What is the history of choosing concubines in Aisin Giorro Puyi?

When Puyi chose a concubine, a * * * saw the photos of four people, and he felt that "everyone's figure is like a paper tube ... and really can't tell handsome from ugly". Wanrong became a queen and squeezed Wen Xiu into a concubine, which was the result of the struggle of the imperial concubine. Graceful suspicion, exclusion, curse Wen Xiu. Although she succeeded, Puyi was disgusted. Later, Wanrong had an affair with Li Tiyu and Qi Jizhong and gave birth to a daughter. Puyi was very angry and made people put the newborn into the boiler to melt. Later, Wanrong became seriously ill due to drug abuse, and died in Yanji in the second year of Japan's surrender (1946). Wenxiu came to Puyi as a "palace princess" when she was less than fourteen years old. Later, Wen Xiu broke through the imprisonment and went through hardships to divorce Puyi. I'm afraid this kind of courage and behavior of "taking a break" is unique in the feudal history of China. "My First Half Life" revealed the picture of "Wenxiu divorce deed" for the first time. In order to punish Wanrong, Puyi kept the upstart Tan Yuling "in the palace like a bird". Post-Tan Yuling won the favor of Puyi because of her naive and straightforward personality. Whether Tan Yuling's sudden death was caused by typhoid fever or Kwantung Army is still a mystery. "My First Half Life" (the whole book) reveals the inscription "My Dearest Yuling" written by Puyi on the back of Tan Yuling's photo. Li, a blessed aristocrat, is the product of Puyi's determination not to have a Japanese wife. Li once fled with Puyi when Kwantung Army collapsed. Later, during Puyi's stay in Fushun War Criminals Management Office, Li visited Puyi many times and wrote many letters. Finally, Li filed a divorce with Puyi. Wanrong and Wen Xiu are legal and famous queens and empresses. They entered the palace at the same time, and their life contents overlapped. Tan Yuling and Li were pseudo-aristocrats named "Emperor Kant" by Puyi during the Puppet Manchukuo Period. Although we can't admit their status in the puppet palace, we can't help but regard these two ladies as Puyi's wives. Li fell in love with Puyi's wife and got married after Puyi's Amnesty. These ladies, however, have experienced earth-shaking historical changes in Puyi's life. As queens and empresses of the Qing Dynasty, as pseudo-aristocrats engraved according to the etiquette system of the Qing Dynasty, their marriage and family life can not but show the legacy of the Qing Dynasty and leave a deep imprint of the royal family of Aisin Choro. Wanrong, Wenxiu and Tan Yuling all came from famous families, and were considered as women with "aristocratic blood clan" in Qing Dynasty. Although Li was born in a civilian family, he lived in a decadent royal family for a long time. They are the last representatives of Aisingiorro's royal family who flourished in China for nearly 300 years and finally declined. We study the decline of the royal family, and they can provide strong evidence. As wives of men who are emperors, they all have their own political ideals. They made various efforts to help their husbands realize the revival of the Qing empire, and at the same time gradually recognized the faces of Japanese warlords in practice. Wanrong struggled in the ghost domain, Wenxiu broke up with Puyi because of political rift, Tan Yuling told her husband about the brutality of the Japanese invaders at the bedside, and Li sang and told stories to Puyi when she was discouraged by Japan ... They lived in a certain era background and social environment, and wrote down the fact that Japanese directors faked in their life calendars. As the empress, imperial concubine, "noble" and wife of the last emperor of China, their life trajectories all intersect in the most essential and profound part of Puyi's life journey, so from their experiences, we can not only find the most authentic and reliable Puyi, but also find the true political outlook of Puyi who is good at changing his face in complex situations. Therefore, the study of Puyi's life is inseparable from the lives of his five wives. As female celebrities with certain typical significance, their joys, sorrows, ideals and endings can all be attributed to the cultural heritage of the Chinese nation. Wanrong, Wenxiu and Tan Yuling all came from blood and tears. One is crazy, one is gone, and one is dead. Their tragedy is not only caused by feudal social morality, but also the result of stimulation and catalysis of foreign aggression. Therefore, it cannot be said that this is only a personal tragedy of some weak women, but a cowardly and cowardly tragedy in national history. The 12-year marriage between Li and Puyi spanned two eras, and her fate was changed by New China after suffering and ups and downs. Li died for Puyi as a citizen's wife. Although the life of husband and wife is less, the warm feelings between husband and wife constitute an eternal comedy, which embodies this point. Of course, after Puyi was pardoned, Puyi, as an ordinary citizen, married Li, an ordinary citizen. This is the last wife of Puyi, and this marriage lasted until Puyi died. The five wives are: Wanrong, Wenxiu, Tan Yuling, Li and Li.