Brief introduction and detailed information of seagulls flying

Author's name: Chen Zhe, pen name: Qiong Yao.

English name: Qiong Yao

Birthday:1April 20th, 938

Constellation: Taurus

Height:155cm

Education: graduated from high school.

Marital status: married

Favorite season: autumn

Favorite animal: dog

Favorite country: People's Republic of China (PRC).

Hobbies: poetry, novels, movies.

Advantages: delicate feelings, beautiful writing and profound poetry skills.

Work unit: writer

Native place: Hengyang, Hunan

Personal experience Qiong Yao Athena Chu: Qiong Yao

Formerly known as Chen Zhe, he was born in Zhajiang Town, Hengyang County. 1938 was born in Chengdu, Sichuan province on April 20th. 1949 came to Taiwan Province province from the mainland with his father Chen Zhiping. Father Chen Zhiping is a university professor, and mother Yuan Xingshu comes from a scholarly family. Soon after graduating from high school, she got married and had children. While being a housewife, she began to try writing. Later, she entered the ranks of professional writers and entered the TV and film production industries, during which her marriage broke down. The current husband is his agent and publisher and runs a family-run Crown Publishing Company. All Qiong Yao's works are produced by this company.

China and Taiwan Province Province are contemporary writers. Formerly known as Chen Zhe, his pen names are Qiong Yao, Xinru and Fenghuang. People from Hengyang, Hunan. Born in wartime, 1949 moved to Taiwan Province province with his family and studied in the primary school attached to Taipei Normal University and Taipei No.1 Middle School. After graduating from high school, I failed to enter the university. 16 years old, published a short story "Cloud Shadow" in Taiwan Province Morning Light magazine. In high school, I published more than 200 articles. 1963 published the autobiographical novel out of the window, which became famous in one fell swoop. From 1963 to 1985, * * wrote novels: lucky grass, misty rain, sunset red, dark clouds, heart and Qian Qian knot, on the water side, moonlight and birds. The love ideal of beautifying life is the main theme of her novels; The twists and turns, novelty and ups and downs of the story are the main means to attract people in her novels; The poetic and elegant literary language is an important feature of her novel's unique charm. Therefore, her romance novels have a huge readership. And a large number of works have been made into movies and TV series.

Calendar Story 1947 At the age of nine, she published her first novel "Poor Xiaoqing" in the children's edition of Shanghai Ta Kung Pao. At the age of sixteen, the novel Cloud Shadow written in an adult's tone was published in Morning Light magazine. 1957 graduated from Taipei No.2 Girls' Middle School. 1July, 963, the first collection of short stories, Out of the Window, was published and appeared in the literary world of Taiwan Province Province. She has created quite a lot, including dozens of works. Many works have to be reprinted in dozens or even dozens of editions, and they are often adapted into movies or TV series, which have a large number of readers in Taiwan Province Province and overseas, especially among young people.

1942 moved back to his hometown in Hunan with his family, and then moved back to Sichuan due to the outbreak of War of Resistance against Japanese Aggression;

1947 The family moved to Shanghai and published the first novel "Poor Xiaoqing" in Shanghai Ta Kung Pao;

1949 moved to Taipei, Taiwan Province province, where his father taught in the history department of Taiwan Province Normal University and his mother taught in Jianguo Middle School.

1959 get married;

1963 published the novel Out of the Window in Crown magazine, and soon published a solo book, which is the first book published by Qiong Yao.

1964 divorce;

1965' s works were put on the brocade screen for the first time, including Cousin's International Nuclear Accident Grade, Tusi Flower, Misty Rain, Dumb Girl and so on.

1968 set up Firebird Company to shoot "Full Moon West Building" and "Stranger" (adapted from the novel "Lucky Grass");

1976 set up superstar company;

1979 married Ping;

1985 published Europe, the only novel without parents;

1986 launched the TV series "Several Sunset Red";

1988 returning to the mainland for the first time;

1990 published the first historical costume novel "Xue Ke";

