What is Jiang Fengzhi's famous performer and masterpiece Autumn Moon in Han Palace?

Jiang Fengzhi is a famous erhu player. When Jiang Fengzhi was a primary and middle school student in his hometown, he learned from folk artists to play a variety of national musical instruments, and often participated in the performances of school classmates. 1927 was admitted to the Music Department of Shanghai Private Art University. In the same year, due to financial difficulties, he was admitted to the Shanghai National Conservatory of Music, where he studied pipa under Zhu Youqing and also studied erhu and piano. When I was at school, I sang Liu Tianhua's Moonlit Night solo at a concert, which was my first appearance.

193 1 year, introduced by Liu Tianhua, was employed by the Music Department of Women's College of Arts and Sciences, Peking University, and continued her studies through work-study programs. /kloc-since 0/933, he has also taught in the private Jinghua Academy of Fine Arts, Beiping Women's Teachers College, Beiping Art College and Hebei Women's Teachers College.

Playing Erhu songs "Empty Mountain Birds", "Singing in Sickness" and "Bright Walk" and Pipa songs "Xunyang jathyapple" and "Chun Xue" aroused strong repercussions. He has been a professor of folk music department of Tianjin Central Conservatory of Music, a professor and head of art department of Hebei Normal University, a professor of music department of Beijing Art Normal University, a professor and head of instrumental music department of China Conservatory of Music, and a professor of folk music department of Central Conservatory of Music.

contribution

Jiang Fengzhi recorded or recorded the following erhu tracks: Autumn Moon in the Han Palace, Fumigating Wind Song, Happy Flowers, Good Night, Singing in Illness, Birds in the Empty Mountain, Listening to Songs, Reflecting the Moon in Two Springs, Moonlit Night, etc. Pipa repertoire includes Pingsha Goose and Xunyang jathyapple.

He has been engaged in music education for more than 50 years. He not only trained a group of erhu players for China, but also taught playing skills to international friends and foreign Chinese, which has great influence at home and abroad. The art of erhu performance is learned from many scholars and has high attainments. Elegant style, delicate and profound, subtle; The strength is appropriate, and the speed is fast and slow; Bowing, fingering and soft string all have a set of practical experience and theory. In addition, the shape and bow of erhu have also been improved.