What are the four lanes of Jikang?

Ji Kang's four songs, Long Qing, Short Qing, Long Bian and Short Bian, also known as Ji's four songs, enjoyed great fame in ancient China, and were called "Nine Songs" together with Cai's five songs in the Eastern Han Dynasty.

Jikangsi lane

Among them, Guangling San, which Ji Kang played before his death, became one of the top ten famous guqin songs, and Ji Kang himself was also called the "pianist" in history.

The two songs "Long Qing" and "Short Qing" take meaning from the snow and want to express the spirit of leading an honest and clean life. Ji Kang wants to tell you that in this Wei-Jin era, the only way out for us literati is not to have anything to do with officialdom. In any dark and disorderly court, we will all bring our own destruction.

At the same time, Ji Kang also showed extraordinary interest. He not only makes himself indifferent and free and easy, but also influences ambitious people around him through his words and deeds. The Seven Sages of Bamboo Forest is a good example.

There are many meanings of long side and short side that need to be explained, and we can't give a clear explanation, but the structure of these two songs should be roughly similar to that of long Qing and short Qing, both of which express their lofty interests and lofty qualities through snow.

Ji Kang's "Four Alleys" also has the same feeling, and they are all expressing their lofty aspirations. In this troubled times, Ji Kang had no choice but to follow the crowd. He shouted to the world by writing articles and composing music. He is a model of the struggle between Wei and Jin Dynasties and bureaucrats. He advocated not being an official, not because he didn't want to serve the country, but because he wanted more people with lofty ideals to realize the corruption of society and the incompetence of officials, even if he was just a blacksmith.

These four songs are meaningful. When people play ball, can they remember Ji Kang's persistence and see Ji Kang's sad tears?

Ji Kang's "Sound without Sorrow and Music" is a book with a lot of research on music. The book not only introduces whether there is sadness and joy in music, but also involves the university of music aesthetics. He discussed the essence and noumenon of music. It is pointed out that music is the influence of objective existence, and funeral music is the emotional expression of people after being touched.

Ji Kang's Theory of Sound without Sorrow and Music

Music itself is not pleasant to listen to, and it has nothing to do with people's emotional understanding of sadness and joy. Ji Kang believes that some people think that there is sadness in music because the listener is in a bad mood and sad, and the music he hears is naturally sad.

Music has the functions of inducing and spreading. Ji Kang objected. Since the Han Dynasty, rulers have regarded music as a tool for political and social interaction. He opposes that only kings can listen to music, and it is illegal for ordinary people to listen to music. He opposes those behaviors that ignore the artistry of music, and Ji Kang can't accept music as a prop for divination.

What Ji Kang saw was the formal beauty of music, and it was the contradiction between discussing the performance content of music and appreciating music that Ji Kang first proposed. Ji Kang saw people's misunderstanding of music and correctly realized that the essence of music is to express the beauty that the composer wants to show to all listeners.

The music thought reflected in Sound Without Sorrow and Music advocates that music should be divorced from feudal politics and that "both ceremony and music should be punished", which is a precedent for understanding music in feudal society in China and the source of two major ideological trends of China's music aesthetics.

Ji Kang's research on music is obvious to all. His articles greatly influenced the trend of ancient music and made people have a deeper understanding of music.

Ji Kang Guang Ling San Guang Ling San is a large Qin Le of Han nationality in ancient China, and it is a very famous drum music in the history of China music. Ji Kang played this song before his death, which made Guangling San known to people.

Jikang Guangling Powder

Ji Kang not only left valuable materials for future generations to study the Wei and Jin Dynasties in literature, but also left valuable wealth for future generations in music. Ji Kang loves music since he was a child, has a special sense of music and has a very high talent in playing musical instruments. It is said that Ji Kang's contact with the piano is almost self-taught.

Ji Kang's love for Qin and Qin music has aroused people's speculations about him, and Ji Kang has also left a series of beautiful legends for future generations with his music.

Ji Kang has a very expensive piano. For this piano, he sold his family business, begged a piece of jade from Shang Shuling and put it on the piano. Ji Kang loves this piano very much and guards it day and night. On one occasion, Ji Kang's friend Dan Tao joked that he would play the piano while Ji Kang was sleeping.

Ji Kang's four tunes, Changqing, Short Qing, Long Side and Short Side, are called "Ji's Four Pavilions" and are very famous in ancient China. It can be seen how influential Ji Kang is.

Legend has it that Ji Kang was seen gathering herbs in the mountains at night, keeping warm with long hair in winter and using woven straw as clothes in summer. It is because of his free and easy performance that Ji Kang is noticed by more and more people in music.

"Guangling San" played by Ji Kang is a piece processed by Ji Kang. In the long-term spread, it affects people like a folk song. It is because Ji Kang played this famous song Guangling San before his death that people knew it, and Ji Kang's name has always been associated with Guangling San.

Ji Kang's Reception Poem "Reception Poem" is a five-character poem written by Ji Kang during the Three Kingdoms period. The whole poem is about Ji Kang, seven sages of bamboo forest, and an honest life. The first half of the poem is about the beautiful scenery of mountains and rivers, which makes people feel relaxed and happy. It can be seen that the poet produced this feeling of acceptance in an extremely relaxed state of mind.

Ji Kang's Acceptance Poems

The "Seven Sages of Bamboo Forest" were in the Wei and Jin Dynasties, and most of them had hard careers. In order to avoid being killed as an official in the imperial court, they began to look for goals and pursue a higher realm of life. Sometimes they write poems and play the piano, expressing their sighs about the injustice of the world, and sometimes they climb high and pour out their great ambitions to nature. After the baptism of nature, they gained spiritual sustenance and pleasure.

The first half of this poem fully expresses the joy that the poet cannot express in words. As soon as the word "happy in" came out, it laid a cheerful tone for the full text. At the beginning, the poet felt extremely happy because he was in nature and far away from officialdom. Facing the wonderful scenery, the poet was intoxicated.

The flowers are overflowing, the high platform is endless, the branches and leaves of trees are criss-crossing, and carp are playing happily in the deep pool. This feeling is the mysterious side that nature shows people, so how can the author not be moved by such beautiful scenery?

In the second half of the poem, the artistic conception has changed obviously, from scenery description to lyricism, and the feeling of * * * color has also fallen into thinking from the original happiness. The thought that Ruan Kan, his good friend, couldn't sell such beautiful scenery made him feel a little sad, but Ji Kang imagined that his friends were around while drinking, which fully expressed the poet's desire to share this happy mood.

After enjoying the beautiful scenery of mountains and rivers, the poet reveals inexplicable feelings, which casts a hazy color on the whole poem. This is a major feature of Ji Kang's poetry, and it is also the same feeling of this poet at the end of Wei Dynasty.

Ji Kang's Melancholy Poems Ji Kang's Melancholy Poems are Ji Kang's works in the Three Kingdoms Period. This poem was written by Ji Kang because Lu An was framed, telling the melancholy of his life and the black-and-white reversal of the world. The whole poem clearly shows Ji Kang's own position. He resolutely opposes Sima's political attitude and wants to fight this unfair society to the end.

Angry poems