Novel career When Cao Xiaoming, a reporter from Literature News, interviewed Qiong Yao, "Do you think you are a traditional woman or a modern woman?" Qiong Yao's view on her personality: "I don't think I am traditional, but I admire the wisdom of the East." "I think I have a rebellious character since I was a child." "Out of the Window" is largely my autobiography. Since childhood, I have been willful, stubborn and willful. The reporter further asked: "That is your temperament. Do you respect and follow tradition in thought, morality and ethics? For example, what do you think of women's happiness? Qiong Yao replied with a smile: "If I say this, I will be even more unconventional, because I am a value pluralism." . Women's happiness depends on their own feelings, and there is no uniform standard. However, this kind of different feelings must have a wise premise, that is, as a woman, she should be soberly aware of the unchangeable limitations of women in this patriarchal society, and it is impossible to focus on Gao Zhiyuan blindly. For women, the meaning of happiness is twofold. Simply put, it is the realization of social values and the satisfaction of personal feelings such as marriage, family and childbirth. These two requirements always conflict, and the possibility of double satisfaction is very small. Therefore, you must accept this fact and accept it frankly in order to move towards happiness. The reporter asked, "So, do you think you are a happy woman?" Qiong Yao replied, "Yes, I tried my best." . I just got what I wanted and what I could get. "Qiong precious jade specifically mentioned the word" can ",showing her confidence. The reporter asked, "So do you believe in eternal love?" Qiong Yao's answer was ingenious and unexpected: "Two people have something to say when they are old, and that is eternal love. "The reporter asked," What kind of person do you think you are? Qiong Yao replied after careful thinking: "I think I am a complex contradiction." . Emotionally, I have ups and downs, sometimes happy, sometimes depressed, sometimes naive, sometimes crazy, and I can't tell why. As for my attitude towards life, I am a pessimist on the whole. I believe that people are born suffering, and life is both painful and boring. But in concrete life, I missed every breeze and every cloud for a little thing or a little joy. Of course, in the end, I can always get out of it without getting too deep. "Qiong precious jade is obviously good at rhetoric and has a sweet voice. Then, she made people feel that her tradition was also reflected in her relationship with her husband, Mr Ping Tao Xin. Speaking of Ping Tao Xin, Qiong Yao seems very calm and even a little leisurely, which is completely different from Mr. Ping's affectionate modality when he talks about his wife. " A happy marriage depends largely on the psychological quality of both parties. "Especially that woman, such as Mr. Ping, always leads me by the nose but always makes me feel that I have won. I attach great importance to the spiritual communication between the two sides. Even though writing is tense and his publishing house is busy, we always take a lot of time to exchange views on various issues, including each other, and constantly get to know each other and let them know themselves. If there are differences, we don't avoid or hide our unpleasant emotions. The two sides are interdependent. And respect each other's independent personality. " Qiong Yao also cited an example, that is, when she was writing, she often forgot to eat, and Ping gave it to her, so Ping joked, "If you don't send food, Qiong Yao will starve to death at your desk." Qiong precious jade said, in fact, Ping Tao Xin will still find something to eat if she really doesn't give herself food. Dependence is often cultivated by the other side, and people who really can't rely on it will find their own way. Qiong precious jade laughed heartily after she finished. When the reporter said that some critics thought she was repeating herself, Qiong Yao didn't want to discuss this issue any more. She simply replied: "The nerves touched by readers are often single. As long as they can impress people and repeat what they are afraid of, it is useless if they can't impress people. " Qiong Yao said that she seldom thought about what to write, just because of nature. Natural impulse writing. She told reporters that she often wrote true stories that happened around her. For example, the good children in "Hurry" and "Too Urgent" are real people, and many of her letters are still in their hands. The reporter asked Qiong Yao if she would set foot in other disciplines in the future, but Qiong Yao thought at least not at present, because she likes her accustomed disciplines and she is familiar with them.

The cover of this book mentions love novels in Hong Kong and Taiwan. Qiong Yao is indeed a "brand" spanning more than 30 years. In fact, since her debut novel Out of the Window was published in 1963, it has established her important position in love novels.

Qiong Yao's novels can be divided into three periods: the early novels include Out of the Window published by 1963 and Moist White Fox published by 197 1 year, which are mainly short stories of ancient people's love developed from China's folklore. The mid-term novel begins with seagulls flying and burning! Firebird, a love novel set in contemporary Taiwan Province Province, has a happy ending except I am a cloud. The later "Xue Ke" was created and published in the 1980s, and the background of the novel moved back to ancient times, trying to cope with the changing love views of urban men and women, and trying to get rid of the fate of early tragedies and the happiness story formulated in the middle.

