Summary of the contents of the contract between

The story takes place in Amoi, the twelfth planet of a galaxy in the distant future. This is a society controlled by Jupiter, an intelligent computer, which creates a group of male elites to manage the city through genetic manipulation. They are called Blondie (coined from blond: blonde, fair-skinned), taller, stronger and smarter than ordinary people (IQ over 300), and have little feelings and desires.

Unfortunately, they can't have children. All residents are simply divided into five grades according to their hair color, from bottom to top: black (homeless), red, green or blue, silver and top blonde. (Ah ~ dyeing your hair must be a heinous act in this world! ) Except the tramp, everyone is cultivated by genetic engineering. Jupiter's population is dominated by men, and women are very rare.

Blondie is the ruling class, they have privileges that others can't enjoy, such as keeping pets as soon as possible (young and beautiful men, occasionally women, but the price is 65.438+0 billion. ) and "furniture" (the original meaning is storage, here refers to the eunuch-like man who takes care of Brandy's daily life and manages pets).

Extended data

The Wedge in the Cracks is one of the three classic novels in Japan. The other two novels are Miracle in Fire and Fuji Shirdimu Symphony Orchestra (both animated). This novel tells a series of stories between two men.

Love between men

If we analyze The Wedge in the Gap from this angle, we will suddenly realize the reason for the strange and even grotesque relationship between Yasen and Ricky.

Iason's irresistible exclusive desire for Riki leads to hostility towards opponents who hinder him, which is the biggest reason for his persecution of Riki's partner (and the second reason is to cut off Riki's contact with the homeless and leave him nowhere to return except himself). Love itself is a virtue, but it provokes the struggle between virtue and virtue.

The essence of exclusiveness is evil, but in order to get love, we have to fight, so love has both unity and exclusiveness. Love is a strong self-assertion, bordering on madness. Plato called it "the fanaticism of the soul under the control of God". Behaviors dominated by the power of love are often against the norms, but they are generally different from pathological lunatics.

Shinichi Imado, a famous Japanese aesthete, said: "If we can call love a martyr of great morality, then we can also say that love is the motive of tyranny without ambition." Iason's abusive behavior towards Riki (mentally more than physically, such as insulting his self-esteem) is a concrete manifestation of this view.

It is worth mentioning that, whether in primitive times or in today's world, love is never based on the law. It has the power to influence the formulation and destruction of laws, resulting in countless love tragedies, especially in literary works (I like The Scarlet Letter, The Divine Comedy, The Thorn Birds, etc. Iason broke the established rules of Tanagra and treated Riki as a pet, which fully proved this statement.

In traditional Japanese aesthetics, the word love means loveliness and attachment. Sometimes it is also used as "benevolence" and "goodness". "Love" refers to the admiration and yearning for the most important thing. According to this Japanese logic, Yasen's treatment of Li Ji should include not only "single desire" but also "kindness".

So when he saw that Riki was suffocating the life of the upper class, he arranged for Riki to go out to work, although he didn't want him to leave him. There was a music CD called Sympathy.

Compared with Yasen, Riki is passive and unwilling. But after careful study, I found that he actually fell into a state of "love" (at least in the later period). People are often moved and shaken by the beauty of the body, but tremble and worry. This kind of emotion is a typical love emotion.

That's why Riki gnashed her teeth at Iason and shouted "I will kill you sooner or later", but at the same time she couldn't resist what Iason did.

The love of "Philia" is not shown much in The Room. Perhaps only the relationship between Riki and Guy reflects a certain degree of "filia". If you want to find it again, the friendship between Yasen and Raoul can be regarded as "Philia".

Before meeting Iason, Riki and Guy maintained a love of "er not s not s". When he left Yasen and returned to the slum, his relationship with Guy became a "Filja" love. Maybe Guy didn't want to accept this change, but then he figured it out and said, "It doesn't matter if you can't be my Riki, but don't be that guy!" .

At this time, he had no desire for Riki and sublimated his feelings into platonic spiritual love. Love often struggles with disillusionment and dreams. It's like a dream. It always looks forward to being integrated with truth, goodness and beauty, but it is a permanent extravagant hope with tragic color. True love often leads to love death and tragic ending.

At this time, it is not the simple end of death that affects our hearts, but we realize that the structure of love determines that it must be associated with death (this is especially obvious in the animal kingdom, where males are often eaten after mating with females). Therefore, the physical destruction of Yasen and Ricky achieved spiritual eternity.

Finally, for love, "equality" is very important. Riki and Iason are not equal in status, which determines that they can't open their hearts and be together without restraint. Only death can make them find true equality. This can be illustrated by the phenomenon that people are equal:

First, in fact, people depend on the existence of others in a sense, and they are not really independent;

Second, in fact, people are dying, as long as they are people, they are all non-absolute existence; Third, people can't rely on themselves, but must exist through love and complementarity. Generally speaking, it is: first, people are equal in "existence"; Second, people are equal in "death";

Third, people are equal in "demand". These three points point out the equality of people in the true sense.

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