What shadow did Sun draw under the door? Why does he look so scared?

Personally, I think this film is of great artistic and commercial value. But recently I saw some big V movies on the Internet, and I feel it necessary to express my opinion again, which may be the ultimate interpretation of the shadow. I want you to take a closer look.

Before we begin, let me show you three officially unexposed eggs:

Egg fragment 1 supplements the story of Tian Zhan (Wang Qianyuan) comforting the dead. In the feature film, (Deng Chao) tells Tian that the soldiers who died in the war have been hiding in bamboo forests for a long time and are eccentric, but they can be requisitioned in the war. In the clip, Tian Zhan walks into the bamboo forest under the instruction of Yu Zi, but he is ambushed by the deceased. After some fighting, Tian Zhan took the lead, but the deceased was still on guard. It was not until Tian Zhan blew the flute given by Jingzhou (Deng Chao) that the deceased took off his guard and knelt down to show obedience.

Egg fragment II Death bound a mysterious man and brought him to the field battle. It was not until the mysterious man took off his hat that Tian Zhan discovered that the mysterious man was Master Pei Liang (played by Ryan). During the conversation, Pei Liang revealed that Yuzi and his * * * conspired to lure the enemy-Yuzi and Yang Cang had a battle, and Tian Zhan needed to lead 100 dead people into the border state; Facing PeiLiang, Tian Zhan a face suddenly.

Egg fragment 3 tells the story of Jingzhou before returning home after the war between Jingzhou and Yangcang. Jingzhou returned to the barracks, took out the token and put it on the table, then walked out of the room and put it outside. It can be seen that Jingzhou wants to lay down its power and go home after the war, which is in sharp contrast with Jingzhou, which killed the king and seized the king in the ending of the feature film.

After reading these three eggs, you will think of the picture of Xiao Ai lying at the entrance of the main hall in the movie, trying to open the door but unable to open it, and you will be terrified.

Zhang Yimou's film language has always pursued simplicity, but the scene of Xiao Ai running to the entrance of the main hall appeared twice, but there was an echo from beginning to end, and finally it was known that it was flashback. Isn't that what can be emphasized? The film came to an abrupt end here, and Zhang Yimou shot it like this just to leave a blank and arouse endless reverie. So, what did Xiao Ai see through the door of the temple? Why do you want to open the door but dare not?

To solve these problems, it is necessary to analyze Zhang Yimou's understanding of "shadow". Shadow, double body also; Do something instead of someone, that is, undercover.

Open line: Jingzhou is the shadow of Yu Zi, and Yan Lu is the shadow of Yang Cang.

Dark line: Tian Zhan is Pei Liang's shadow. Most people find the plot confusing and difficult to understand because they didn't notice this dark line. Why else would Pei Liang have insight into everything?

Nakata's performance in the film shows that he is Pei Liang. This is Zhang Yimou's cunning design and Pei Liang's dangerous chess. The cooperation between Pei Liang and Tian Zhan is watertight, which makes the mirror countries in court feel that Tian Zhan and Yu Zi are together.

Jingzhou said to Tian Zhan in the bamboo forest, "The viceroy wants to see you." At this time, Tian Zhan has a little surprise, remember not to be surprised! Because Pei Liang was injured in court, it has been made clear that the mirror image state is a shadow. If Pei Liang was skeptical before, he is sure now.

So how did Tian Zhan know that Mirror State was a shadow? That must be what Pei Liang told him. So he was not surprised, but surprised that he found Yu Zi's hiding place.

The plot of the film comes from the Three Kingdoms. For example, Yang Ping wants to take princess royal as his concubine, which is actually an adaptation of "How can a tiger girl marry a son?". .

Pei Liang's field battle is actually an adaptation of Zhou Yu's Huang Gai. However, even worse than the original, Pei Liang killed two birds with one stone and confused two enemy commanders.

At the same time, Yu Zi secretly found Tian Zhan and took Tian Zhan as his confidant.

In order to trick the children out of danger, Tian Zhan asked, "Governor, why are you imprisoned in the secret room?" Why not take the master instead? "

Yu Zi was unprepared. He not only told everything about Jingzhou, but also showed his real intention: "You help me capture Jingzhou. When it's done, you will make me king and you will be governor. "

Pei Cailiang killed Yu Zi because of Tian Zhan's information.

Because of Tian Zhan's information, Pei was able to know that the mirror could be broken in a few days.

It was because of the news of Tian Zhan that Pei Liang was able to rescue Zhou Jing when he was about to be crushed to death by a quilt.

Because of Tian Zhan's information, the assassins sent by Peiliang can quickly find Yu Zi's hiding place. It's just that he didn't expect Yu Zi, who was almost disabled, to kill all the assassins.

Pei Liang is the master of Guo Pei, but he is not an omniscient and omnipotent god.

Only in this way can we explain why Pei Liang can almost control the whole situation, and the logic of the whole movie makes sense.

So what did Xiao Ai see through the temple gate? Tian Zhan killed Jingzhou.

However, Tian Zhan is a hundred-year-old man. In order to save princess royal, he was almost hacked to death by Yang Ping. In those days, in order to save the viceroy Yu Zi, he beat dozens of mountain thieves, and he was willing to commit suicide for Guo Pei. A diehard like this may be forced by the situation to support his idol. However, Yu Zi died and Pei Liang died. How can he bend his knees and be a nobody? How can you keep Jingzhou?

So, seeing the frightened little moxa, I want to open the door and don't open it!

As for some big V's "Xiao Ai and Zhou Jing's feelings come from? The plot was not explained, and their feelings did not touch me. " As a video practitioner, I want to talk about it from a professional point of view.

First of all, Xiao Ai has a similar maternal love for Jingzhou. Jingzhou fell from childhood, leading to the lack of maternal love, and quilt Yu's uncle was placed under house arrest in the secret room.

As Jingzhou himself said: "There is no light, no sound. I was alone in the dark and touched every crack in the wall. " He longs for love and light. Xiao Ai's "sympathy" was felt by the mirror countries that became shadows. He had a chance to escape, but he didn't want to leave Xiao Ai.

Secondly, please pay attention to their passionate play: Jingzhou is curled up on the ground like a fetus in the womb.

Xiao Ai ran to take a photo of mirror image, and suddenly woke up like a flustered child.

Then, like her mother, Xiao Ai embraced the mirror image of being afraid of the dark. This is not called "sudden progress" or "unable to tell stories", but "expressed by lens language".

Unfortunately, these people don't know how to wander in the blank, and they don't want to study the lens language and understand the master image.

Remember Chen Kaige's Legend of the Demon Cat? Some people criticize others for saying that the plot is absurd and boring. However, people originally filmed a dream of Bai Juyi. Why not be bold and unconstrained style?

Movies with big backgrounds are not easy to operate, such as Hero, Golden Flower in the City and Promise ... No matter how much you scold them, they are still blockbusters, and small directors can only catch up.