Several Sunset Red is an important work in Qiong Yao's novel creation, in which time and space are interlaced, there are many characters and the plot is complex, which can best represent the characteristics of love and affection. The two story lines took place in Chongqing during the Anti-Japanese War and Taipei in the 1960s. The first story is about the young age of the heroine Zhu Meng. She fell in love with Kunming college students, and many gripping stories happened because of her mother's opposition. Finally, I married He. And settled in Taipei. The second part of the novel is the love story of Zhu Meng's daughter Xiao Shuang. Wei, his lover, is He's nephew and works in He Kai's company. Since then, a series of old hatreds and new worries have been intertwined. Finally, he had a lover with Wei and stayed with Mingyuan, while he lived in seclusion in the mountains.

The content and structure of this work are similar to the mode of TV series, that is, the plot is complex and repetitive; Emotional expression is strong and exaggerated; The relationship between characters is entangled because of family grievances; The misunderstanding between people leads to all kinds of lifelong regrets and grievances; The secret and mystery of the protagonist's life experience, as well as war, separation and reunion, are undoubtedly the "basic elements" of popular drama.

To sum up, in Qiong Yao's love kingdom, love is the source of nourishing and inspiring women's self. Without love, a woman's self will wither. In this case, Qiong Yao's female image inevitably appears passive and negative. In fact, during the May 4th Movement, the concept of "love" was a public ideology, which mainly rebelled and challenged the patriarchal system in China, but in Qiong Yao's romance novels, it was completely private. However, this dream world has been pushed to the extreme by the help of its ideology, which has reversed the rights and obligations of the upper class and the lower class in the patriarchal family, so that parents or men with resources and strength can devote themselves wholeheartedly to their children who have nothing, especially women, under the emotional moral call. This is also the spirit of romance novels.

Other works outside the window, clover, six dreams, misty rain.

Tussah flower, sunset glow, tidal sound, boat.

Purple shells, cold smoke and delicious food, the full moon in the West Building, and Feng Chun.

Clouds are rolling, the courtyard is deep, the milky way is boundless and watery.

White fox, heart and Qian Qian knot, a curtain of dreams.

Waves, blue sky, girlfriend, by the water.

Qiu Ge, the person at the end of the world, I am a cloud, moonlight and a bird.

Wild goose in the forest, a red bean, rosy clouds all over the sky, and marigold.

The clothes of dreams come and go, but they go to my heart and ask the sunset.

"Burn it! Firebird, last night's lamp, in a hurry, in a hurry, a burning paradise.

My story, Europe, uninterrupted nostalgia, Xue Ke.

Cliff in Wang Fu, grass by the green river, plum blossom brand and ghost husband

Water, crescent moon, smoke lock building.

Princess Zhu Huan Part I, Part I, is wrong in yin and yang, while Princess Zhu Huan Part I, Part II, is in hot water.

Princess Zhu Huan, part one, part three, the truth comes out.

Heaven has tears and no words to ask heaven.

"There are tears in heaven, love and hate must be millions" and "There are tears in heaven on earth"

"Princess Zhu Huan Part II, One of the Five Storms Comes Again" and "Princess Zhu Huan Part V, Two Life and Death Commitments"

"The fifth part of Princess Zhu Huan is full of sadness and joy" and "The fifth part of Princess Zhu Huan is wandering around the world"

Princess Zhu Huan, five of the five worlds of human friendship.

Princess Zhu Huan Part III Heaven and Earth I, Princess Zhu Huan Part III Heaven and Earth II.

Princess Zhu Huan, the third part of Heaven and Earth, another dream.

The pseudonym Qiong Yao comes from The Book of Songs.

The Book of Songs Feng Wei Papaya

You give me papaya. I'll pay for Joan.

Not to thank you, always cherish your feelings.

You want to send me a peach, and I want to give it back to Qiong Yao.

Not to thank you, always cherish your feelings.

You give me wood, and I'll take Joan Jiu in return.

Not to thank you, always cherish your feelings.

Annotation of works

Precautions:

Qiongju: the floorboard of beautiful jade and beautiful stone.

Bandit: No.

Interpretation of papaya

In the Book of Songs, the phrase "Give me a peach, give me a plum" has become an idiom for later generations, meaning to give the other party a reply and return it with courtesy. Comparatively speaking, although there is an idiom "throw a papaya (peach, plum) back (Yao, Jiu)" in papaya articles, the frequency of using "throw a wood back to Joan" cannot be compared with "throw a peach back to plum".

