Mermaid body illustration-how to introduce mermaid illustration poster

1. Draw the mermaid's head, big round eyes and mouth first;

2. Then draw a hairpin on the mermaid's hair;

3. Then draw a bow and the mermaid's body;

4. Then draw the mermaid's long hair;

5. Draw the faces of fishtails and mermaids, and finally color them.

We should draw the little mermaid's beautiful face and long hair on paper first. Her face is semicircular and her long hair is wavy.

Then we continue to draw the mermaid's big eyes and small mouth. Mermaid's eyes are watery and round, like black grapes. Small lips slightly open, shallow smile.

Next, we will draw a mermaid who embraces the sea with open arms. We should incorporate the little mermaid's longing and enthusiasm for the sea into our lines.

It is understood that there are no mermaids in the world, and the scientific community believes that mermaids refer to a kind of marine beast named dugong.

Dugong taxonomically belongs to the Dugong family of mammalian manatees. Dugong is often half-naked on the water, holding her young to breastfeed. When breast-feeding, dugong's body is vertical, with its head and chest above the water. It holds its young with its forelimbs and floats in the water like a human, so it is called "mermaid".

There are records about mermaids in ancient books at home and abroad. Zheng Chang's Qia Wen Ji in Tang Dynasty said: "Sea people are like fish, with eyes, nose, mouth and claws. They are all beautiful women, their skin is as white as jade, their hair is ponytail, and they are five or six feet long. "

In the ancestral story of the Song Dynasty, it is recorded that in Song Taizong, a man named Tea Ceremony went to North Korea (now North Korea) and saw a "woman" appearing on the sea. "The red skirt is bare, the bun is messy, and the cheeks are reddish." Living in water, if you can't feel love, it is a mermaid. "

A Plan —— Korean Illustrator Kim Jong-ji (Part Two)

(This article was published in the monthly magazine "Roaming in cgworld Times" 20110, and all the pictures in the article belong to Mr. Jin. )

Mr. Jin's painting for the funny column of YoungJump magazine.

Funny column in YoungJump magazine is a test field for Kim to explore the possibility of comic expression. One color manuscript depicts a scene in which a young man covered in blood steps onto the tram, stumbles to the back of the car and gives his heart to a lady. The cold lady with glasses looked at a sincere heart in front of her eyes, and tears rolled down her cheeks. I saw her slowly pull open her clothes, revealing the knife marks on her chest. I don't know whether I lost a heart among many feet or sewed it into another person's heart.

Although I didn't say a word, I vividly expressed the pain of "I hate not meeting and not getting married".

Jin's latest creative plan is to adapt the novel Lepapillondesetoiles (Butterfly of the Black Star) published by Beenaert Welby in 2006 into a cartoon. This novel describes the experience of a group of earthlings who fled the earth in a large spaceship and embarked on a thousand-year journey in the vast universe. Warebey's novels have always been famous for their rich imagination. Although the themes are science fiction, they are all-encompassing, involving history, religion, philosophy and biological sciences. At this point, it complements the diversity of Jin's selection of materials in his creation. However, in Warebey's works, it is not easy for Kim Jong-hee to restore the universe and shine on the Milky Way.

Talking about the goal and direction of my future career, Jin said: "I have always hoped to draw works that can challenge foreign cartoonists. I also want to create that kind of professional drama with strong professionalism. For example, in a story about motorcycle racing, the focus of the story is the mechanic, not the racer. Or create a special forces story with a military theme. "

Today, with the popularization of digital painting, Jin still insists on the traditional hand-drawing method. "Computer is a good tool. If you can use it flexibly, you can draw very good works. But because I always insist on hand painting, I am more skilled in freehand brushwork. I believe that I can better express the taste of my works with my own hands and pens. But if I have time, I also want to learn computer painting and try more painting methods. However, if I rely too much on computers, my works will have a sense of standardization, so I have some avoidance of digital painting. "

Sharp tools make good work. Jin Ping's creation is naturally inseparable from the tool of the scale hand. Japanese original needle pen (COPICMultiliner0.2, 0.25), German imported Steedtler Needleliner 0.05, 0.2, 0.3, Japanese PILOTHI-TEC-C0.03, and German original red circle artistic pen (RotringArtPen) are all his favorite hand-painted weapons. Paint pencils and watercolors are often used when painting. As for paper, Kim is not picky. Except the most commonly used 200g drawing paper and A4 paper, all the paper in sight can be used for painting, which explains why so many sketches in his sketch collection are casually smeared on newspapers and notes.

