through preaching, the director insisted on truth, let the audience find the real hero from their own lives, and strive to let the hero live by their side, not above themselves.

Opening ceremony of the movie "Flowers in the Battlefield" (20 16)

2065438+On April 25th, 2006, in commemoration of the 55th anniversary of the establishment of diplomatic relations between China and Laos, the first cooperative film between China and Laos, Zhanba Huakai, was officially launched in Beijing Film Academy. Liu Quanwei returned to his alma mater to give a speech, and planned to make a "new academic" film for Beijing Film Academy and Youth Film Studio.

43 episodes of Letv's self-made boutique drama "The Whistling Youth" (20 17)

2065438+June 2007 broadcast on LeTV, produced by LeTV Pictures and shot by Shangmei Media.

Creative emotion

1, artistic conception and tone are very important. To measure the quality of a film, we must first see whether its artistic conception and tone meet the basic requirements of the film. Usually we can compare "thick" and "thin". "Thick" is like a movie, "thin" is like TV. Artistic conception is more realized through tone. The so-called tone is actually a kind of "purification", which keeps the image and atmosphere simple and gives it a perceptual color. The image processing of the film, on the basis of not lacking modern bright pictures, strives to make it achieve a heavy metallic texture.

2. The director needs to make two points clear in his creation. One is what story he wants to tell, and the other is the way he tells the story. The former can rely on the original script as far as possible, keep the essence of the story in the script, and constantly improve the details to make the film story more reasonable and more complete. As for the latter, it is something with a sense of form. I suggest extracting it from the characterization of the main characters, which is the most important in this film creation. Enhance the texture of the film.

3. Works of art are systematic projects to create beauty. Film creation is no exception, and it will be no exception. In aesthetic sense, the category of beauty is not narrow and limited. Beauty can be shown as graceful, solemn and stirring, vigorous, and more can be shown as ordinary and ordinary. Sometimes, beauty is even obtained through comparative anatomy and reflection on ugliness and evil, especially the evil of human nature.

4. Rhythm is the pulse of the movie. Jumping fast or slow determines the life and death of a movie. Zhang Chi is moderate, fast and slow, which will lead to a strong rhythm.