For such a well-known pre-Qin ancient poem with uncomplicated sentences, there are as many as seven explanations of its theme through the ages (according to cutie's statistics in the Collection of National Styles), which is really interesting.

Modern scholars generally say that it is from Zhu Xi, and more clearly point out that this poem is a love poem. In all fairness, it is precisely because the text semantics of a poem is very simple that it is possible to explore its theme with greater freedom, just like the smaller the connotation of a concept, the greater the extension. Therefore, it is not advisable to deny a theory easily. The author thinks this is a poem that expresses deep affection by giving and answering.

The poem "Papaya" is very distinctive in both text and sentence structure. First of all, there is no typical sentence pattern in The Book of Songs-four sentences. This is not that you can't use four words (if you use four words, it will become "vote for my papaya (peach, plum) and report it (Yao, Jiu); Bandits think that the prince is good and the water is good, but the author intentionally or unintentionally uses this sentence to create a kind of ups and downs, which is easy to achieve the effect of full of emotions when singing. Secondly, statements have a very high degree of coincidence and overlap. Don't say that the last two sentences in each chapter are exactly the same, even the first two sentences are only one word apart, and although the meanings of the three words "Qiongju", "Qiongyao" and "Qiongjiu" are slightly different, the three words "Papaya", "Mutao" and "Li Mu" belong to the same genus according to Li Shizhen's Compendium of Materia Medica, and the differences between them are roughly the same. In this way, we might as well say that the three chapters are basically repetitive, and such a high degree of repetition is not much in the whole book (The Book of Songs). The format looks like the music of Three Chapters of Yangguan written by Wang Weishi in Tang Dynasty, which is naturally determined by the duality of music and literature in The Book of Songs.

You give me fruit, and I'll give you jade in return. Different from "returning a peach to a plum", the value you return is far greater than the value you get, which reflects a noble feeling of human beings (including love and friendship). This kind of emotion focuses on soul-to-heart, which is a spiritual fit. Therefore, what you give back and its value are actually symbolic here, showing the value of others' goodwill towards yourself, which is why there is a saying that "bandits repay you". "Give me papaya (peach, plum) to repay you with (Yao, Jiu)", and its deep meaning is: Although you give me papaya (peach, Mei), your affection is more expensive than (Yao, Jiu); I can't thank you enough for repaying you with (Yao, Jiu). The author is broad-minded and has no intention to measure the thickness. What he wants to express is that cherishing and understanding the affection of others is the noblest affection.

Thoughts after reading: The idiom "reciprocate a peach with a plum" should be related to the idea of this poem (this idiom also comes from "restraint" in Shiya), but the return is more valuable and emotional. This poem is about two of a kind.

One-sided politeness cannot last. This is the custom and rule of our etiquette country. This is the general communication, and so is the communication between men and women. In the communication between men and women, it is not only a common courtesy, but also a ceremony. The value of the gift itself is no longer important, but the symbolic meaning is more prominent to show mutual commitment, two of a kind.

We don't know whether there is such a tradition in the west, but the story we read is similar to the "reciprocated" in the novel The Gift of the Magi by American writer O Henry, only it is full of tragedy.

Nowadays, we don't seem to pay much attention to ceremonies. In fact, ceremonies play a very special role in our lives, just as we can't lack sunshine and air. Ceremony is by no means an empty form, it is always associated with a specific meaning. The communication between men and women can be simplified to unnecessary forms, but there must be a ceremony of "returning the favor".

They walked out of the airport gate and looked at the rainy and foggy streets. A word kept spinning in her throat, and she finally couldn't help it. She whispered, "Did you-did you find your happiness?"

Book cover "found." Her heart is a fiercely. "Who is that lucky girl?"

"She has many names: Seagull, Ye Xin and Yang Yushang." He hugged her tightly, looked at her and said seriously, "Remember that song of yours? Seagull has no fixed home, it flies to the west, it flies to the east, it flies to the ends of the earth! Now I want to ask you solemnly: Do seagulls want to have a fixed home? "

Her cheeks lit up, her eyes lit up, and she gave a gentle cry. She clung to him and repeatedly said, "Yes, I will never fly again! Stop flying! Can't fly anymore! "

Yes, after the floods in Qian Shan, after the stormy waves, after the sun and the moon moved, the seagulls finally found their way.