The most amazing thing about Jin's painting is that he never makes a draft before he puts pen to paper. His business orientation, composition layout and composition are all in his mind. This painting method is in sharp contrast with the concept of "generally close to subtlety" advocated by Mr. Jiang, a master of Chinese painting. The painting method of "one stroke sets the overall situation, with all its spirits" is very similar. At the just-concluded Fuchuan International Animation Exhibition in South Korea, Kim Jong-hee spent three days drawing a parade scene with fisheye deformation effect on a huge white cloth 9 meters long. The figures, chariots and horses are complete, and their postures are different, which is amazing. "Once you decide what to draw, draw a general picture in your mind and start writing at once. Don't draw carefully when you put pen to paper, but point to the end and then paint it with an oil pencil or watercolor. " Kim admits that it takes him a short time to draw a sketch compared with other painters. "It's mainly because it takes almost no time to find information after conceiving the scene. Most of the images seem to be stored in my mind and naturally emerge. Follow it. Although a few complex images still need to refer to relevant materials, most of the pictures and scenes that have only been seen once can construct 60%-70% when writing (this guy really has a pair of sharingan! )。 "

In addition to mastering the mind before creation and brilliant brushwork when creating, Jin is most satisfied with his works because of the diversity of painting materials and the extensiveness of themes. "It can be said that everything that the eyes can see, whether it is a living thing or an artificial product, is my material and can be drawn." Among the illustrations created by Jin, the works with the theme of "mermaid sashimi", "dentist", "tattooed men and women" and "fishing" have the highest frequency. Among them, the work with the theme of "Mermaid" is the most striking: in a crowded and narrow sushi restaurant, the owner holds a sharp knife and cuts a mermaid's fish. The calmness of the host, the coldness of the waiter, and the indifference of the diners who eat and drink are in sharp contrast with the mermaid who is at the mercy of others, and the effect is extremely shocking. When talking about the source of inspiration for creating the above works, Jin said: "I usually try to find inspiration from many images and books and things I have experienced. I prefer military life, showing rich subjects such as human body, machinery and animals. The reason why the mermaid is the theme for many times is mainly because the mermaid will make women's posture present more diversified elements. I describe the scenes of dentists and tattoos carefully, because I am interested in fine instruments and surgical scenes. As for the pictures of fishermen returning from the sea or fishing many times in the works, it is because I have been living in coastal cities before high school and I am familiar with the life scenes of fishermen. "

When it comes to artists and cartoonists who have the greatest influence on themselves, Kim is even more eloquent. "When I was in junior high school and high school, I was deeply influenced by Japanese cartoonists. I especially like Toriyama Akira, Dayou Shengbo and Masamune Shirow. When I was in college, I enjoyed Lie Bin, a Russian master of critical realism painting (1844- 1930) and john singh, an American realist painter who is famous for his portraits (1856- 1925). And norman rockwell (1894- 1942), an illustrator who was praised by The New York Times as "the most popular artist of this century". "When I was in college, I was interested in realistic painting, so I naturally came into contact with China painters. I like Mr. Jiang (1904-1986), a master painter in China, very much. He once copied and read the book "Timid Muscle" and posted it on the wall to watch. Recently, I also purchased the watercolor collection of Mr. Guan (1940——). "

Mr. Jiang's refugee map

Mr. Guan's watercolor illustration of Ms. Lin's "Old Things in the South of the City" and the heads of children painted by his father.

Speaking of hobbies, Jin finally revealed his true colors as an otaku. "I don't drink or smoke, and I don't have any special preferences. If you have to say that you have any hobbies, you like to collect cartoons, such as Mitsuru Adachi's Contact, Dayou Shengbo's Zhang, Toriyama Akira's Alaret, Ryoichi Ikegami's Crying to Kill God, Tatsuya Egawa's The Story of the University of Tokyo, and Mobius's cartoons. " Jin is no stranger to cartoonists and works in China. He said that he appreciates the situation of Hong Kong cartoonists and Yasuo of mainland cartoonists.

It's a distant place for Kim. He admitted that he didn't know much about China culture. However, when he was a child, he watched the History of the Three Kingdoms, Journey to the West and Shaolin Temple, and watched many kung fu movies. The four classic novels and Confucius' Confucianism are also popular books and cultures in Korea, so he knows something more or less.

When Jin was asked to say something for readers in China, he wrote the following sentence: "Comics are expressed by artists through painting, so they must keep learning, collect information and accumulate experience. Listen more, see more, experience more, collect more, and then use it in your works. As far as I'm concerned, I put too much thought into painting. If I can learn more about stories, I may become a better cartoonist. Finally, health is king. "

How to introduce Mermaid Illustration Poster To introduce Mermaid Illustration Poster, we should first highlight Mermaid, and then introduce the surrounding environment, such as the beautiful sea where Mermaid lives, and the surrounding plants and rocks.