Fortune Telling Collection - Free divination - What's the name of the Korean version of Constantine?

What's the name of the Korean version of Constantine?

The Korean version of Constantine is called the "Ghost Messenger".

Before the release of Devil's Messenger, the overseas copyright of 18 was sold at a high price because the theme attracted a lot of attention. Unfortunately, the quality of the film is not satisfactory, and the form of exorcism combining East and West is nothing new, which can only be regarded as an ordinary monster film.

Apart from Ahn Sung ki, a national cinematographer who became a hit because of Why Jin Shuji did that, and who played an exorcist representing the just side in the film, the biggest selling point of Death Messenger is the same behind-the-scenes cast of Walking with God, and the special effects and makeup in film promotion are better than the advertising language of Walking with God.

Although it lasted more than two hours, "Ghost Messenger" can still see the fatal defect that Korean commercial films do not know how to foster strengths and avoid weaknesses. The plot is weak and procrastinating, and the special effects are not exaggerated. It is said to be a combination of suspense, fantasy, action and horror, but none of them can achieve the ultimate.

The Catholic exorcism ceremony in Death Messenger obviously copied the classic setting of exorcist in 1973. The priest played by Ahn Sung ki is from the Vatican, with a sincere face and a strong belief in doctrine, and follows the traditional exorcism methods such as cross, holy water and Latin Lord's prayer. Despite his age and limited ability, he still has the courage to "do what you know you can't do."

An exorcism failed, the assistant fled hastily, and Father An was killed. His life was at stake, and Park Yong-hou, the world heavyweight champion of MFC mixed fighting, saved him.

Since then, movies have introduced many elements of action movies, and people can't judge a book by its cover. The idol "Fresh Meat" once set an unbeaten record of 17. It not only has invincible melee skills, but also has the blood of "scar" that will kill the devil with one blow, and even turned the exorcist into a Korean version of Constantine at the end of the film.

Director Jin once met the director of Constantine for filming The Deathbringer. There are not only many scenes in the film that pay tribute to Constantine, but also the story wants to learn from beauty and create an exorcism universe to pave the way for the decryption of the sequel.

However, just like Constantine's plot is not important at all, the real point of view is how handsome keanu reeves who coughs and bleeds is, and so is the Death Messenger. He chose to let Park Seo Jun make her debut in the ring competition and show her perfect muscles.

Compared with the Deathbringer, Constantine's religious worldview is certainly much more complete, and archangels also appear in turn. The villain Mamen is the devil incarnate symbolizing greed in Seven Deaths, and the spear of fate is commonly known as the gun of Ron Girnus.

The Death Messenger contains only simple religious images such as cross, miracle, snake, sheep's head and the number 666, which is easy for ordinary audiences to understand. However, this film takes place in South Korea, where Protestants and Catholics account for about 30% of the total population. Too much emphasis on "righteousness by faith" will inevitably make non-believers confused about the theme of the film.

The Death Messenger has a full set of Catholic exorcism rituals that imitate exorcists, as well as the supernatural phenomenon that eastern wizards use rice for divination. When he was a child, Park Yong-hou prayed to God for his father's peace, but since his father died, he has hated the church. Although the turning point is blunt, it also shows that eastern ethics attaches special importance to family ties.

Fatherly love has finally become the key to beat the devil. God, also known as the "Holy Father", still says that the power of faith is infinite. In fact, while pointing out the influence of cults on Korean society, the film shows the disheartened attitude of the majority of believers through the mouth of Orthodox priests. If the Korean people can really find their precarious beliefs or values, I am afraid they will not be so optimistic.