Fortune Telling Collection - Free divination - Calligraphy works suitable for copying
Calligraphy works suitable for copying
Duobaota Monument 1
The full name of the multi-pagoda monument is the multi-pagoda induction monument of Qianfu Temple in Xijing in Tang Dynasty. It was written by Cen Can, a scholar at that time. In the 11th year of Tang Tianbao, it was inscribed by Xu Hao, calligrapher Yan Zhenqing and stone carver Shi Hua. It is a regular calligraphy work. Overall beautiful and vigorous, refreshing and pleasant, with a sense of simplicity and vividness. The pen is rich and beautiful, smooth and steady.
2. scenery
Ling Fei Jing is a famous Taoist classic, which mainly expounds the methods of keeping thinking. Today, there is a collection of "Shangqing Gong Qiong, Ling Fei, Liu Jia and Zuo Fu", a volume. Because the size and height of the whole word are uneven, the density is natural, and the whole word is taken care of from word to word and from line to line. The whole word is integrated. Although it is regular script, it has the smooth and elegant rhyme of running script, which is varied and interesting.
3. Mysterious Tower Monument
Xuanzang Tower Monument, the full name of which is Preface to Xuanzang Tower Monument, was given to Master Qi Dada by an Guoer, a monk from Zuojie in the Tang Dynasty. It is characterized by compact structure, sharp brushwork, exposed bones and muscles, masculine handwriting like a knife, changeable strokes and remarkable style.
4. Shence Army Monument
The full name of "Shence Army Monument" is "Emperor Xunxing left Shence Army Ji Shengde Monument", and the words in "Shence Army Monument" are rigorous in structure and really impressive. Its introversion and extroversion, the middle palace is tight and open on all sides. For example, a handsome swordsman with profound internal skills uses Fang Bi and a round pen. In addition, his sharp edges such as skimming, hugging, hooking and picking can be seen everywhere.
5. "Emperor Danbabei"
The Monument to Danba was commissioned by Zhao Mengfu at the age of sixty-three, and it is the representative work of Zhao's regular script in his later years. Beautiful brushwork, vigorous and powerful, unique. Its correctness and strictness are natural and unrestrained, and its brushwork is calm and firm, which fully embodies the charm and spirit of Zhao's calligraphy. Although Li Yong's Lushan Temple Monument is adopted, it is more relaxed and dangerous than stretching.
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