What's your comment on Shadow? What level is it in Zhang Yimou's works?

Since the release of Zhang Yimou's shadow, the hot comments have never stopped, and the word-of-mouth has blossomed rapidly on various platforms and continued to ferment. Most fans gave their films a super high rating of 10, and some netizens even praised Shadow as "a must-see on the screen, unique".

Zhang Yimou's heavy return together with "Shadow" won half the sky and won numerous awards. It can be said that Shadow is a classic that Zhang Yimou has devoted himself to for several years. It is also a masterpiece that a few people can challenge and surpass, and it can be called Zhang Yimou's masterpiece.

Zhang Yimou now occupies the highest position in the film and television circle, and is also one of the representatives of the fifth generation directors in Chinese mainland. There are many excellent films directed by him, including Hero, The Great Wall, House of Flying Daggers, The Golden Flower in the City and so on. , have a grand lineup, broad thrilling scene. The literary films directed by Zhang Yimou are also worth mentioning.

Many plays, such as Red Sorghum, Red Lantern Hanging High, The Story of Autumn Chrysanthemum, etc. , all got high marks. It can be said that Zhang Yimou is a bright star in the film and television circle. Now Zhang Yimou's new film "Shadow" is a strong attack, which is not a simple sword and gun, nor a simple and sincere literary film. The combination of rigidity and softness has also added new themes to his film career.

Zhang Yimou is a profound artist with unique views and strong feelings for art. He pinned his artistic attainments and lofty love for art on the shadow, which made the film and art perfectly integrated and initiated the combination of art and commercial nature.

In Shadow, Zhang Yimou, a color master, personally supervised and guided the whole process, blending Chinese style into characters and situations, skillfully using black and white to achieve symmetry. Whether from the background style of the film or the costume props of the characters, it echoes the main color black and white, but there is no contradiction. The film only uses black, white, leather and blood to highlight the texture and reality of the film. Chinese style is the point that the film always revolves around, which is intertwined with truth and falsehood and full of ink and wash style.

This power struggle took place in the ink landscape, and the complex and changeable human nature gradually emerged in the light and shadow because of the desire to survive. This film does not have the momentum of thousands of troops, but it also highlights the murderous flame. At the same time, the reversal of the film plot and the incredible suspense left to the audience are also a highlight. Shadow is also the only movie that uses rain from beginning to end to interpret the tense, urgent and depressing plot rhythm, and it is also one of the indispensable special effects in the film. The perfect combination of art and action in the film always shows the beauty of traditional national style, and also reflects Zhang Yimou's ingenuity and lofty admiration for art.

In his new work Shadow, Zhang Yimou broke the old and established the new, and launched a power struggle with the shadow of the little people as the main line. The film scene of ink painting is pleasing to the eye. The phrase "people's hearts are like shadows" is not only the theme of the film, but also a portrayal of reality. It crisscrosses between reality and virtuality, but it can be progressive layer by layer. Zhang Yimou's masterpiece Shadow, which took thousands of people four years to create, is a great innovation, and it is also his peak work so far.